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This was in a Vistek ad…some cool tips you may want to use.
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7 I/ ~8 r- Y$ l; A$ Z5 k+ g& A8 QDigital Black and White
/ q3 ?5 o. f2 x1 g- x. sShoot in RAW and underexpose your image by 1/2 stop to a full stop.
) f+ u- x4 h1 M1 J, D- I" w3 F9 aUse the shadow and highlights tool in a RAW software program to
; G/ l# }! Z4 _, C: v; K4 A. Jrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White) p& ?& f3 J8 T# }% p+ r
methods provided by RAW and you'll have a correctly exposed black& _ K3 r9 X0 L* T4 M5 K
and white image.; j8 x' ~) V5 v; d8 @9 T
5 t! I: W/ p/ b4 D. P9 rWhite Balance5 A2 g0 S0 @9 P: y
If in need of a quick white balance tool, you can use a standard
g& o" C! w# A& K1 ewhite coffee filter. Use the custom camera white balance while aiming ~% v! w8 c# x$ q/ y- r! o7 N6 G
the coffee filter and lens to the opposite of the light source to get white
1 ?9 A& Z) u! ]1 d! L9 [& W# ebalance. I always keep coffee filters in my camera bag for
# Z. t& y6 \" R, K2 j6 a _such occasions.8 d. ]$ z! _) q0 Y
; H2 T. D) y' j& i& nPseudo ISO Boost* N9 m1 r2 O) R, L+ @8 s8 ^
If you’re shooting in the dark at a concert venue and need more% m' Y3 Z+ e0 z5 V$ H
ISO boost from your camera and faster shutter speeds - choose % N3 \3 e0 z! C! q) T" O
the highest ISO setting on your camera and underexpose your image
* L! @. C* R- S' L: C/ Bby one stop. Then you can use a RAW processor to overexpose the( k+ u( _" X' P3 G7 i1 e
image by one or two stops. Image noise may be higher but this
. D" A: }2 u4 Mworks very well for concert, venue and event shooting. |
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