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This was in a Vistek ad…some cool tips you may want to use. M! W+ y1 ?6 ?# H# L& @, y
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Digital Black and White
! e( w0 ^+ m! Q) r! J9 o8 hShoot in RAW and underexpose your image by 1/2 stop to a full stop.
0 t% v# r. Z% C4 } }% nUse the shadow and highlights tool in a RAW software program to
+ p. f1 W) f7 yrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White7 O2 w3 Z- G' b* G/ } o
methods provided by RAW and you'll have a correctly exposed black
2 Y6 m' L. S* H6 y( ]and white image.
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White Balance
, I3 W; l `* F ?( w; `' Y0 yIf in need of a quick white balance tool, you can use a standard8 ~6 J; w1 H8 C3 @# h/ v5 x% y
white coffee filter. Use the custom camera white balance while aiming: m, w B1 g0 d6 k) B
the coffee filter and lens to the opposite of the light source to get white6 t1 a$ V+ t. d' A
balance. I always keep coffee filters in my camera bag for
& ~- o% d2 v: }% T2 C. M0 F" ssuch occasions.# ]. \. I4 d, C; P+ ~6 M1 w `
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Pseudo ISO Boost
1 F8 P9 ]" p, O3 J# d* pIf you’re shooting in the dark at a concert venue and need more
; X2 y$ h0 h4 @# ^' lISO boost from your camera and faster shutter speeds - choose : d$ `5 `" F' H5 @
the highest ISO setting on your camera and underexpose your image: v8 l n; v/ m
by one stop. Then you can use a RAW processor to overexpose the8 J @$ E( h2 v* f
image by one or two stops. Image noise may be higher but this
3 P- I3 ~2 @; I) Vworks very well for concert, venue and event shooting. |
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