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This was in a Vistek ad…some cool tips you may want to use.- w! @9 R& }2 o; s6 f- P
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Digital Black and White
. ]+ V% j5 T* q4 r1 h9 _0 W$ H2 eShoot in RAW and underexpose your image by 1/2 stop to a full stop.. X% Z- B9 y$ @6 Q5 _
Use the shadow and highlights tool in a RAW software program to9 I; U0 f, \9 g. C. a% K& X, G
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White2 c' w+ o" I) b: A4 ?
methods provided by RAW and you'll have a correctly exposed black& T& C) x8 Z7 Y7 Z, U o
and white image.
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White Balance
3 j/ N3 k/ g% i# l; Q/ _If in need of a quick white balance tool, you can use a standard
6 ?7 b6 C7 D; a/ ^' S. Rwhite coffee filter. Use the custom camera white balance while aiming. G3 I! e8 `1 m! A0 E* ~
the coffee filter and lens to the opposite of the light source to get white+ ?9 G( O7 j& y5 k
balance. I always keep coffee filters in my camera bag for
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, U- {. }! c T. i1 kPseudo ISO Boost
; r' B3 a! c; zIf you’re shooting in the dark at a concert venue and need more0 A5 h! O% u0 x9 a* D
ISO boost from your camera and faster shutter speeds - choose
$ H/ {8 p( c( r0 b% f0 K) Athe highest ISO setting on your camera and underexpose your image0 T! X; I8 Z% X
by one stop. Then you can use a RAW processor to overexpose the
6 a! {4 \6 I3 fimage by one or two stops. Image noise may be higher but this
' E) H2 u4 U% p! r9 Vworks very well for concert, venue and event shooting. |
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