D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
( ]6 a1 l2 P+ J; T) c! I/ \3 Lof the new Nikon D800. Established medium-format image quality is
7 d  H8 c* D# @3 H, L: w3 {now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
' c/ D: N; j2 ^/ [: rmegapixels, the D800 produces unprecedented image quality and resolution
* G. H4 A: ]- t0 T4 U: awithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
: R( Q/ N. |1 H# ]$ e" E% S( B, Tin low light are just a few features that are glaring improvements. The D800
7 d7 n) c4 {6 y* W( I. G9 K' Hallows me to concentrate on the light, the composition and my subject
; i5 ]5 w0 P8 ?& l- d# Pwithout having to think about much else. In years past, wedding photography
7 t" \: F5 ?2 P9 ~was traditionally captured with medium-format equipment for maximum
  c' ^7 U4 a4 F* N9 k* B/ o+ g4 Yimage quality. When the 35mm format was adopted within the genre, it was
; y. o. r  }+ l2 ?: zwidely accepted that image quality was compromised in lieu of speed and
8 i7 E% Z: M0 g3 e- T- f5 Kconvenience. Now, my wedding portraiture will have a depth it’s never shown
7 g, K3 M5 @. K2 ?% Ybefore, and my style of shooting will be enhanced rather than compromised,
% a8 ]: b+ P9 A6 ^thanks to the D800.
7 W4 S# z1 ?6 _1 r& D+ d: [- T* GWhen I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
$ Y0 e; b7 [" n, ]1 K1 j% `range, color rendering and the final print. The detail from the D800 produces
' X3 j% P3 f4 w" m* A% h& _3 Ithe look of a medium-format camera, but gives me the feel and response of a
; i( W0 E3 Z% G+ ^D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
) I9 ]% a( l# V7 s6 P' Z  e) P* nAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
0 V) L4 k* j; |; ?5 Zalso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
  Q, _' w4 w5 t9 s1 b2 i  ain such a compact package will open huge creative possibilities for my highquality
( z2 Q$ S/ I1 N( zprints and video.
# j' T2 T% a% M9 v2 J7 _$ lTo me, cameras are more like paintbrushes than technology. The goal is
* f1 _$ B: O: I5 w# r  hnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
( }5 \& V; |5 G# A# k/ Zcountless cameras, I have found a new best friend. It was not love at first
* _& m( Q* E( h! Esight. The sharpness and detail were initially intimidating, exposing my flaws
. ~, H  e7 Y. E" Glike never before. Subtle camera movements showed and differences of
  }7 |2 Y, h+ ~acuity between aperture choices on various lenses were apparent. But now I
1 R9 N+ V5 [  M9 h4 o! B* l; Bam enthralled with this technology. Why? Because the images almost feel as
/ I7 K0 H$ ]( c9 P* |though they were made with a 4x5 view camera! Special features like timelapse
2 h1 T; O  H: N& u; r# Rphotography and the improved HD video quality and flexibility also add
2 {$ t0 V  ]5 `7 ]6 T  |* \tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
$ d& U6 ^0 c2 a9 g, P0 Q- Oand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
) o9 |# x# J7 L. Xarchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
: e: T1 ~5 v, b* G: C2 nto work at unusual shooting locations and capture images in an exceptional
, X5 Q* p0 M) ~* ?1 Prange of light. It definitely takes my photographic versatility and image quality
  c# ?) f! F" G' i3 C: Eto a new level. What a new companion!
5 P1 ~6 s. f: U- c1 vThe D800 On Assignment
4 _  a% V% E- d  [, }* K( bRob Van Petten
( s( Q  t/ X6 u2 ^+ l8 u5 pFashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
Nature (U.S.A.)
; E2 K8 x$ u1 ?5 Y5 }5 MBenjamin Antony Monn
Fine art/Architecture (Germany)
  ]! Z. ?1 W% GPrinted in Holland Code No. 6CE11030 (1202/A)K

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