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This was in a Vistek ad…some cool tips you may want to use.
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! L* M" q/ g2 @+ f: [: o* {0 @Digital Black and White
' |" S! |) t$ a+ W2 w4 qShoot in RAW and underexpose your image by 1/2 stop to a full stop.
" a& o0 ]7 ]1 H3 t0 T/ mUse the shadow and highlights tool in a RAW software program to7 b" o; Y: t! L3 z4 S7 _# P
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 h. t# A. g) c# K2 Y; L5 qmethods provided by RAW and you'll have a correctly exposed black6 V9 j' u0 V. j8 E7 _9 r n# ?2 ~
and white image.
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7 \: X' m* @: x6 \White Balance$ x6 B) t& o6 c, I: v
If in need of a quick white balance tool, you can use a standard
, [& h: W3 V5 I5 u& y7 ^white coffee filter. Use the custom camera white balance while aiming% k$ r# I+ I8 G0 a( V
the coffee filter and lens to the opposite of the light source to get white+ H+ M; Z) c9 V
balance. I always keep coffee filters in my camera bag for
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Pseudo ISO Boost, z" D* f$ ]$ Y- K4 A
If you’re shooting in the dark at a concert venue and need more8 j) F! p0 a/ N. n
ISO boost from your camera and faster shutter speeds - choose
7 v* g: A5 p& g- ^: nthe highest ISO setting on your camera and underexpose your image
. f( y2 z" z7 w, Uby one stop. Then you can use a RAW processor to overexpose the! N7 H( K( k" C2 I+ {/ C% [
image by one or two stops. Image noise may be higher but this8 _5 ~ w8 J. N9 \5 N6 E: g: A# ~" _. O
works very well for concert, venue and event shooting. |
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