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This was in a Vistek ad…some cool tips you may want to use.$ U( Y- h+ k# L* F
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Digital Black and White- T5 ^7 ^1 p0 [; u5 t
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.. ^% E4 l9 e" F1 }& a
Use the shadow and highlights tool in a RAW software program to
( K: _, y4 U z. Drestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White/ I: h/ `. G/ d
methods provided by RAW and you'll have a correctly exposed black
, I! \" L9 D I& {) O0 ?( B2 Mand white image.
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+ r( N2 e7 P+ {: wWhite Balance
. N: i' o0 K' j0 C! W/ GIf in need of a quick white balance tool, you can use a standard
9 q2 v" p$ M! k- g) N/ wwhite coffee filter. Use the custom camera white balance while aiming
6 S' G. U, P5 T# e1 p6 `the coffee filter and lens to the opposite of the light source to get white9 e z: G! H' i( {, T3 c5 C4 J
balance. I always keep coffee filters in my camera bag for# q- e+ L1 V! I0 P' c
such occasions.' f7 K4 \( S6 \! F. z* b
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Pseudo ISO Boost
' M3 T+ Q1 O! f7 D. ~! xIf you’re shooting in the dark at a concert venue and need more4 Z, y- Z6 C7 y/ C# k2 B ^! v% l
ISO boost from your camera and faster shutter speeds - choose $ {' W' q. N: c4 S9 }6 h3 s
the highest ISO setting on your camera and underexpose your image9 X, V/ k# Q& Y) F
by one stop. Then you can use a RAW processor to overexpose the
7 v) C; t3 i$ k3 L2 w$ k2 b. aimage by one or two stops. Image noise may be higher but this
2 M1 i) c" m j' K# Y* Xworks very well for concert, venue and event shooting. |
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