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This was in a Vistek ad…some cool tips you may want to use.) c5 L7 n! _( u4 d* ]' A+ |; c
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Digital Black and White' v( G: i* P. p) ]
Shoot in RAW and underexpose your image by 1/2 stop to a full stop." }, ]% \8 C7 V f, x# @0 u
Use the shadow and highlights tool in a RAW software program to
9 f, y1 [+ @4 _+ qrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White6 w* Q9 ]/ A& ^6 l
methods provided by RAW and you'll have a correctly exposed black
6 ^, V- |0 ~8 [& e" [and white image.. ^' z0 m( h2 @( Q% E& @( X
+ ^5 m, [" |2 }White Balance
* I! g8 W: N3 fIf in need of a quick white balance tool, you can use a standard! M2 X' p; {3 t$ H+ s( k; p2 j
white coffee filter. Use the custom camera white balance while aiming3 m7 [4 ~" h8 ^0 X: Y+ I
the coffee filter and lens to the opposite of the light source to get white6 p% N5 M0 L+ Q8 q
balance. I always keep coffee filters in my camera bag for) O$ M/ \% u) U, u
such occasions.
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% L0 W" _7 i' H8 X& t5 ]Pseudo ISO Boost/ j/ {2 o8 ?! c( E* ]! b1 W8 g
If you’re shooting in the dark at a concert venue and need more
" Q3 N2 \% b8 G Z/ U& a% X; a5 yISO boost from your camera and faster shutter speeds - choose 8 V3 x a6 G3 K$ B2 W0 C9 H! i; E
the highest ISO setting on your camera and underexpose your image0 b' l6 c3 n$ t! I
by one stop. Then you can use a RAW processor to overexpose the
" y+ O: g/ \- v* b1 F( eimage by one or two stops. Image noise may be higher but this
3 a- V, i! B6 W/ E; dworks very well for concert, venue and event shooting. |
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