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This was in a Vistek ad…some cool tips you may want to use.& l$ x2 Z- Y5 s. ~
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Digital Black and White: z# g7 t, }& r7 j: i. e1 B, m: i, N/ Q0 P
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.- @ J2 [+ x* d2 A6 N) ]
Use the shadow and highlights tool in a RAW software program to
$ N( C" G7 |( |# Grestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White! O1 y! j# a9 G' t+ ?) I4 d
methods provided by RAW and you'll have a correctly exposed black( `: O: ^" e. |4 `& `+ u* g
and white image., N3 F$ G! {& R9 d% c& D
0 \* q9 F" A: mWhite Balance% t. ^5 S6 [4 s7 ?' Q: Y
If in need of a quick white balance tool, you can use a standard! i! Q; V) \! u9 D2 L! S
white coffee filter. Use the custom camera white balance while aiming
7 a4 R' ]6 s( K7 Y9 f4 e2 K- ?the coffee filter and lens to the opposite of the light source to get white
) A( h. N# O! @balance. I always keep coffee filters in my camera bag for
U; n3 y8 ]+ W: B+ d; Dsuch occasions.
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1 a: U0 r; H8 I' b8 a6 G$ uPseudo ISO Boost
4 n x7 d4 S$ b0 p, MIf you’re shooting in the dark at a concert venue and need more, F* n) G9 c( J# n, Y
ISO boost from your camera and faster shutter speeds - choose
: K- R8 s! P8 Gthe highest ISO setting on your camera and underexpose your image
, T# D5 u8 U: y! q0 e9 fby one stop. Then you can use a RAW processor to overexpose the
+ Y6 T; _4 d2 _6 kimage by one or two stops. Image noise may be higher but this5 l& z6 r, w- Z) L, }6 S1 n1 I @
works very well for concert, venue and event shooting. |
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