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This was in a Vistek ad…some cool tips you may want to use.- y5 P# `% c, f& f2 Y
$ l2 T4 L) k6 `+ PDigital Black and White
! i7 P2 l5 g9 i5 t& VShoot in RAW and underexpose your image by 1/2 stop to a full stop.( A! l ], E5 i
Use the shadow and highlights tool in a RAW software program to7 C/ m4 B" ?1 X6 w
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White2 E9 Z2 m; z" z
methods provided by RAW and you'll have a correctly exposed black/ g1 h& G2 L# S& F# n [9 c# l
and white image.; X. ]0 _* `; a# J" O6 R* q
4 `2 {9 U# ^+ u4 }. o% t6 [* ZWhite Balance; p% N6 v. W3 x" F
If in need of a quick white balance tool, you can use a standard
0 o& ^. p8 M3 A& k! ~white coffee filter. Use the custom camera white balance while aiming
3 V- ^+ {8 b, ]the coffee filter and lens to the opposite of the light source to get white
1 x/ U/ N* ]0 H& tbalance. I always keep coffee filters in my camera bag for( D/ ^8 p$ i! S/ p
such occasions.
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Pseudo ISO Boost
( b! L7 a2 e$ B' K! X7 cIf you’re shooting in the dark at a concert venue and need more% w7 a# H/ J' r& q' }" M
ISO boost from your camera and faster shutter speeds - choose
6 {, ^/ V& l7 d3 S6 ?1 wthe highest ISO setting on your camera and underexpose your image: r+ j& a* M' E" p8 P
by one stop. Then you can use a RAW processor to overexpose the7 o6 I& I" g e) O0 i! T2 j$ \- x
image by one or two stops. Image noise may be higher but this0 {; ~) N: S9 ` r# Q l% Q. O
works very well for concert, venue and event shooting. |
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