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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White! H* j3 M2 C/ N7 ^/ U! c( m6 v
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
% H2 b: x3 K. F$ T, I% C7 LUse the shadow and highlights tool in a RAW software program to g8 @9 S+ f" X
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White) E2 e/ A. g0 l( M0 L
methods provided by RAW and you'll have a correctly exposed black
4 v/ F7 \! u/ w/ [' {and white image.+ T& j+ R' }, d4 h- @
2 b {! @, {2 X9 h, g6 G* c/ PWhite Balance7 {# @, |6 h6 v& i$ U5 Q. `7 i
If in need of a quick white balance tool, you can use a standard
7 S$ {- L5 N3 m$ e' f. ~8 a1 Dwhite coffee filter. Use the custom camera white balance while aiming
6 G8 `2 \* K, mthe coffee filter and lens to the opposite of the light source to get white+ P& h! e% c$ N7 ]8 u9 c% A/ b5 r
balance. I always keep coffee filters in my camera bag for
, x4 ~& v- v5 d9 xsuch occasions.! `! C8 E" P! J( B! Y) P$ R
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Pseudo ISO Boost
* n& e1 t4 {* QIf you’re shooting in the dark at a concert venue and need more% f/ |2 \0 _7 {
ISO boost from your camera and faster shutter speeds - choose 0 Y0 L! o' L7 B ?2 A: \( f' S7 ]
the highest ISO setting on your camera and underexpose your image
* C: k. Y1 w! [7 {& \( T7 q8 j5 fby one stop. Then you can use a RAW processor to overexpose the6 i% G9 k5 ?! r) t. X. I; l! J
image by one or two stops. Image noise may be higher but this
# Q0 y8 [7 I: {- t9 p" x! O; B# Jworks very well for concert, venue and event shooting. |
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