 鲜花( 152)  鸡蛋( 1)
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Randy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams1 u6 d0 ? D. ]0 K6 E
Given at Carnegie Mellon University& ~" v- z. z; `6 v6 e* |1 c2 B3 L
Tuesday, September 18, 2007
, N* ^3 ~8 c; J& bMcConomy Auditorium
1 s* J, ^9 s) u" W) M" D& rFor more information, see www.randypausch.com
+ n. R" r/ U3 ^$ Q* g4 b4 T# {© Copyright Randy Pausch, 20071
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7 X9 X+ A6 `; b( fIntroduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:
9 X0 y6 O; u* sHi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled
% o) g" V5 M/ L$ G4 E9 tJourneys – lectures in which members of our community will share with us reflections and insights: G% T4 W {+ i. E0 s( N% @
on their personal and professional journeys. Today’s Journey’s lecture as you all know is by/ S! A( ? v- K' Z' | E" A: q
Professor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky.
/ e2 R1 y( x- U4 ITo introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s9 [ D% f( X$ |3 f" ^3 g
friend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice" G8 ~- ~* ?, y( y8 J
President of Global Brand Development for The Sims label at Electronic Arts. As you all know, The- T1 G: |/ y5 r9 C6 Y5 |
Sims is one of the most, if not the most successful PC games in the world, with sales approaching
3 S3 X e; ^8 F, I. j0 jover $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and
6 y' O4 U0 O# i) Y6 REducation at EA, bridging academia and Electronic Arts. His goal was to work with academics so2 k$ }/ ~' b+ k8 _! {
there was an effective educational pathway for kids with building games as their dreams. It was in
$ Q" m& c" {! u8 t3 h' dthat role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the
6 J2 v, d# P$ T1 k) @0 p5 F1 y( ]worldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite7 Z% p, A. P$ p! F
magazine in the Southwest, and as CEO there, one of the things he started was school tours,
1 u3 a' T$ M! ?* k: \5 Jbecause like Randy he shares a passion for inspiring kids of all ages to share their excitement for' a7 C- a h/ H; F9 ], f
science and technology.* n; U7 ]& q$ N1 g* `8 |( [
So to introduce Randy, his friend Steve Seabolt. Steve?8 S& H( [ O- S0 r) ^6 ^- z/ B% m
[applause]
5 ]- A! r5 U. s9 K/ M/ G' wSteve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):' {& Q# ]- H# _5 l
Thank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR8 x& S* K5 q1 S5 n7 f( i+ @
people are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it9 U7 n$ `8 t) I+ R- Q/ Q# s, }
was 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.6 t" ]0 ]$ z$ S/ z! i
[laughter]
; e+ K/ V* d3 F; II don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from( L; S$ Z8 X' E0 Z
Randy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me
8 v. z; N, c( u+ P N) G) R) Y5 G20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.. l$ o. [! P7 i- O# a2 Q. N
It’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic
0 L6 x* D1 O. q' U# acredentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I$ z3 R2 C4 f9 z2 E, W
couldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m ?; U+ b5 \# K8 w4 l% S4 k
not kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT
+ f& p$ [) l8 U6 ]- a/ z# f- Jscores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned- L. [" B) l; H) ~) c5 G1 \: o4 a" ], e
– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four# w. W" e! z) v
weeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I9 i" x+ s/ m+ N, b8 k- k
said look – we have two choices. We can play this really straight and very emotional , or we can go
+ ~" T5 v% E- }to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called
# W6 G- i" r% k' v% I1 {him the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,
6 j2 O: p3 v" v8 h1 `+ jwell, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To( r( b" h: ~( z# m: c) @5 m
which he responded, we need to find you some smarter friends. [laughter] So you’re all smart
- e0 ~- a) D% m! I) ^because you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room.
8 e8 t N- u0 H& ?! o6 rRandy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from2 r! y9 ]4 [/ V7 X8 _* J; Z( r
Carnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year
$ @- s4 w+ `' M M8 Zearly. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design
+ I- d6 n4 ]* ]" sdepartments. He has authored or co-authored five books and over 60 reviewed journal and8 r2 ~& { h1 m4 q5 }: s
conference proceeding articles, none of which I would understand. With Don Marinelli, he founded
" `$ w) u5 m1 u2 L# M% |the Entertainment Technology Center, which quickly became the gold standard organization for
, y3 D; y3 v7 V. k) I1 ~1 Straining artists and engineers to work together. It is my view and the view of our company,
7 t2 }) J9 E& W2 V! TElectronic Arts, that the ETC is the interactive program by which all others in the world are judged.( j% P) f$ U6 [$ [
I met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been/ z/ a1 P% C' V* U3 T4 E2 P7 j. A+ \, e
three years given the depth of our friendship. The ETC already had a very strong relationship with6 R( ]9 r5 W1 ~" f. P- m7 ]0 b. u
EA and with Randy. And Randy as he always does, for those of you who know him well, wanted to
8 z4 i) Q9 k' B3 H5 C, jlearn more, with his own eyes, about how the games business works, and how games really got
4 Y0 }. N: E) f/ Z) Emade. So he spent a summer in residence at EA, and I was his primary contact point. We were in
- n7 ?4 r% Y6 z z" r* H smy view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me
- J8 e$ k& r/ Pwho went to the University of Iowa on a wing and a prayer. We spent a lot of time together that
" L+ L" f- y* `( E5 Bsemester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white
7 ?) \% A, ?, T/ Z- ybread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more
( D& U/ v, W: z0 l. J“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each/ L- `4 S& h; B
other about each other’s very interesting, strange cultures to the other. Academic versus the1 s i( L1 v; A) W E
corporate world. And we developed a deep friendship woven together with stories about our kids,, w4 h9 `- B: \2 u& i5 D
our wives, our parents, as well as deep discussions about the paramount nature of integrity in
+ i/ y2 j! I- Q+ Yeverything you do, family first, religion, our shared joy in connecting people and ideas, and4 U$ c0 `9 @+ E. k: a
deploying money and influence to do good. And the importance of having a lot of laughs along the4 H) r5 j! C9 V3 _9 l, }0 \% N
way.' W5 K' n+ ]- a0 M) V
Randy’s dedication to making the world a better place is self evident to anyone who has crossed
/ V i* J, ?* K4 c8 L, P# \: Npaths with him. Whether it’s directly influencing students, creating organizations like the ETC,
' ^$ b) ^" T% R1 [8 W$ ]1 N. z) e9 Jbuilding tools like Alice or doing what he probably does best, which is bridging cultures. As Ben5 K8 s, V+ x8 t4 O8 _: o( w6 ?
Gordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,; h. y1 L8 U/ d. \
philanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he Z. ]1 M, }1 L# m0 F
brings to students and coworkers on a daily basis.
6 g# R# `/ P& l. q! J% GFor those of you who know Randy, Randy brings a particular zest for life and humor, even while
5 Z, M" ^; i# Z# T" s3 _facing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,
3 i; K- p9 i) ^( }, b$ WLogan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]
. h4 I U! i( b7 k! T7 A+ W \( nRandy Pausch:
9 y3 ?9 h6 @( K7 E! x$ {9 b5 ~[responding to a standing ovation] Make me earn it. [laughter]
5 S) r# h8 ]$ K4 c1 C, z6 EIt’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the- [* `: a: o) Z% g) [* C
Last Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,; a+ ]2 l# x' i8 ^
I finally nailed the venue and they renamed it. [laughter]) @. ^$ g+ Y1 z# u( `
So, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad
% |) ~4 _7 N4 [8 S( Calways taught me that when there’s an elephant in the room, introduce them. If you look at my CAT
: O, d' u+ v. [2 I' B% }scans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good6 }. R5 T4 `1 z; }% Y1 J/ X
health left. That was a month ago, so you can do the math. I have some of the best doctors in the
$ T! g' ?6 |8 \' N! N- a0 m9 {3 H Yworld. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All g. r V5 w [5 |
right. So that is what it is. We can’t change it, and we just have to decide how we’re going to/ u0 l4 |0 _# c
respond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t
4 W+ Y h$ E6 S- T$ N/ Tseem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
3 p' ?, f5 d. X- Z8 Q! f" | ?3 \am not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,
( {: Z0 E# P9 k! u! V$ iwe just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a
. e) E j6 S4 D! w; m ?1 M& k- mbetter place for the family to be, down the road. And the other thing is I am in phenomenally good
( Z/ U5 q+ s: X6 w4 ]health right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact' S/ _, X( _6 \3 E# L5 }
that I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the
2 A! O& x. b9 a7 a1 r& s; R. `! \ground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and2 A" q5 \5 h/ v, p1 \' Q
do a few of those, and then you may pity me. [laughter]
8 r) L9 d: w6 F. _* R% B: hAll right, so what we’re not talking about today, we are not talking about cancer, because I spent a* A8 e6 a4 m5 X
lot of time talking about that and I’m really not interested. If you have any herbal supplements or3 j! Q* L; J7 a! }
remedies, please stay away from me. [laughter] And we’re not going to talk about things that are, P5 D. Y, o3 Q6 [
even more important than achieving your childhood dreams. We’re not going to talk about my wife,
* |% ?2 n5 N- ]we’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that; p' ~( K1 k; z0 x3 a
without tearing up. So, we’re just going to take that off the table. That’s much more important.1 }1 B- L! Y- y( u
And we’re not going to talk about spirituality and religion, although I will tell you that I have
. {( y/ ~9 C7 G( wachieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and3 [% z* p! L* U; v4 U2 x
clapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about1 c9 K) p4 ], ~) Z3 a( J, R
then? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that
9 P- s- R* P ?2 |way. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons
2 D! e; x& s& C. f3 d! g/ ulearned. I’m a professor, there should be some lessons learned and how you can use the stuff you
/ ?: Q: ^6 p& N$ v: z- W% ihear today to achieve your dreams or enable the dreams of others. And as you get older, you may4 T% W. e$ `9 i
find that “enabling the dreams of others” thing is even more fun.
$ N8 \- ?+ [6 p9 F9 q( _# \So what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no
+ X5 W: ~/ Z% O2 E( Dkidding around. I was going back through the family archives, and what was really amazing was, I" O0 O4 v% q6 C# r3 H
couldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying
- N9 R* S8 i6 Uthing. There was our dog, right? Aww, thank you. And there I actually have a picture of me
" }' f9 l. W0 Gdreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you
6 d& P _5 i, ]are 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.
- l/ W) ^% L( l, u! F3 F* fAnd that’s something we should not lose sight of, is that the inspiration and the permission to
# [) q. }9 j" pdream is huge.
% R! w' q, _9 B% L9 X+ T# H; i/ E7 BSo what were my childhood dreams? You may not agree with this list, but I was there. [laughter]6 Y2 ]' D# U$ {6 D
Being in zero gravity, playing in the National Football League, authoring an article in the World Book
* Y+ T. [$ d- M* W+ V) }Encyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have. M! ?# Z* y) @
that childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big6 a( w! N8 k9 C1 |7 X5 B5 r
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not$ X1 v* D) R9 B8 Z# G. g
sorted in any particular order, although I think they do get harder, except for maybe the first one.7 ]6 j% ~4 }/ A
OK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an9 v6 w5 @8 J- S8 [/ P, X2 U' A2 {
astronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have/ v1 C' ]1 p' L' {1 s
glasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.
6 ~& x' O5 m$ d( l- t, M( TSo, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation
: s( |! V# o* [( pon a table top] But that didn’t work so well, and it turns out that NASA has something- m2 o: F+ ?; y5 ?( l" }- A% I
called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs," f8 t3 B3 `/ E( H' E& N/ t, c+ p
and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a
2 n0 v9 f" `% ~- F; K: i5 Z9 ^& S3 ?rough equivalent of weightlessness for about 25 seconds. And there is a program where college
6 p0 r7 y2 ~. \! gstudents can submit proposals and if they win the competition, they get to fly. And I thought that
( |1 c& V1 x7 O) |" N- l1 z0 rwas really cool, and we had a team and we put a team together and they won and they got to fly.
+ q: z5 R# r& s( w8 MAnd I was all excited because I was going to go with them. And then I hit the first brick wall, because
5 \/ G- V) T. E- j9 ~ Wthey made it very clear that under no circumstances were faculty members allowed to fly with the
: x5 `, J1 t' W7 {teams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very8 C8 K5 H7 X' E- F2 M ~, v
carefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns
. l, B$ Q& O2 e: F: s/ Jout that the students were allowed to bring a local media journalist from their home town.5 w/ N0 m, g/ u4 t' L' {
[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a s7 d% t. I- g8 r0 E" k* B& J
press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some
) q. i' a: C. l2 {documents. And they said, what documents are you going to fax us? And I said my resignation as3 A6 y9 b5 x) ]+ H
the faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t
% m. Z) \3 F" B4 `( r _you think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole
5 }2 \6 y) O$ J$ Z' I* {bunch of VR headsets and all the students from all the teams are going to experience it and all those- S* J% S: u8 I4 H+ V k) q
other real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going
8 \. i' P4 t& K7 \oh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the
0 @$ \' v1 O3 C2 X( C! [1 ~bargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring
3 d& `5 z- c: N! N/ f mto the table, right, because that will make you more welcome. And if you’re curious about what' Z- C: d* u% i
zero gravity looks like, hopefully the sound will be working here. [slide shows videotape from
: @3 k. U7 W1 e. U- s0 q* K# JRandy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,7 R2 m g3 `( ^" k" U) G
as the people in the video crash to the floor of the plane on the video] So, childhood dream number
! v$ M7 ^; `% Uone, check.* w9 V# z7 M# T
OK, let’s talk about football. My dream was to play in the National Football League. And most of( w& @8 H8 |- A5 _
you don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,: Y) `* `5 M+ v9 V( X! z% s- H/ p% A
but I probably got more from that dream and not accomplishing it than I got from any of the ones# l# z. T: K. X$ v/ r/ ~
that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in4 T1 B9 r" q% f4 x% E
the league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker& d9 B5 b) X0 ?: x; h: Y% u
at Penn State. He was just this hulk of a guy and he was old school. And I mean really old school.' T- W+ X) `- a: m- R$ W
Like he thought the forward pass was a trick play. [laughter] And he showed up for practice the first
- T* Z% q. S% |) v1 b' }7 @8 Vday, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t! f# \: H% H$ P2 w
brought any footballs. How are we going to have practice without any footballs? And one of the
3 ^4 l* p1 q& w; nother kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many3 j3 Z1 [3 O3 z& Z
men are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,% ?: S9 h A$ ~- y6 z6 `- t0 y
and how many people are touching the football at any given time? One of them. And he said, right,( H: b e& o m0 l0 `3 u
so we’re going to work on what those other twenty-one guys are doing. And that’s a really good; e* m7 J2 d6 @; ]
story because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got
" H; X* y2 S) N$ O% n4 G6 G$ p+ cto get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other9 {9 v: ~: x, K& P" ` S: y' `
Jim Graham story I have is there was one practice where he just rode me all practice. You’re doing; Q; M- B; G( l* E3 V
this wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups
! q; r- v8 U! e% k) |1 uafter practice. And when it was all over, one of the other assistant coaches came over and said,
9 k6 k8 ~: K( ~$ Q/ Pyeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He7 j9 g4 k( ^" `. |* M
said, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave) J" n6 ~- _2 O; V: k; [( n( I
up. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing
6 [6 q0 d5 f9 m) f8 W# esomething badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your, e2 t8 Y+ U$ @( i6 f0 N- r! ?
critics are your ones telling you they still love you and care.
J4 B! G! L U# R, DAfter Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of* P/ t7 ?7 h8 J
enthusiasm. He did this one thing where only for one play at a time he would put people in at like
- o* q- U+ a+ S9 v! `# Ythe most horrifically wrong position for them. Like all the short guys would become receivers, right?1 ~4 G3 u' d* R3 s" J4 T
It was just laughable. But we only went in for one play, right? And boy, the other team just never- o. r! M/ t' g2 ~
knew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where6 a5 C4 i! l7 O _
you’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going
$ }; O# @. Z2 s% B5 L8 Q8 wto clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this" T& \; I9 y1 L
day, I am most comfortable on a football field. I mean, it’s just one of those things where, you
; W3 M3 k/ M6 v9 s9 Iknow, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls
$ A$ w8 g5 L) F( r6 M4 _with one of these things, and that’s just because, you know, when you do something young enough
! C. y! [' [5 q* W5 ?' Z/ Hand you train for it, it just becomes a part of you. And I’m very glad that football was a part of my( V) a1 X1 E& P1 O, N% L8 y5 y
life. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more
9 O: G" [, w+ dvaluable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great) j, m2 _: H4 f' ~
right now.
& F4 o+ i/ H7 U; eOK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is. V9 L; Q5 A4 A0 N; l
experience is what you get when you didn’t get what you wanted. And I think that’s absolutely9 V' r! l: X" ?* H& b
lovely. And the other thing about football is we send our kids out to play football or soccer or
* q6 E2 r8 P- O3 \: x3 ~4 ~3 Wswimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or
~" ]: d/ Y. c4 pindirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that" g: E: E) a& H3 L, [% z# x
I have a wonderful three-point stance and that I know how to do a chop block and all this kind of% _) D* G/ g3 o' T9 H+ F7 {
stuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,
" S+ A7 d( k. m4 @perseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important.
% x5 h0 r' p# M- OAnd you should keep your eye out for them because they’re everywhere.
/ D$ g2 C c8 W; t r* w. m6 OAll right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had
8 t7 C. ?. C7 W, [the World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these- L' K4 O) ^( g2 l8 \
things called books. [laughter] And after I had become somewhat of an authority on virtual reality,
7 Y3 s- r& {# V6 o1 `: A5 R, Cbut not like a really important one, so I was at the level of people the World Book would badger.
3 u0 o# j. f, M& V- \) bThey called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing
8 |% Y; @7 J7 `+ X# Fvirtual reality headset manipulating a 3D world], and there’s an article if you go to your local library/ ^1 U$ O9 n: H( D7 |/ s
where they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And
+ n8 \2 p9 l& \all I have to say is that having been selected to be an author in the World Book Encyclopedia, I now
8 { Q7 W t( s# w: Q/ z* Hbelieve that Wikipedia is a perfectly fine source for your information because I know what the
0 }' Y+ u" P [; r3 N! cquality control is for real encyclopedias. They let me in.
4 O7 G0 h9 _) p7 U5 NAll right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you
: T. x0 x/ S! ]* njust realize there are some things you are not going to do, so maybe you just want to stand close to8 L# z2 N5 q! i* F) y
the people. And I mean, my god, what a role model for young people. [laughter] [shows slide of9 o q6 i* J0 s4 y* \
Captain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you( k. e7 ^. O' k
want to be, and what I learned that carried me forward in leadership later is that, you know, he
2 ~+ H$ T4 s9 ^8 @5 wwasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and
( f: v% B3 A# \, cScotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing' b! b" |8 N+ T* \9 A/ G7 y
and run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or
" }4 H7 U4 D+ T, Mnot you like the series, there’s no doubt that there was a lot to be learned about how to lead people; M) M" c; }+ L9 D/ a2 g
by watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of
* \- H9 l9 Q- R7 bStar Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing
+ c8 C. T$ c! `9 d7 m: s0 E- M[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just1 _& h9 v: w6 m* o
spectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of* H, ], k, g* R( s8 A* S4 ~
cool.: Q& U+ q- h! R) j/ J
So I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which
, h0 G- b3 [- D: iI think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author
. O- @- ~, b9 a8 Z* r! v4 q6 Gwho is quite good, and they wrote a book on basically the science of Star Trek, you know, what has
: M. L5 \2 v3 s$ z* ?8 jcome true. And they went around to the top places around the country and looked at various things
5 B& T+ g# h+ {/ h$ G9 Q+ zand they came here to study our virtual reality setup. And so we build a virtual reality for him, it
1 M* E* c" X8 U, klooks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it
! H: O7 N" t% l7 W% Q" \in, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming.
- {! {2 V, `( L" r[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you& h$ F. ~ ?" g( Y$ ~
to see what cool stuff you’re doing in your lab. And that was just a great moment.! [+ ^+ k5 c0 e/ w
All right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and
0 R2 B+ Q1 F; Q T) y' x1 `& G" u) Byou see the big buff guys walking around the amusement park and they’ve got all these big stuffed
9 t7 [( b; l; yanimals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.
/ w: K/ F- `% S5 k2 B[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.
+ H6 y7 ]7 D* ^1 ^I’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just* F3 K) W; U9 ~
a big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally% b/ y0 M7 f/ N/ ~# a9 p- p
manipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid9 P7 n1 l# h' N, \
somebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this+ f3 e: W, l9 A9 u
age of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them$ Y4 @9 O; i+ | O+ m
out. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them
! j: a, d; d4 M4 P6 h: ~) }+ vback against the wall.
K! z, x0 w+ I# B0 jJai Pausch (Randy’s wife):) G/ F7 r7 R" v2 i/ I; q5 C! E
It’s hard to hear you. [adjusts Randy’s microphone]2 ?7 Q1 }* t8 U3 a: j- v. [
Randy Pausch:; [& J" _' r4 K; d. @5 T
Thanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving5 J. y+ `; I: l- n7 U, z* z- A
truck, and anybody who would like a little piece of me at the end of this, feel free to come up and9 t/ k% f3 q4 @% E" V- @
take a bear, first come, first served.' K0 j; ]3 G0 h* Q8 w7 Y
All right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero3 \* n+ e$ v/ ]/ B( H
gravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family
: I( {# b: x5 p3 [) Btook a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s
8 e# |2 D. ~3 YVacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And
|* W+ i% F& [7 g: A5 ithese are real vintage photographs, and there I am in front of the castle. And there I am, and for$ j1 u- b- A' k2 w9 t
those of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was, _$ J6 l4 Y+ g! k$ r B
just the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,
) k- H; p) e, c1 N: t+ |5 aI said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.
4 y- n6 K# c. P7 Qfrom Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
1 h [- f# a3 i6 z6 Vmy letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest
' J; s& f- m$ _% Ygo-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your
$ x+ P% P5 ^) o) ^application and presently we do not have any positions available which require your particular
& `7 h# f8 H1 \) b9 Y/ p+ ?qualifications. Now think about the fact that you’re getting this from a place that’s famous for guys
0 Z" ?" E g0 k0 m; h2 Lwho sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are
5 K% e E F6 Z+ Jthere for a reason. The brick walls are not there to keep us out. The brick walls are there to give us4 v% `4 j [. d& Z$ f5 V' Z7 `8 K
a chance to show how badly we want something. Because the brick walls are there to stop the
: E: A( E- q1 J2 f- Lpeople who don’t want it badly enough. They’re there to stop the other people.! [7 L# }2 J! I9 {
All right, fast forward to 1991. We did a system back at the University of Virginia called Virtual
4 G$ V* J5 K$ l6 t) m2 mReality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared0 W0 P' V+ }% `2 y( j, V5 T
back in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew& F7 |$ y! b1 c ?8 |5 A
my undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to! S D% r& S6 J e
death. And this icon in the user interface community walks up to me and just out of nowhere just5 B5 A P3 `0 i
gives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,0 l* F6 E7 U8 Z' ~
maybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable
8 K0 p. O" h! p9 Z: P! jhit because at the time, everybody needed a half a million [dollars] to do virtual reality. And: X/ b. `/ \- s
everybody felt frustrated. And we literally hacked together a system for about five thousand dollars9 P3 m# D$ Y- C" ~2 o3 U) A$ W
in parts and made a working VR system. And people were just like, oh my god, you know, the0 _' f$ s: Z+ a
Hewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just
3 D+ c9 R: k3 e/ Ggone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in' a" k. x! R9 O$ Q: P% ~
virtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know: U" [. ?) U# M5 m9 G6 ?* ^
what he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m: B1 X2 b; ^$ V% x- V# ~3 q
sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your0 u$ o7 `3 p$ ^& D. ?
question, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little* x! `0 h6 u* M3 V
moment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]
2 ~' P B5 c( Z# ?1 j, ^And so Imagineering a couple of years later was working on a virtual reality project. This was top
% u& K# g T7 z) ]4 hsecret. They were denying the existence of a virtual reality attraction after the time that the
4 E5 f: D) ?" K& X5 T6 cpublicity department was running the TV commercials. So Imagineering really had nailed this one
" I! w6 Y) r5 rtight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted! X3 ?9 M1 n; s* [/ h
display, sometimes known as gator vision. And so I had an in. As soon as the project had just, you' M6 M h8 ?3 a: |: y5 E% e
know they start running the TV commercials, and I had been asked to brief the Secretary of Defense
) t5 {4 ~- E" i* l6 s& Z# Oon the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of' r1 r& n; P2 q
Defense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m
) U! y1 {5 l+ N2 obriefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the
! ]# Q$ U3 H. {- cbest VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism
4 b, J) S3 W7 d! Bstuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR
; S. Q: Y" b% Jdepartment doesn’t have any footage for you, so I’m going to have to connect you straight through H( L5 m9 m$ I! L9 F
to the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy( ^. {! _" \2 w) t/ a
who is one of the most impressive guys I have ever met, and he was the guy running this team, and
; M" |9 d0 V! H4 Q7 O( rit’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly+ r" A0 ^5 O8 S2 u c8 s
and he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,1 o/ H. C* C i4 C* [2 }% E
would you like to get together and have lunch? Translation: I’m going to lie to you and say that I
7 Z4 ^3 _. l+ Lhave an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have
/ a% S6 y1 P ~0 _6 U: V3 zlunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all6 W0 M8 {# }5 `
the VR experts in the world, saying if you had access to this one unbelievable project, what would
2 N# ?7 ~& T2 vyou ask? And then I compiled all of that and I had to memorize it, which anybody that knows me5 I- ?; ]. a" \/ K9 u/ d5 G
knows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in
' N/ J6 r6 {9 P+ T/ odweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have# r: K# f2 {9 a, x1 Z% a2 W
thought he was talking to some phenomenal person, because all I was doing was channeling Fred# \4 ^( V5 X# Z% }
Brooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty
v' e' ]" Z3 h3 V; E2 m0 k% ?- V6 ~easy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort1 C. u8 q: J: u
of, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up.
J0 m0 ^' H6 ]* Q4 Z1 G3 L0 XAnd he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him
1 v" U. C- X" iabout the possibility of coming there and working with him. And he said, well that’s really good/ o) D5 J- B6 I4 f
except, you know, you’re in the business of telling people stuff and we’re in the business of keeping& S2 Y* \1 z7 |& @6 B! R! J! a
secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I
2 t; o& c9 E" Areally loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just
1 H2 g( n" T/ o( i0 R, Don what have I learned from Jon Snoddy. One of the things he told me was that wait long enough
9 O% M1 N" x7 g) B, {/ t7 }: J0 m/ P* dand people will surprise and impress you. He said, when you’re pissed off at somebody and you’re
: l3 a: _: r# J) ~angry at them, you just haven’t given them enough time. Just give them a little more time and
3 R2 a; Q1 p. |) e! fthey’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on
2 o) w6 m4 x* l. qthat one. So to make a long story short, we negotiated a legal contract. It was going to be the first –% l% Y. H0 o7 ~- U0 X0 v) J
some people referred to it as the first and last paper ever published by Imagineering. That the deal6 u9 a& u5 ]7 W8 k
was I go, I provide my own funding, I go for six months, I work with a project, we publish a paper.# n: ?0 l( U% l* s
And then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all
3 L) R4 k! J' |sweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns
5 X- I0 C7 I) r6 E3 Uout that the person who gets his head on a stick is a dean back at the University of Virginia. His
6 y8 F" V. q/ U) O+ O# C$ W2 x' Wname is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting
4 N8 O' B0 K4 ]/ F, \3 rwith me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to
( H/ j5 D+ C0 ylet an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a# w% y+ a; s! z* W' t; }
possibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he, u: g' b; l r, S. L( x6 z7 o
says, well it says they’re going to own your intellectual property. And I said, yeah, we got the
1 h5 R4 f6 H, \4 j8 bagreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,0 P8 b5 L4 f) s
but you might. And so deal’s off. Just go and get them to change that little clause there and then8 }8 g. q+ _' ^% y! x
come back to me. I’m like, excuse me? And then I said to him, I want you to understand how
6 z+ l0 J/ E" r6 O$ qimportant this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just
' n& U; Z; e4 D# Y& A* Mgoing to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I% \3 T5 d6 v& x
mean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s- V, R: p) \- O/ h8 K) p) l/ p
not going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And9 f: h7 b; _! }4 U: B) b
it’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this. C' w, S4 R5 n
Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,
8 h( m5 Q/ d2 A: }2 e; ?' w[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?1 ~" `; s! l2 P# ?, k
Isn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true.
! h1 \9 D& Q/ T$ ]9 U+ v$ WI said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.
* C+ |$ ?# B: o7 _Coyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most
3 ]- [, \, M* @/ B2 |5 N( t9 sfantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,
8 C2 Y9 i5 V) c9 C: s4 usince I don’t want to have to back out again. So let’s start at the high level. Do you think this is a- N& K+ Q. [5 _; a: P
good idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.
1 l# [) @) D$ I; VAll I know is that one of my star faculty members is in my office and he’s really excited, so tell me! h$ {& v7 n- E0 J9 t, y4 h8 j
more. Here’s a lesson for everybody in administration. They both said the same thing. But think
& v( _( Y+ p+ zabout how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I
" f/ a) s# g' J+ Rdon’t have much information, but one of my start faculty members is here and he’s all excited so I
: U0 G& d1 q! J0 N" j/ h6 Kwant to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad/ B) f; R/ l* w. @5 i; r1 A3 S' H
way. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s5 z' b( V# i4 ~2 n
well that ends well.
4 q8 v/ i# C7 o8 @1 YSome brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely3 |1 }2 M6 a, Z' L# I/ _$ Z: e7 @
spectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher
1 f- D) z% i! d4 }+ \8 }on Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing.
( @( w# u* ?- C+ b DAnd you would steer your magic carpet and you would put on the head-mounted display. The headmounted
5 n8 Q6 ~0 ~7 i c/ B- Xdisplay is very interesting because it had two parts, and it was a very clever design. To get H* `2 N/ h; A4 r; W
throughput up, the only part that touched the guest’s head was this little cap and everything else
' m; k! U9 K5 k4 `clicked onto it – all the expensive hardware. So you could replicate the caps because they were* e) o4 U) u/ y* g9 x! I
basically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is/ j# t# n1 E3 C
I was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular
7 |- B! u8 d9 o/ Kplace. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling
& J7 z, _+ \+ m+ `7 E6 t3 @. Yaround on things the size of this room that are just big physical models. It was just an incredible
% f: o; n) X" w! t! p4 M8 E! O t0 Bplace to walk around and be inspired. I’m always reminded of when I went there and people said,# u9 g* i: J+ Z; C) Q; E' Q( W' K/ c
do you think your expectations are too high? And I said, you ever see the movie Charlie and the
- d+ Q) J* C# }( f6 t7 A5 DChocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little
V# A% \/ m9 j& Iboy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever
9 [- _ G. S/ K/ f5 R htell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get
# f; ?* U4 J$ A+ qlike saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever: n2 z% I4 X0 |& R) |
after.” [laughter]
1 ?; K, h# c6 e4 ?& Y( rOK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I6 L( x& ~! _% w$ }( u
stand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got! l0 U- g) b; E. E
to be a part of it. But it got me into the place of working with real people and real HCI user interface
4 W3 j% P! }$ `! J* S- h4 {issues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters
& M9 A. w. \, @2 bdegrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And: {; B# w$ g& y8 w" J, J3 Z2 X
more than anything else, from Jon Snoddy I learned how to put artists and engineers together, and% \9 `) N/ ?# g& H3 A4 @
that’s been the real legacy.
/ G e0 M0 _, kWe published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at
3 |$ c& b% p) C( BImagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of
. d; Z, b R5 x; V- v# zfirst page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH
) P1 `, v G$ _6 Ycommittee, which accepted the paper, it was like this big scandal. Are they allowed to do that?$ c" p8 u$ g, l
[laughter] There was no rule! So we published the paper and amazingly since then there’s a
3 N8 B# Z! z" `' w: I% ~# Itradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a
0 h, Z0 Q0 K; R7 \% Msmall way. [laughter] And then at the end of my six months, they came to me and they said, you$ Q. W+ R, n+ a0 _+ |
want to do it for real? You can stay. And I said no. One of the only times in my life I have surprised
0 L( V: V. X3 A) Z0 b) v' T8 Pmy father. He was like, you’re what? He said, since you were, you know [gesturing to height of a
7 W; |% ~ f( y. X. h; _: Q6 J7 wchild’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of
3 m; [3 W8 g, x1 PMaalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place.
: o) a) Q2 g3 WImagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the
_7 v' B6 \! g2 v8 bmiddle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK.
. g& g- F; ?! ~; gAnd if they had said, stay here or never walk in the building again, I would have done it. I would
) [+ }! V2 a. i1 Whave walked away from tenure, I would have just done it. But they made it easy on me. They said
5 w" k% D5 C5 ^6 @8 \5 j4 Ayou can have your cake and eat it too. And I basically became a day-a-week consultant for
, H! b) d, h" p' IImagineering, and I did that for about ten years. And that’s one of the reasons you should all
" H% N$ S- A6 \+ ]% mbecome professors. Because you can have your cake and eat it too.
* A8 n7 ]/ J! D) {7 \/ bI went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the* f# g6 S$ j' J; I- A
best interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the# P, T+ N7 q5 L* ^4 m
Caribbean. Wonderful at DisneyQuest.
3 }. Y) I- n/ f* O* sAnd so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the
/ H+ k) b7 ?& _7 t# equestion becomes, how can I enable the childhood dreams of others. And again, boy am I glad I
5 z' n' W( L+ A( t. L$ \' Ubecame a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I) D9 W# p/ _% M1 a& W) X9 X: S
don’t know. That’d probably be a good close second. And this started in a very concrete realization3 @% i, E3 _* ?' r
that I could do this, because a young man named Tommy Burnett, when I was at the University of! @7 p. S: b5 o- v
Virginia, came to me, was interested in joining my research group. And we talked about it, and he
( O. O" @* u7 K& Ksaid, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.
% n2 l7 C# _7 R- } v9 ZAnd I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star% E9 d5 t$ F) K& w
Wars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.
7 I) t! ?* Y' B; Z6 w6 O8 AWhat year would this have been? Your sophomore year.& i+ V1 \0 H# M# c) `7 k
Tommy:9 d4 v3 e. U: }: s0 E; O
It was around ’93.
5 @7 `6 t* ~! n* S* {0 K u7 ?Randy Pausch:, e# ?. Q& M/ R+ f1 K: r3 `: p2 M
Are you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy,
" Q% {$ {, W1 [* K5 Qyou know they’re probably not going to make those next movies. [laughter] And he said, no, THEY
7 {" C7 c$ ]! ?+ j3 q' {ARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff* y: n# k8 o. W% N2 |8 H( {
member, and then I moved to Carnegie Mellon, every single member of my team came from Virginia
. K& q% ?) S- V( v5 Z0 z0 K6 U& Zto Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all. `4 @) ]$ ~2 K7 c! P$ D
three of those films. And then I said, well that’s nice, but you know, one at a time is kind of
% Q& b, [0 d0 o$ x/ V( einefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in
' w5 {2 E* S4 a+ R8 e3 @mass? Can I get people turned in such a way that they can be turned onto their childhood dreams?/ A, }( d/ N6 o
And I created a course, I came to Carnegie Mellon and I created a course called Building Virtual
: D8 I8 X3 ^9 s5 hWorlds. It’s a very simple course. How many people here have ever been to any of the shows?
2 A0 u4 A$ l5 E) J) H[Some people from audience raise hands] OK, so some of you have an idea. For those of you who1 X; ^' J; w* R, n# n) ^1 V
don’t, the course is very simple. There are 50 students drawn from all the different departments of# \1 d# T) L7 [6 y& F/ b
the university. There are randomly chosen teams, four people per team, and they change every
9 n) N5 }& r" E+ o% j1 b% aproject. A project only lasts two weeks, so you do something, you make something, you show% y3 s l. n. O" h* }7 m
something, then I shuffle the teams, you get three new playmates and you do it again. And it’s
^0 A, T% K% t3 s3 a! D2 revery two weeks, and so you get five projects during the semester. The first year we taught this: M' [$ ~2 N2 X8 d' Y
course, it is impossible to describe how much of a tiger by the tail we had. I was just running the
( H# R9 v. c4 m; i" F$ Hcourse because I wanted to see if we could do it. We had just learned how to do texture mapping- o( K9 a( Y& H3 t: V' i) E1 L
on 3D graphics, and we could make stuff that looked half decent. But you know, we were running9 }" _* k+ j* R7 t& g2 s( f! T
on really weak computers, by current standards. But I said I’ll give it a try. And at my new university; C( A" ~/ U1 N, A4 [/ ~' L
[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all
6 h$ c; b6 I- B4 c3 rthese other people. And within 24 hours it was cross-listed in five departments. I love this
' p, y i9 O$ Y0 ^/ L% auniversity. I mean it’s the most amazing place. And the kids said, well what content do we make? I
4 [9 V) y) H3 N( g5 t3 jsaid, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no2 H) S2 _- M% Y
pornography. Not because I’m opposed to those in particular, but you know, that’s been done with
/ w6 l# C h5 G, |* Q# BVR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas5 H$ c) c% U8 I6 m/ f' ^
when you take those off the table. [laughter and clapping]1 B/ Y& H& I! C& ? C, Z
Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two
' t a1 ^2 D: T( Pweeks and they just blew me away. I mean the work was so beyond, literally, my imagination,: x4 K! J! @, {. ]4 k9 M) y
because I had copied the process from Imagineering’s VR lab, but I had no idea what they could or
I, X0 p5 g3 ]) t4 ]couldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first
( L/ ]7 V5 O9 Wassignment, and they did something that was so spectacular that I literally didn’t, ten years as a4 g0 @+ D7 V$ U x5 b( a
professor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van
: w5 V% O2 j) X( Y+ {% Z3 G3 oDam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I& o9 {( M, ^ @4 P! R
had given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]9 _8 D0 M# V* b
And Andy thought for a minute and he said, you go back into class tomorrow and you look them in
7 e9 E# U( i6 W F* U6 jthe eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that
0 j+ `4 q% ?' y, Bwas exactly the right advice. Because what he said was, you obviously don’t know where the bar3 o( [8 ` g+ I+ s9 n4 P: L
should be, and you’re only going to do them a disservice by putting it anywhere. And boy was that. H8 S+ ~7 j0 k7 t- z% C1 c
good advice because they just kept going. And during that semester it became this underground4 o- {' F* E/ B- l# }) t
thing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it
, A( p( @7 ^; N) X Iwas the day we were showing work. And people’s roommates and friends and parents – I’d never
0 X3 }. @) G$ E; W2 m3 Mhad parents come to class before! It was flattering and somewhat scary. And so it snowballed and I' t8 B8 u% [! j* w& m. t1 @* ^: n
we had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do,$ U+ p' d' ?3 v* t$ y' w- v1 c
it’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big- n: R# T, L6 E# R! a) w
show. And we booked this room, McConomy. I have a lot of good memories in this room. And we. |5 g8 R1 [& D0 N# E
booked it not because we thought we could fill it, but because it had the only AV setup that would7 W. F2 {, {( I. V/ P
work, because this was a zoo. Computers and everything. And then we filled it. And we more than7 k$ \) r! U. c6 K O' ~
filled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris% {, t2 n3 |" W2 Z5 g
was sitting on the stage right about there. We had to kind of scoot him out of the way. And the1 O7 ~3 \- Z! d! Z1 H+ z* J1 L
energy in the room was like nothing I had ever experienced before. And President Cohen, Jerry
7 B) ~: q7 ?1 h `/ u/ l0 jCohen was there, and he sensed the same thing. He later described it as like an Ohio State football: r& J6 V0 v9 o2 F4 O8 E3 Z$ l0 b; s
pep rally. Except for academics. And he came over and he asked exactly the right question. He0 L( y5 ] |3 g3 H" n8 Q7 h h
said, before you start, he said, where are these people from? He said, the audience, what; p a2 j- O& g* y1 ~) V- O7 T
departments are they from? And we polled them and it was all the departments. And I felt very; {# r* E! `/ G" Y# ]' r7 A
good because I had just come to campus, he had just come to campus, and my new boss had seen in X" ^* P9 u/ k8 z. C# b7 [" j* B
a very corporal way that this is the university that puts everybody together. And that made me feel
3 V5 S# B' H6 |1 d+ Q& U6 Rjust tremendous.
; W t$ v" p- W- R: X+ GSo we did this campus-wide exhibition. People performed down here. They’re in costume, and we
9 m. g' x2 Y c* S1 Q. V9 I& Jproject just like this and you can see what’s going on. You can see what they’re seeing in the head/ \ S2 p' X: k9 Q2 w: r
mount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]! t, G6 a" n% H
This is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the% g/ ?$ P1 h7 z+ Z, E
moon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can2 U' M7 s' A) ]5 O4 Y! ~% E
get the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do
* T# f+ B" M$ `; q. your best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It
+ t4 A( M+ c! F1 _+ P( @was an unusual course. With some of the most brilliant, creative students from all across the
. F+ v0 Z: ^8 V1 n7 Gcampus. It just was a joy to be involved. And they took the whole stage performance aspect of this/ d6 Y& y# W/ C$ L8 _7 J
way too seriously [shows pictures of very strange costumes students wore]. And it became this+ I2 R: K" U& \
campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids
+ E! a* N7 P: P& x. U. r3 h% `a sense of excitement of putting on a show for people who were excited about it. And I think that
9 _+ T3 i2 I9 Bthat’s one of the best things you can give somebody – the chance to show them what it feels like to# p( R W2 u- f) y
make other people get excited and happy. I mean that’s a tremendous gift. We always try to
, b: O& _0 c, r9 S6 U8 ^" Zinvolve the audience. Whether it was people with glow sticks or batting a beach ball around… or
; ?+ s0 s0 f' X: bdriving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.( I" }8 m$ Y3 { @
This technology actually got used at the Spiderman 3 premiere in L.A., so the audience was
& \7 P2 y: k4 l, s: [controlling something on the screen, so that’s kind of nice. And I don’t have a class picture from- F$ L8 y ~: ?6 Z) J4 m* ~0 f
every year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an
. g$ [! W) j" M+ q7 o @honor it was to teach that course for something like ten years.
8 g; O U, T, j6 b& P2 lAnd all good things come to an end. And I stopped teaching that course about a year ago. People% M5 g4 D8 s3 r4 Y- p6 n
always ask me what was my favorite moment. I don’t know if you could have a favorite moment.+ y+ p4 g' V% F
But boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one6 I! L5 F; O% h! V: ^6 d. E) q
of the rules was that we perform these things live and they all had to really work. And the moment
- g+ x5 r5 W- [$ d( F c) mit stopped working, we went to your backup videotape. And this was very embarrassing. [Shows9 n9 H7 _& F/ a* u
image of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller& N$ K* D" o( S, X% z6 S0 P% F
skating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was% r/ M) }2 e. ?8 D) f# e, Y" L$ H- R
Steve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk- s" ?9 D$ h& G
about quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to
" o6 q# L. Y1 o9 s. K% Dvideotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!0 u1 o3 H4 n6 `6 w& J' g7 x& h. \$ o
[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of j, J( {& L/ v: _7 d6 A
this high technology course was a brilliant ad lib. And then when the videotape is done and the
6 d: F; }" L( P, Ulights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a
- o, Y: ?) ~ l5 U5 }4 ufantastic moment.
; T- N# s* G; i tAnd the course was all about bonding. People used to say, you know, what’s going to make for a0 ^ e. {$ {0 [2 a; x s1 `* X# {
good world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the& S1 ]0 i/ t# w" \# S: j* z
world’s good just by the body language. If they’re standing close to each other, the world is good.6 {( p# O; h; ~; O4 ^7 Z
And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I% `+ _1 G" X- i0 w5 V6 w
won’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped
0 ]' d6 x2 K2 N0 f) ~down from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you9 A, e4 X7 H# H1 l+ h J
will get those arrows in the back, and you just have to put up with it. I mean everything that could! N4 T$ k( {6 `3 A, E8 N5 `
go wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.
( V6 M' \0 j# Q% g% T2 w) _When you’ve had something for ten years that you hold so precious, it’s the toughest thing in the
/ H& m, J& [/ D2 ]5 E1 eworld to hand it over. And the only advice I can give you is, find somebody better than you to hand
: E f) c _3 W' { s0 e+ q; q. q- iit to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have
9 P8 v3 t8 v" W$ g/ c) M1 uto spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my
8 A5 ~0 Z }) g3 m: ~greatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica
1 o: Y2 H ?! `Hodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this- E ]- J ?1 S3 }9 `! j
over to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is( V6 C* o( ]/ R; q J
in more than good hands – it’s in better hands. But it was just one course. And then we really took
- u- {9 X" n2 n" f. W. K3 ]& ^8 vit up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I
5 G+ U, B2 P: M: v0 S/ vgot together and with the university’s blessing and encouragement, we made this thing out of whole7 c% i, q! Q. \& f! J
cloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go
* N' F+ s0 M4 c# B {near this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology6 f. Z. o% g2 }8 t" d
Center was all about artists and technologists working in small teams to make things. It was a twoyear0 O$ o2 f( o" {5 ?0 E
professional master’s degree. And Don and I were two kindred spirits. We’re very different –) O% v! U9 i7 H/ l
anybody who knows us knows that we are very different people. And we liked to do things in a new
# o# J( D* ^3 Rway, and the truth of the matter is that we are both a little uncomfortable in academia. I used to
1 L! b$ j* h& A; r3 Tsay that I am uncomfortable as an academic because I come from a long line of people who actually7 i& y, f" l/ y
worked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie
5 a# ], ?; }3 |6 x9 c" RMellon is the only place in the world that the ETC could have happened. By far the only place.
; S9 Q2 L( G3 E[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next; F+ O' ?* W' Y% j F
to Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the# x! L1 ~ Z! E( T
labels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer
! H, X9 B/ j" | N; ?! @% c: zto this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really; n3 m! @4 m. B j0 S9 k
did play up the left brain, right brain and it worked out really well that way. [Shows slide of Don7 M1 T U: x" R e Z
looking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small
# [2 C9 L9 T3 [- f8 g; G+ g- q8 qoffice. We shared an office for six years. You know, those of you who know Don know he’s an
0 ]7 P8 ]& Y( ~. s6 N% ~intense guy. And you know, given my current condition, somebody was asking me … this is a. w$ k5 r, @0 H" r: ] ]# W
terrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said,
: P7 p5 _# F* K! `+ v$ c0 t. u5 [given your current condition, have you thought about whether you’re going to go to heaven or hell?$ l' Q3 e: D6 ~) B7 A
And I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.% O. I6 c2 u" ~$ z+ e
Sharing an office with Don was really like sharing an office with a tornado. There was just so much
( g7 T' d) g* b. l9 \energy and you never knew which trailer was next, right? But you know something exciting was7 U9 H6 F" q, d, {
going to happen. And there was so much energy, and I do believe in giving credit where credit is6 Y9 ~9 M3 d( o: `/ M
due. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets
8 u3 B2 ~3 y5 \( {the lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share" y! `: |9 _$ a1 F
of the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great
6 P! p* P9 |3 q7 v; c, Kyin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him' y. E" B( b" H: a" f
because the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk
$ r$ i. a) p; [; Oabout that in a second.9 L& c: p7 b: X* y
Describing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like& t j8 I' k- F. z# s
describing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the
/ O. B. r. c( |3 [) j. o8 rmistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation2 {5 z: H$ v; o. q, O
about oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole
* k2 d5 ^7 e5 ^$ Gpoint. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve6 J |0 @) Y6 ?9 i( s/ A6 E$ F' y4 ~8 B
ever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only6 S- M% w- t7 F
course each semester; audience laughs] The curriculum ended up looking like this. [shows slightly5 Y- S! _2 r0 u8 Y
more detailed slide]. All I want to do is visually communicate to you that you do five projects in
" g5 L7 X0 ~! aBuilding Virtual Worlds, then you do three more. All of your time is spent in small teams making) Y- m' q) N$ }; z
stuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s2 O3 g, }( x6 w! q3 f, X, \6 E
a master’s degree. They already spent four years doing book learning. By now they should have
" B+ |& n, I4 q9 ^6 J$ ^) x/ gread all the books.% G" ?7 F9 j7 M. J
The keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
$ p" b8 @6 P( y4 v% ehad no deans to report to. We reported directly to the provost, which is great because the provost5 u+ j. {8 \$ B, ~
is way too busy to watch you carefully. [laughter] We were given explicit license to break the mold.
( i8 @2 |$ @8 {6 Z, B, JIt was all project based. It was intense, it was fun, and we took field trips! Every spring semester in
# U* B4 S. H2 B* y! f$ nJanuary, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial4 j+ ]6 z2 Y# A* }8 _& R
Light and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s
. M0 l# a( A2 ?( Zpretty easy to get entrée to these places. So we did things very, very differently. The kind of
) a+ P7 j2 S0 vprojects students would do, we did a lot of what we’d call edutainment.7 c1 |! G7 M; _. _( y; v
We developed a bunch of things with the Fire Department of New York, a network simulator for7 `' F+ d$ t' t, k# E; ^
training firefighters, using video game-ish type technology to teach people useful things. That’s not+ Q% c' ?; L$ s
bad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve. K+ a) k! X0 g
got the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.& I; X& b4 N4 b v1 E
[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written2 M/ v' j# n; S* c1 D9 P! s6 K* P
agreements. I don’t know of any other school that has this kind of written agreement with any. |: N$ a6 s4 l
company. And so that’s a real statement. And these are multiple year things, so they’re agreeing to a3 B7 ^ j, r: R4 Z5 Q
hire people for summer internships that we have not admitted yet. That’s a pretty strong statement
/ F, C5 d& _. ]0 E% a8 eabout the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful+ G+ @. S8 e6 j8 e8 L9 l
complimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight! b& z* Q# E W0 c' f
because he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already" [3 C2 }/ Z+ s, y
on in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I
/ R8 Q" I1 _% hthink this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon+ J* A( [3 {& y2 P% w$ {
is the only university that can do this. We just have to do it all over the world now.
0 P+ {' w( P. n) D* K1 w$ v" EOne other big success about the ETC is teaching people about feedback [puts up bar chart where
; f0 M, z2 S( d7 |7 A, e" z# L0 E' Estudents are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the+ w6 H1 x. T& Z! P
nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar
% a. i ?+ X6 scharts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put
# e% G- f" `1 i/ F& N& I, A/ pthat all into a big spreadsheet and at the end of the semester, you had three teammates per project, F6 c+ F$ F/ V: [: m% s$ y
five projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a
2 h# S# [- C: w: g+ q) t, n- q* sranking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard' r& o. ?# i, f3 y- F. q3 y3 P
feedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and
: X1 s* Z) o g8 _ \" }9 o' ywent, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in1 m- a# E* O4 V5 e0 m2 ^
these meetings. And that is the best gift an educator can give is to get somebody to become self) q3 W }. [$ U- `2 P) r- x
reflective.5 L% K. G7 ~! K: `% G! C! e1 s8 c
So the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very
. ]! L" W5 M/ r) N, k2 l# n# Plabor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time.7 z, q0 Y7 x+ s/ o
It’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable.1 W: q g( P* Z' \
Scalable to the point where millions or tens of millions of people could chase their dreams with4 c; E$ X! o2 {
something. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on
8 o9 _% e$ T$ i: c$ z& Na Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a0 ?: B: R9 ~- {2 H* I
novel way to teach computer programming. Kids make movies and games. The head fake – again,9 B& T/ F! I5 L) q& _" b' n+ Z
we’re back to the head fakes. The best way to teach somebody something is to have them think6 F1 R0 l) N! B
they’re learning something else. I’ve done it my whole career. And the head fake here is that
% C+ d. T4 I9 B! d* A, w2 \they’re learning to program but they just think they’re making movies and video games. This thing
' J2 E/ Q+ Y. [* Y& G( Ehas already been downloaded well over a million times. There are eight textbooks that have been
& l) m& d& N" [8 L: a9 ?0 f$ hwritten about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The
. N% K9 S9 ?" n" j/ J; f) e5 N$ xgood stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get
. { M8 x! W" r' v F- tto set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having
" X% S: j. ^4 F+ ]fun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next
6 A* U; [, [0 x, |' X# xversion’s going to come out in 2008. It’s going to be teaching the Java language if you want them to7 K/ a% g" r. J: K
know they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And. \/ E8 ^0 ?2 j
we’re getting the characters from the bestselling PC video game in history, The Sims. And this is
" P& n0 F* A, R0 q5 Malready working in the lab, so there’s no real technological risk. I don’t have time to thank and
. u1 s9 t4 J) W( Vmention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be
+ V+ \. O( _# w1 o# Obuilding this, has been building this. He is the designer. This is his baby. And for those of you who
, K8 h- l( ~0 \! ?- i# @$ k% I- {are wondering, well, in some number of months who should I be emailing about the Alice project,
& f* u7 m4 \ o' }9 O% I) Awhere’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.
. H H! R+ W- X9 }Audience:. L2 Y* d; q2 D+ O
Hi, Wanda.
2 [6 n5 Q. A B- r/ ~- O" B/ T( {Randy Pausch:. u3 x; x" ]( y4 m* E
Send her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her
2 b4 @" u7 T; f i$ o6 K; l# S8 B8 }Ph.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to
$ g+ Y! g3 h' h; ~8 G! m6 G, Ymiddle schools with it. So, grand vision and to the extent that you can live on in something, I will$ V% W3 h( J7 [# E: B( W8 ?, `% e u
live on in Alice.
+ e$ B1 t( \; Z/ c2 a/ LAll right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve
' E# H5 B6 I1 ftalked about helping other people enable their dreams. Somewhere along the way there’s got to be
, P1 N8 S: ], A' bsome aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors3 ^4 z8 U8 M9 ?7 M- x3 V" D/ H+ y
and students. I was blessed to have been born to two incredible people. This is my mother on her
8 h( ~7 E# Y5 k- w. @) Y70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]
% s' _8 b5 f4 r0 Z[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster% b' B: ~. w7 Q+ R$ f2 x7 E5 t
on his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented5 H3 P5 }! i e# D
because he did win that big bear the same day. My dad was so full of life, anything with him was an6 h0 c, v2 C! Z, J8 }
adventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,7 Z; }4 W. }" ]. B; s: G- v
but I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things# [& Z5 k j+ r5 O: C% r7 L# i' a
to help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every
2 ]( f' X; i( n, `! N. [year about 30 students get to go to school who wouldn’t have otherwise. This is something my wife
) T2 V8 Q7 x3 O( Q1 ?and I have also been involved in heavily. And these are the kind of things that I think everybody
0 g4 O" T; s/ _! D/ aought to be doing. Helping others.
; R* Q7 T& a3 {5 p5 q4 l9 s5 e& l" IBut the best story I have about my dad – unfortunately my dad passed away a little over a year ago3 U* O! O( o" B! _ g, O
– and when we were going through his things, he had fought in World War II in the Battle of the
+ f6 |, v F! \: s. t; x7 A8 yBulge, and when we were going through his things, we found out he had been awarded the Bronze
" n1 ]2 A% r5 dStar for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.
+ a8 o6 C# ]. U+ t/ r7 y+ ?My mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people7 G, x, C1 I- X3 {8 D
who love even when you pull their hair. And I have two great mom stories. When I was here1 S( |! ?6 G- b: v9 v2 Q
studying to get my Ph.D. and I was taking something called the theory qualifier, which I can
! B+ W6 j# w& M& A* {definitively say is the second worst thing in my life after chemotherapy. [laughter] And I was
; |. ^; w. t2 b. n) m3 \' Q1 O+ M4 Ucomplaining to my mother about how hard this test was and how awful it was, and she just leaned
/ U5 A) t- M( fover and she patted me on the arm and she said, we know how you feel honey, and remember when
7 ~' c8 _' ^; {your father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother4 d( \( v! j& u. D7 ]. H
took great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.
' I1 Y/ Z( U9 { G! E/ P/ S4 ~* `; P[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I" p7 D2 Z+ W! M) Z& W
decided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an5 Z" a8 ]/ o2 \2 m
elevator. And the great thing about this [shows slide of quadratic formula painted on wall]
) e" }# U2 R# Z/ g: ?[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And
0 C- E8 T3 A+ p# m& Lthey didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And. s7 d- b& I) |' ~5 O8 u& i
anybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me6 @1 q& O- l0 E3 p+ V# b }1 ?
let them do it. It’ll be OK. Don’t worry about resale value on the house.$ ~" t; m. h- {9 D( {; b& W
Other people who help us besides our parents: our teachers, our mentors, our friends, our
$ S5 z) ^! A0 Y# ]( Pcolleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he
* j' }! A; y+ U' T; Pwas on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a
5 F# d2 M' o: a& E+ t9 Acentaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but- G& Q) a& s& x9 `
kind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching) T$ C9 a1 _ ^) e6 @" U
assistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some
0 \/ T* W8 j& V$ @% loffice hours and of course it was nine o’clock at night and Andy was there at office hours, which is7 n+ n( _2 f" G" j" J
your first clue as to what kind of professor he was. And I come bounding in and you know, I’m just
5 h+ M# H7 R0 @: R$ pI’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da* `/ g0 o+ n2 j4 I2 B6 v* J' d! S
da. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he
; X. W( `# S8 e! n: r: kput his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame% A" u* ]! |9 V8 {# r
that people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to* r5 R# b5 I! m7 W5 `
accomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t
3 P3 m" r- f6 J9 A) rsay you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going
, ]# k# {( v. t* wto limit what you’re going to be able to accomplish.$ @ c* ~9 K& R9 z t
When I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you, I0 t" C3 O6 K
Andy stories for a month, but the one I will tell you is that when it came time to start thinking about
; Q& v* u0 [/ e7 ?what to do about graduating from Brown, it had never occurred to me in a million years to go to i' b# H2 S: f$ I% v
graduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did.6 ^! P/ K2 }) G$ F9 ~
We got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.! ~6 ^9 r9 O, V8 [2 G) s! h- X
Become a professor. And I said, why? And he said, because you’re such a good salesman that any
$ w5 i3 ^; d; H- S4 S2 m& K( Hcompany that gets you is going to use you as a salesman. And you might as well be selling9 ~( }% y) u. x& d v
something worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.
# t+ b( B: {7 }! q# s* BAndy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of# G' f T+ C# g- b6 x3 n' w# t
various bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell+ s# Q9 M6 G; E' G9 |
happened there. He’s probably watching this on the webcast going, my god he’s targeting and he
5 B' a6 g+ F8 Z; U- R% v) ]+ Bstill can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they! r% N$ S/ V. P' i* Q: G7 r
were great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to2 F0 C, S; l5 _7 o) Y! |5 l j' W
endure that experience and I’m very grateful to all the people that I ever had to have worked for.
2 z. j6 U% J# h" C9 }, lThey have just been incredible.
$ n# s0 Z* Q. t# k3 {' dBut it’s not just our bosses, we learn from our students. I think the best head fake of all time comes y# D" Z3 T; ]' Q, z2 r$ t# ~. v8 j
from Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at
% d* ^% |: R% I" t' s4 j4 [Washington University, and she looked at Alice when it was an easier way to learn to program, and( J& c2 _) A6 |
she said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the2 l0 V* A2 u' C0 K" Y$ ]" y
little toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the$ [( p( o! K; A1 Y% ~& b# }
one who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work
; _3 _' I i' l9 c2 Q- I- m+ Ushowing that, particularly with middle school girls, if you present it as a storytelling activity, they’re* l, ?! g0 q9 C$ G0 `
P a u s c h P a g e | 19+ g. }, c# M/ `% H
perfectly willing to learn how to write computer software. So all-time best head fake award goes to
& q( Z ]9 c7 k# y( y9 ]0 t3 NCaitlin Kelleher’s dissertation.
3 P8 V, T; F. APresident Cohen, when I told him I was going to do this talk, he said, please tell them about having6 ^. {) t, X& y4 }* l
fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish
2 X" i% o+ u$ Z" }talking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m1 P8 m$ w5 V0 C M
having fun. And I’m going to keep having fun every day I have left. Because there’s no other way to! [& S( {* j$ v
play it. B- \' q S; Y' Y0 j- |" Q
So my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide: G( R b$ m( ]7 e- T( D, k6 L
with an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m
4 ~6 ?* c- u+ H, [2 h E6 [ oclear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.
5 L6 m' U! F2 e0 f' D) VIt’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping
# J7 h$ V N, A+ b+ \' @other people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a
5 w j% y3 f& M# v i# ?5 R9 Ggroup, how to care about people. M.K. Haley – I have a theory that people who come from large# ?" t: o% E, D3 w7 |% ~( L
families are better people because they’ve just had to learn to get along. M.K. Haley comes from a/ u8 i9 K# Z# h& z" `
family with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s& w! U' R3 J& c) W: ?% u# g F! S
kind of fun to do the impossible. When I first got to Imagineering, she was one of the people who6 ^" F- J1 P4 g0 O4 U6 o) g2 x( k
dressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?
3 r; t/ S/ r' T. jAnd I said, well I’m a tenured professor of computer science. And she said, well that’s very nice
1 a) s! w9 J3 @4 U1 z# Y( lProfessor Boy, but that’s not what I asked. I said what can you do? [laughter]
2 H! H3 D6 Z9 R/ I' W# N' B/ \$ c1 n2 wAnd you know I mentioned sort of my working class roots. We keep what is valuable to us, what we
i9 ]' V: ]; Q' ~cherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s- Y2 X& G- ]( q/ _$ B y7 g9 ]% l
jacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why1 s; f% x' V% u4 m9 D
do you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me
5 v6 i b+ h! \5 E' Y9 {9 Y/ Bwho were much smarter than me. And I said, because I can. [laughter] And so she thought that was
' T" c/ ^9 h$ \. ]+ J3 M4 E/ Fa real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy]" k& K2 L; u+ a/ y6 m
[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for# V5 b) h0 V8 b
the egomaniac in your life. So, I’ve met so many wonderful people along the way.
( E, t+ r, Q! WLoyalty is a two way street. There was a young man named Dennis Cosgrove at the University of
) g; i8 D- W1 e1 c; i2 kVirginia, and when he was a young man, let’s just say things happened. And I found myself talking
6 }: A Y' m' P2 W }) b" Fto a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never
: N$ `, c- e4 ?3 A$ k/ rfigure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for
/ @; Y) e" J2 _$ zhim. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even
% c: P+ _9 F3 K* p, k# n! ?tenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I
& K: K x3 X5 H* athink he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.( D0 p& R' e. J; F% E1 Y
And the dean said, and I’m going to remember this when your tenure case comes up. And I said,; t! M+ O9 ~0 L
deal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.2 N6 U2 r7 n) I, n7 `* ]5 U3 D1 o' [
But loyalty is a two-way street. That was god knows how many years ago, but that’s the same/ K9 S! T3 l2 r& K5 c6 B' C
Dennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only& O: Z9 `: m( k8 u
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You
9 Q7 ]! {( @: wcan’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would
7 h6 M$ Q& [; v9 E" w1 R- Kbe Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living
' C& `( A3 ?) M/ B2 t& U& {- i- ianymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by
3 Q' Y4 t9 L$ c X& G5 m3 f9 Lher, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great* ^4 S$ S- p2 T0 b- N' x+ Y
because Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all% u" O6 Q% p& A& Q
young ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it3 M3 ^/ |; L9 Z& J. j: N: [' t, z
comes to men that are romantically interested in you, it’s really simple. Just ignore everything they4 ^ v+ A. r# A3 \9 e# S
say and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to3 r7 m0 ^- s1 G: T* {0 T% C2 @' {
my bachelor days and I said, damn. [laughter]. y2 f \; [: N0 Q5 o4 ]* |/ f
Never give up. I didn’t get into Brown University. I was on the wait list. I called them up and they
* P- J, z4 G( e6 e# }6 S' C4 ceventually decided that it was getting really annoying to have me call everyday so they let me in. At2 z3 p+ k$ f- ~7 d/ W
Carnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate
/ }+ O* z+ I) Z& @school, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you, \0 g1 i1 d! m, j, Z- ~
know what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he' [ N6 p- v) W4 ~% S0 v
had kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had
/ o: l3 D, d2 S9 Z( e9 Y( _/ E1 dreally gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me.
2 @5 O' h* E2 E: ?9 @Which, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.
4 Q1 S" |3 m: i" j: }No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon.
' D' S5 I `! i$ LAnd I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter
( q ^0 A% X% P0 u! s' _! y2 con his desk. And I said, I just want you to know what your letter of recommendation goes for at
O( [ [' B3 E, D" K, ^1 RCarnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and) |) ^# d& Q6 R" b
he said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the
' n% i, d/ N% q. _/ [way I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me.2 A) a/ d1 t" J$ Y5 _6 G8 e
[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,: T5 u: D( H( h2 u6 Y
I’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,6 K) B+ N" G' y+ o
go visit the other schools and if you really don’t feel comfortable at any of them, then will you let me
" a7 }% \1 N6 dcall Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and; S6 d6 U0 D4 x, \9 A4 F3 e. d
I said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]2 a- t1 x$ K9 A4 T
Berkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you- r2 G# ?6 @( {" A
know, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked
0 q1 G4 G8 |) H6 L/ S8 Hin Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his# [, t+ p6 ]: U+ E2 _0 U
office tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So$ V* @ ~2 g, A n( H1 Z* q6 N
I’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I( { U/ ^) _1 Q3 V8 c
don’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy,
+ @) s8 b$ N+ s# a3 Awhy are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since
! M$ \# o: x8 I) ]6 v1 qyou admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious
' n' w! @/ W, \5 xfellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a
. Q4 I! c+ _0 Y4 X- Y6 K; p: Ufellowship, money, we have plenty of money. That was back then. He said, we have plenty of
! w: g) _# [& qmoney. Why do you think having a fellowship makes any difference to us? And he looked at me.
; l" Z' l6 q6 d# cThere are moments that change your life. And ten years later if you know in retrospect it was one of
5 G8 h% [/ V* ~0 @; ` gthose moments, you’re blessed. But to know it at the moment …. with Nico staring through your5 O! M) [" U* } G @: v) R& U
P a u s c h P a g e | 21
2 L& S' }6 y ]% U# T. W* xsoul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an
, h' @7 F T! Xhonor. There were only 15 given nationwide. And I did think it was an honor that would be
( ^* F/ ~, S# s Y0 Vsomething that would be meritorious. And I apologize if that was presumptuous. And he smiled.
% t7 L; ]' J1 W; AAnd that was good.
9 G3 r7 l# c0 ?* ]4 z" [7 ASo. How do you get people to help you? You can’t get there alone. People have to help you and I
7 ^. z7 e7 w/ b0 t. s5 w+ T$ Q5 odo believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being
5 O6 M! R/ U9 bearnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest
8 l2 c7 H. P$ ris long term.
$ T# N b' Y" i: C) QApologize when you screw up and focus on other people, not on yourself. And I thought, how do I
3 O: {* m9 n4 t. f L% N: tpossibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete# V5 | T5 D/ A3 b' x" d: L$ _
example of focusing on somebody else over there? Could we bring it out? [Speaking to audience]( }/ l- W3 \7 S' Q5 [" X
See, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus( I6 v6 ? [7 N1 q! D- k) i
on me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper
& J* ]+ v: i/ L0 qbirthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled6 J) ^8 {% n) L* F) o
onto the stage] [applause] Happy—" J' G1 H. X" G" x
Everyone:
5 i( M" q K3 B6 m4 k…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy
. @( T4 `- K/ d" ~1 `" a6 cbirthday to you! [applause] p# i5 l+ h- A6 U9 N
[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The
. O {1 v B# @: Y/ s' b& Waudience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]1 R; Q, y# _5 F( E3 z+ Q
Randy Pausch:
: l0 T. p6 J. F) q, EAnd now you all have an extra reason to come to the reception. [laughter] Remember brick walls let
. e2 O# [; }1 Z" p0 sus show our dedication. They are there to separate us from the people who don’t really want to; r7 s9 W5 m8 L! m/ n7 |" n5 S
achieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.1 w5 B4 y& A* w, F3 F& \
[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was# z0 ~1 @" G( S, k" i
the big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we B* M2 q) o' _2 F/ B9 J
were the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to
, j4 C3 H' \" `5 ~give eight million dollars to USC to build a program just like yours. We’re hoping you can help them$ C0 z1 V. J, t8 t# v
get it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And
8 v0 F- Q( G% `# S* c# Bto quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we
7 x& r% e1 ~9 uhave a great relationship, personal and professional. And he has certainly been point man on
. x7 }3 J. {3 e8 [getting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it
# b. {3 g8 q5 }( d) y5 v4 a' hcertainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t
* s6 G- @4 {. S3 H, L: j4 d ^have been the right thing to do, and when you do the right thing, good stuff has a way of happening.
. D4 `3 p2 j5 E5 z, f; D* NGet a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or G' w# ?$ j0 M: u ~
it can just be one great man who tells you what you need to hear. The hard part is the listening to it.8 Y- {4 W( D8 D9 P* F
P a u s c h P a g e | 221 l" Z7 E _' X4 b) M# {2 k4 F
Anybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed
2 p4 G! P( i z, @; v7 ato, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and; c5 y+ C7 F) ~7 K+ o) M6 T6 I* ~+ r
use it.
9 j2 Z$ C/ h" z! E9 ^0 }3 i! eShow gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.& U8 ?' ?) u! I- T
And one of the other professors at Virginia said, how can you do that? I said these people just" q8 h* D; I% g5 M2 a! s
busted their ass and got me the best job in the world for life. How could I not do that?- G3 h; ]: l' n/ B- ~' b
Don’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league
4 l& _# `- U, [0 Y% rbaseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even1 i; P% T! _2 Y( z! }1 ^" M i
when the fans spit on him.
% I" P1 \* m5 W! eBe good at something, it makes you valuable.# ?6 ]. M3 e& F; f7 `3 t+ u% k! _3 X
Work hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,2 m7 h- O7 r, ]$ R
wow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in
0 `/ ^! T( ^ E* x9 |, b% omy office at ten o’clock and I’ll tell you.; R1 z- J! O# I/ ^0 |7 u( T
Find the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might
. V0 e9 T [3 I. vhave to wait a long time, sometimes years, but people will show you their good side. Just keep# _8 }, C( n# i% T# Y! }! Q6 W( z
waiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,
# i' Y/ m" j. `+ f& h( u% yit will come out.
. f M7 E. d. d$ T n QAnd be prepared. Luck is truly where preparation meets opportunity.
* s L/ D9 U! Y) O' V2 aSo today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons3 ?% K5 g# D; H/ x& M% f7 _
learned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your& a! ]3 S" `# [$ Z5 [6 f9 O5 ^
dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care
+ e& s/ W/ M& Z0 c0 z4 Zof itself. The dreams will come to you.
7 `# q+ v, j7 p7 [% ~' N% [Have you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,
( d3 {3 k9 A& igood night.! X8 `) v) x- C/ d! z0 u% _
[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit7 l! k j q& K
down in their seats; standing ovation continues for another minute]* \# U2 t* Z1 e) R" _4 L5 q
Randy Bryant:6 T/ X% n, p7 J2 b
Thank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy.6 a, L. n( W2 g2 O! H c
He had this theory even up to yesterday that there wouldn’t be anyone in the room.
- b8 @" M* D( \( NRandy Pausch [from seat]:9 U' x* o/ M! g G8 T! b) \
After CS50…
5 B5 A5 I" d6 G" W tRandy Bryant:
3 K M# N. Y0 d5 Q% H% Y1 i Q7 }5 }I know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy
; P2 q6 O" N6 ^5 }( U8 j) {Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant
" q2 w$ l" P" ^from Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of; e+ ]! A( U, L/ |$ ]( \
building virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the! Y7 G2 \& l; g# ^0 z/ j) S
other Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased
1 X. P* h9 D8 o5 ^7 r. x! btoday to be able to sort of run a brief series of ways in which we want to recognize Randy for his
& L1 v0 |0 D. `+ \; V% t" acontributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we
1 k$ x0 U5 \; Uhave a few – it will be a brief program. We have a few people I’ll be bringing up one after the other.
3 l+ n/ f" |: u* G9 AI’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from A. n$ N" V0 e, \8 J
Electronic Arts. [applause]
% I; g; }+ E" j% gSteve Seabolt:7 W! V P8 P2 v0 V6 z
My family wondered whether or not I would make it through the introduction. [voice starts to crack
1 d J- r+ [9 K5 \# Xup] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,8 q. z1 ?4 p4 }7 A
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying
) O" p8 P% x6 \! Yto encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t
0 P( e% e3 U4 q+ J' Pbe a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,3 F* |) n5 p3 J) [
and at the same time companies are forced to off-shore, there are fewer and fewer
8 l% b/ `& j |( m) S* ^students entering computer science. And the number of women entering computer science just( D% G" C4 U# w% u
keeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so
2 f& ~+ {0 P* R" g: R% Amany more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the i6 b, G. h4 A' U
Randy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership
7 q* U) K) U/ B r7 Cand contribution to education, computer science, digital entertainment, and his commitment to
+ t& V% J2 _7 d. h; j* f+ pwomen in technology. This scholarship will be awarded annually to a female undergraduate CMU
3 Q+ h; t; {% }+ O9 \4 mstudent who demonstrates excellence in computer science and a passion in the pursuit of a career in
5 a( O G0 b9 t$ \6 r+ ivideo games. Randy, we’re so honored to do this in your name. [applause]
7 ?3 y# U$ o7 RRandy Bryant: L ~8 q \9 l4 M: F4 Z3 v
Next I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing
$ ~5 l9 u' v' mthe ACM Special Interest Group in Computer Human Interaction. Jim. [applause]
& e" u5 p( r; X; l! |0 cJim Foley:
! N" G# J! t( X( k[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the
" {. O' d3 O) `5 DAssociation for Computing Machinery is a group of about 100,000 computing professionals. One of0 O- _/ |9 ~: m; p$ O1 ~
their special areas of interest is computer human interaction. A few weeks ago, someone who’s a
: p0 e. w3 }- e$ C; J8 nvery good friend of Randy’s wrote a citation which was endorsed by a number of people and went to! B0 O) f8 Z3 Y9 r; }: A
the executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this
; B& t1 I) r4 t3 b1 e. Rspecial presentation. The citation was written by Ben Schneiderman and worked on then by Jenny! T) a8 A/ s0 T. i$ r, {2 z
Preese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the
) a/ p9 R. E% a' ?/ Mexecutive committee. So let me read to you the citation. Special award for professional) [5 y3 Y4 r) b$ h5 H5 v
contributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both) M: [3 r; x* |1 n
mature researchers and a generation of students. His deep technical competence, choice of( }5 e& K l3 o) N$ B; N. L0 o
imaginative projects and visionary thinking are always combined with energy and passion. We’ve
* U" I \0 T& I, ~+ vseen that. From his early work on the simple user interface toolkit to his current work on 3D Alice
1 H, D, f" X$ b: F2 e5 _' f M# b5 iprogramming language, he has shown that innovative tool design enables broad participation in7 E% @& T; j# J
programming, especially by women and minorities. Randy Pausch has vigorous commitment to
# @" w' s5 T! n" U* [' Iengaging students at every level by compelling and intellectually rigorous projects, and his appealing8 q) }* p/ F* j2 j( N, l
lecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]6 ]1 H/ t- q5 Y$ |/ r
His work has helped make team project experiences and educational computing research more W$ q8 _+ T8 W
common and respected. As a National Science Foundation Presidential Young Investigator, a Lilly
/ ?- ]$ M D. H* VTeaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney B* C U) n+ {. A' p. `/ I# D
Imagineering and EA, Randy’s done pioneering work in combining computing interface design and% u* X9 g+ f2 v& i) e# P
emotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive3 H4 G% Z' [! A7 Q8 G: E
council is proud to present to Randy Pausch a special award for professional contributions.
. o; q/ i+ m0 ]' l[applause] [Randy comes back on stage to receive award]; y% i4 h. v7 ?5 c+ J
Randy Bryant:3 Z- Z1 [% P! }: m" m- Z
Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University.' P: W, c+ v. ?8 A% H
[applause]9 e1 V9 u7 K; D3 q* y9 h
Jerry Cohen:
" H3 e; m, t7 D- E' r/ L. P* pThank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You
2 M! ~8 \+ C5 j R' u# eknow you’re traveling heavy, buddy. Many of us have been thinking about and talking about how
0 a% J6 W# ? E( V: n: Kwe can recognize you on this campus in a way that is lasting and fitting in terms of what you meant
& @( c, x, g3 B8 b+ g8 m. gto this university. A lot of people are involved in this. You thought the provost wasn’t paying
" r6 K" m9 k% S( Nattention all those years. [laughter] Actually, one of the ways we’re going to remember you is this0 f9 i9 G' Z8 }9 h2 g1 g0 a
$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we
+ d, m: h, R7 p) i5 z- _really appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture
h5 F% z7 h" U# U% _( Zthe kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a
+ h+ j( C+ U: m; F( h ^teacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,( o: a' i3 l; r4 }- z) B$ A
however. And there is a way to remember you every day, as people walk this campus. So we’ve
/ z; D7 R, g$ k/ o: Wcome up with an idea. You’ve done great things for this campus and for computer science and for# _7 c; a3 @' t6 I3 a2 E
the world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve5 P5 S+ l8 U- A+ A5 R: d3 k% e
done to connect computer science with the arts. It was remarkable, it was stunning. It’s had# g7 [0 @0 Q+ E; J. ^% h- p
enormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the# ], t6 i- t" ]6 d- x
following. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next
1 g% q% F: Q% ?6 v5 x! [( m2 D) I5 Pslide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A' i3 d9 v4 `% M$ `, J
hundred million dollar building which will allow us to do the following. You’ll note, by the way, to) G5 d* [1 j7 X& z
orient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern% ]( a& s: P8 z2 r9 j
looking new thing, half of which has a green roof, is the new Gates Center for Computer Science.+ ?" v0 }! i/ T$ O: d9 o( Z& U6 C% _
And we had long planned to connect these two physically, both to allow people to get down from
0 c4 d9 U( n# x4 @( sthe cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well# F, H L9 d1 Y7 h1 F0 `
on behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m$ M3 s+ d9 h1 U1 c
pleased to announce today that the bridge connecting these two will be known as the Randy Pausch2 K" R0 H6 c0 y( ^# z' P! J. O
Memorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk6 V, o8 I) I. v! S! o% s
today we’re thinking now about putting up a brick wall up at either end, and let students see what
, |3 `) m& c; x. J0 lthey can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here
! R/ F) s# U3 s2 C% R* mwho will not know you, but they will cross that bridge, they will see your name, and they’ll ask those; j# g3 W6 e+ C% l7 _
of us who did know you. And we will tell them that unfortunately they were not able to experience
- q/ U. d) t& j. b5 G( _the man, but they are surely experiencing the impact of the man. Randy, thank you for all that7 k8 C( p/ Y- E5 b
you’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and
" p6 U: t& s7 r0 q$ H: u! Q4 O5 ogives Jerry a hug]
1 E' }. l* E( z7 |0 ~Randy Bryant:
5 ~# M' Z5 {* @) Z/ H. {+ USo every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]- U5 k a( C1 {3 x& H' Q: D. @
Andy Van Dam:$ {# Q% I( \/ I# r, C7 O* ^
Oh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t! R# R" Z4 f* w1 d8 j6 Z0 K
know whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure! H! I/ o" L' G5 w3 v
and great joy not just to teach thousands of undergraduates and some graduates, but also to work* H( M9 |( |$ B1 |
one-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud) ~0 Y7 h4 l1 B# @, F: G" u
to say. Out of those best and brightest it was very clear that Randy would stand out. He showed
+ y9 g& t K! Z. w& i7 Hgreat promise early on and a passion about our field and about helping others that you’ve seen
9 X. N) [& M+ }2 W4 tamply demonstrated today. It was matched by fierce determination and by persistence in the face7 j! c. Z" s- V" c
of all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights
1 i8 }- Z/ f+ [this terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you
/ \) ~, y. F" o y: Qremember that. And what happened to the elephant’s child, he got spanked by all of his relations,
$ G8 S+ }2 ?# m3 _1 T; O1 Hand you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,% [! R& T- s e( Q z
which led to the fantastic showmanship that you saw today. He was self-assured, occasionally to
3 a2 U6 J2 M2 D n5 a3 p" cthe point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from6 B1 z% M, H* |
stubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve
% k) k) Q% i- r+ o+ F h2 jseen that demonstrated over and over again. Now, having been accused of many such traits myself,
% G7 X% x5 `, I$ T4 ~I rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I
, y r6 ]$ `5 w& _% D7 twas a fanatic about getting students to speak and write correct English from the get-go. And Randy
. v: L1 S# P0 l; z/ E4 z* ithe mouth had no problem with that. But he did have one problem. And I’m having a problem with
8 R6 t7 G" O4 l7 [) q& lmy machine here, here we go. [gets slide to project on screen]. And that was another part of my/ i' c; l* r$ x( Q% v6 V" i+ y$ x
fanaticism which dealt with having American students learn about foreign cultures. And specifically
?3 b: Y/ w; g- ~1 ^4 Cabout food cultures, and more specifically yet, about Chinese food culture. So I would take my
/ S; X1 G+ x/ l9 [9 `7 M; Hstudents to this wonderful Chinese restaurant where they cooked off the menu using a Chinese
# I: p8 @) V B5 A0 v5 Z$ f5 ~% h/ Smenu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?) Y ~4 B3 ]8 ^0 l& X- c
[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at3 L8 K3 X8 a9 ]" |2 O u
the time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with
K7 s# f; _/ N# `, h; achopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And2 H' K+ a/ |% J: f, J' }( b' S; Z& J
so it came time for graduation and I handed him his diploma. And this was the picture one of my' R; r9 O8 ?# U q1 m% x& Z
friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and$ x8 P/ |* q$ }( Y1 s. V
gown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his
* c& Z a6 D1 odiploma to show it to his parents, and there was an autographed copy of the menu in Chinese and, [) V0 m$ {: }
no diploma. [laughter, applause] It was one of the few times I got the better of him, I have to
1 c/ M4 @: h7 H% q4 Vconfess. Well here we are today, all of us, and hundreds and hundreds of people all over the
# ~9 `0 U; q8 A$ i2 ] u; c6 N) `country, I dare say all over the world, participating in this great event to celebrate you and your life.8 Z1 m) v# }# `- V, x
Randy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model
4 T7 ?! k6 D- [8 X- Cacademic, especially as a mentor to your students. Your Disneyland expeditions not only were2 U0 a& `6 n( N- f* y& E8 u- |0 ?
unique but they are legendary. You have more than fulfilled the terms of Brown University Charter,
& z) T4 b2 }, m9 P" v. l' Ywhich are: to discharge the offices of life with usefulness and reputation. Your utter devotion to
$ ]) ~' q' M" u2 q5 m/ s! Byour family and your career are exemplary, and continue unabated as you cope with the immensity i: U+ e0 g# e" }* M B
of your situation. You exemplify undaunted courage and grace under pressure. The most terrible
4 c& v/ p6 b' _) M spressure one can imagine. Randy, you have been and you will continue to be a role model for us.
. S9 t( [, Y+ a9 A: o[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell
@. p1 T6 O- xyou privately and in such a public way how much we admire, honor, and indeed love you. [applause]; ~3 F p! J) c( H# t/ ? ?
[standing ovation]
9 }) ^, `- U8 Y" X
; q) C. u& E/ W: ~[ 本帖最后由 billzhao 于 2008-11-16 18:02 编辑 ] |
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