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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White: F2 C; N: }+ e2 g) ] f0 Z: x8 Q8 m
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
' ~/ W5 D$ M h' XUse the shadow and highlights tool in a RAW software program to
# t! G& h) B- prestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
7 u7 ^( i3 q/ w q) x" r6 `# kmethods provided by RAW and you'll have a correctly exposed black
$ C M" ]+ C# m1 p; P: P4 Kand white image.- m1 l+ s( e; F: q
" @' s b; n3 IWhite Balance
" @, t9 s1 F% t7 {6 M& u1 o6 iIf in need of a quick white balance tool, you can use a standard9 S- R4 E# |- L4 k2 a! o
white coffee filter. Use the custom camera white balance while aiming; Z& Q2 N8 J! G* s* \3 K
the coffee filter and lens to the opposite of the light source to get white" X0 Z/ u8 O& y, Y I
balance. I always keep coffee filters in my camera bag for2 F r* h1 F+ }
such occasions.& ]& q8 M; R" O4 J" z1 Z
( F! d' C; k+ S2 z3 yPseudo ISO Boost
0 h% Z1 r) s* X" D+ C' H6 K) e6 PIf you’re shooting in the dark at a concert venue and need more
7 R4 u# e7 b& @ISO boost from your camera and faster shutter speeds - choose k" Z5 N+ c+ m. |
the highest ISO setting on your camera and underexpose your image
7 N( [) ]% ]+ Wby one stop. Then you can use a RAW processor to overexpose the
# p9 j3 v! B$ \6 H8 Simage by one or two stops. Image noise may be higher but this
" r( j# k; U2 Y0 E" a) a1 gworks very well for concert, venue and event shooting. |
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