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This was in a Vistek ad…some cool tips you may want to use.+ C" @. J# h/ S, X9 M+ S% [
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Digital Black and White# b4 h& [! L# j. G9 _
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.. b1 B6 p4 _8 J" \( P
Use the shadow and highlights tool in a RAW software program to0 Y3 O" _8 Y& }$ P& T1 Q% ~5 D
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White, R9 R; [" I! t+ G0 S: d0 o! `
methods provided by RAW and you'll have a correctly exposed black
* `6 S c8 N! g& Qand white image.
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White Balance' M2 z1 N+ l1 A6 T8 p
If in need of a quick white balance tool, you can use a standard* a; k& ]: r5 [% ^8 C5 F. T6 Z
white coffee filter. Use the custom camera white balance while aiming
P* E j/ _9 E6 M- C7 Q2 h4 {7 _the coffee filter and lens to the opposite of the light source to get white
( D3 N% }: V/ g0 T2 u% G$ Z+ }6 ubalance. I always keep coffee filters in my camera bag for+ ^- j& I& F+ w9 M3 C; q
such occasions.
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Pseudo ISO Boost) I% S' }0 ] L
If you’re shooting in the dark at a concert venue and need more
) m; G6 Z1 z) C+ N, KISO boost from your camera and faster shutter speeds - choose
2 u8 Q$ Q: {5 Y- L. s/ hthe highest ISO setting on your camera and underexpose your image
( C7 |% p3 o. H% s+ S) w+ f* n8 cby one stop. Then you can use a RAW processor to overexpose the; C7 l l e4 T. h8 N
image by one or two stops. Image noise may be higher but this3 |1 c) J% |7 @8 G0 P5 I
works very well for concert, venue and event shooting. |
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