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This was in a Vistek ad…some cool tips you may want to use.
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. `7 O. E4 n) c0 s& W2 D; |Digital Black and White
: S3 o" L% K2 J" v* \Shoot in RAW and underexpose your image by 1/2 stop to a full stop.+ _6 {6 r* @4 W# R* x- e: {$ b
Use the shadow and highlights tool in a RAW software program to& _5 k+ I* c; e$ }; ]; N
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
- F9 K% |! Q( H4 Y: G, L( tmethods provided by RAW and you'll have a correctly exposed black
7 _5 O2 r6 a7 c% A! @# \ g8 {and white image.
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White Balance; x" K+ G! c8 B
If in need of a quick white balance tool, you can use a standard+ Q/ A! U8 [# H! f4 Q
white coffee filter. Use the custom camera white balance while aiming
2 ~ u3 D h# Qthe coffee filter and lens to the opposite of the light source to get white
. N3 @ J# s2 @# mbalance. I always keep coffee filters in my camera bag for
. k' j6 @: q6 _such occasions.
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Pseudo ISO Boost/ I" T% u' r1 u7 d
If you’re shooting in the dark at a concert venue and need more# R! N6 _7 M/ ~' r4 X, D
ISO boost from your camera and faster shutter speeds - choose . U; a# Y0 J, D, ^
the highest ISO setting on your camera and underexpose your image" P! c4 E ^. r8 f& \
by one stop. Then you can use a RAW processor to overexpose the" W# M/ f5 M$ ~
image by one or two stops. Image noise may be higher but this
`4 w: B& P* G3 c% Nworks very well for concert, venue and event shooting. |
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