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This was in a Vistek ad…some cool tips you may want to use.
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9 Q9 s9 J5 y9 a- |( J1 |Digital Black and White( L7 b$ g) L7 P5 U
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.+ f9 i$ L8 S5 h7 z+ H
Use the shadow and highlights tool in a RAW software program to
' @9 l3 P- A" r; yrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
* ?6 c4 u' P& F+ K6 Fmethods provided by RAW and you'll have a correctly exposed black
# _0 A$ ?5 b+ w6 fand white image.
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White Balance
# s/ L, n2 o6 E0 y7 OIf in need of a quick white balance tool, you can use a standard5 n. o0 _! n. L4 p
white coffee filter. Use the custom camera white balance while aiming
# Z. n% P) x0 z, i6 vthe coffee filter and lens to the opposite of the light source to get white
# G" |$ E% ]" ?- bbalance. I always keep coffee filters in my camera bag for9 |: Z( N1 R+ ^# ?
such occasions.
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" V% J% G* k8 r+ |8 s% FPseudo ISO Boost# Q6 ~( T5 O2 V1 j X7 G
If you’re shooting in the dark at a concert venue and need more/ x- C0 D: Z& L5 L a" O5 t
ISO boost from your camera and faster shutter speeds - choose
# B X) u1 I) a* _1 m- gthe highest ISO setting on your camera and underexpose your image
; @0 j7 m9 B2 A/ u4 rby one stop. Then you can use a RAW processor to overexpose the H) g/ z* _! h6 l3 O
image by one or two stops. Image noise may be higher but this
T; A3 q; r- k5 [) j1 Wworks very well for concert, venue and event shooting. |
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