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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White# ^3 j, S! u. G2 T) O5 I5 P( D
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
3 Z/ M* b8 |, ?9 G3 p$ j& K* UUse the shadow and highlights tool in a RAW software program to" z) J0 H, V) p6 [+ o$ Y) H/ C
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 _1 A) s5 k( n8 ]! Gmethods provided by RAW and you'll have a correctly exposed black2 i! L' Y* `6 e3 N& n
and white image.* B4 i5 a9 Y: X2 s
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White Balance' n" m8 y7 x1 @ H
If in need of a quick white balance tool, you can use a standard( P9 K& i5 v6 }
white coffee filter. Use the custom camera white balance while aiming
% _* C; Z5 b9 F8 zthe coffee filter and lens to the opposite of the light source to get white h6 g6 R6 ?' q3 r; z
balance. I always keep coffee filters in my camera bag for
: F% g; f) I) N& @% j0 jsuch occasions.
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Pseudo ISO Boost' L3 p0 J0 o8 N' I0 V
If you’re shooting in the dark at a concert venue and need more0 R0 u( q/ j1 N: w
ISO boost from your camera and faster shutter speeds - choose 1 ]; A h( b' Y% }
the highest ISO setting on your camera and underexpose your image) W6 A. J/ E; m! D+ f5 j
by one stop. Then you can use a RAW processor to overexpose the6 ] j2 n. u; w( e$ ~4 I
image by one or two stops. Image noise may be higher but this; V+ j4 ^1 p# w" {3 h9 _ W
works very well for concert, venue and event shooting. |
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