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This was in a Vistek ad…some cool tips you may want to use.& h1 J/ f- X- y# A3 W
0 w% U' A- c, U+ N; a( cDigital Black and White
2 k* J) p# B" dShoot in RAW and underexpose your image by 1/2 stop to a full stop.( B0 E) a+ G, {1 D# ]! l
Use the shadow and highlights tool in a RAW software program to$ u# U4 c/ U* R, B6 {" ]
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
, \# @; g' m! f( L% fmethods provided by RAW and you'll have a correctly exposed black" @- x2 y! x" L" ^2 y: i
and white image./ l; A: f5 ^4 d* Y1 o6 d) T1 K/ b
+ Y. T0 Z6 K) j4 Z: c% x) BWhite Balance( C: \3 X$ J& i1 [& U
If in need of a quick white balance tool, you can use a standard
V1 S6 O5 r3 c) p, cwhite coffee filter. Use the custom camera white balance while aiming7 }7 b+ \% Y9 M2 ~) A
the coffee filter and lens to the opposite of the light source to get white
) {9 n- i3 p& B/ X) Vbalance. I always keep coffee filters in my camera bag for
, Z' S4 l _& ?. {* y, C) fsuch occasions.
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, {( z7 ]& o; s, X* P- {% IPseudo ISO Boost
M# X% e0 i7 nIf you’re shooting in the dark at a concert venue and need more
+ T0 M M+ u8 p' Y+ c9 qISO boost from your camera and faster shutter speeds - choose
' b7 u& o [6 [. t- L6 Gthe highest ISO setting on your camera and underexpose your image+ x$ k4 t4 }+ O" V
by one stop. Then you can use a RAW processor to overexpose the
( k T3 k/ E: `# n( b6 a: n0 [image by one or two stops. Image noise may be higher but this) S# n2 ]9 i; q7 q, [# ^
works very well for concert, venue and event shooting. |
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