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This was in a Vistek ad…some cool tips you may want to use.7 m$ G# t9 P, G6 y
; c: q# R6 d, j" k& tDigital Black and White
3 Y, @9 s6 k! k7 l7 l. RShoot in RAW and underexpose your image by 1/2 stop to a full stop.
/ h! r" M* \# e1 b+ cUse the shadow and highlights tool in a RAW software program to& ^2 V; m2 s! f, ~- Z
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White. h' d. G4 R, t5 m: f3 b' R+ O
methods provided by RAW and you'll have a correctly exposed black" e7 H7 c# a h3 G! w
and white image.
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, I" k) _. l' vWhite Balance) ?: Y- @/ ^( p$ p5 `8 R. h
If in need of a quick white balance tool, you can use a standard; Z2 c! p& ~; G5 G' G. v7 C
white coffee filter. Use the custom camera white balance while aiming
C( t" e0 d0 X; a2 cthe coffee filter and lens to the opposite of the light source to get white7 Y: @( S* K; f
balance. I always keep coffee filters in my camera bag for5 B) U1 Q% W! P* N0 N6 @
such occasions., c: c3 Y- p& @! h0 ]3 n* m
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Pseudo ISO Boost
' R1 x) C" r2 \7 {7 UIf you’re shooting in the dark at a concert venue and need more3 @1 Q$ a% e) v$ c$ H
ISO boost from your camera and faster shutter speeds - choose
4 x1 W! F) M# P; Sthe highest ISO setting on your camera and underexpose your image
9 y/ S. G# v- a5 W, q: `! c3 Nby one stop. Then you can use a RAW processor to overexpose the2 f# l+ z( D) Z' g* R6 `
image by one or two stops. Image noise may be higher but this9 b) {6 w# K/ z G& U# g0 y( M
works very well for concert, venue and event shooting. |
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