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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
7 P! S& p3 d0 @# L- z) }Shoot in RAW and underexpose your image by 1/2 stop to a full stop.2 z) R3 P2 V2 U' u" q) ^7 L5 w
Use the shadow and highlights tool in a RAW software program to- }' N) y$ m7 D! v
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
0 e a+ Y D0 f, u% @methods provided by RAW and you'll have a correctly exposed black
' r( \$ U. w S* B& s% q' Iand white image.
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( Y' r6 @7 q/ |2 b# i. N; BWhite Balance
+ u7 q% Z+ p+ C1 Q& iIf in need of a quick white balance tool, you can use a standard
9 e6 ^2 U$ b* ]' o! H. H; xwhite coffee filter. Use the custom camera white balance while aiming
9 \2 J% x7 [7 G/ K- Q+ Wthe coffee filter and lens to the opposite of the light source to get white
% n' w% v1 y9 ^2 e' Qbalance. I always keep coffee filters in my camera bag for( T X5 A# {# [/ r2 m
such occasions.
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Pseudo ISO Boost
' w& {% t3 Y' d" a' [If you’re shooting in the dark at a concert venue and need more
: Z- c* s! u$ U, jISO boost from your camera and faster shutter speeds - choose
4 x+ N" K( v* X3 s2 kthe highest ISO setting on your camera and underexpose your image+ [8 a- V8 B: j- G! x3 v2 j& S, s2 V
by one stop. Then you can use a RAW processor to overexpose the
h0 k' \: m; }7 Limage by one or two stops. Image noise may be higher but this! E v6 e! i; T3 S# _
works very well for concert, venue and event shooting. |
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