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This was in a Vistek ad…some cool tips you may want to use.: O7 a$ h% f0 r$ u' A; x0 N
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Digital Black and White
2 G0 Z" g" H5 q/ j" Q0 J& lShoot in RAW and underexpose your image by 1/2 stop to a full stop.
6 A3 A5 }4 C5 x' e* H$ I3 ]/ qUse the shadow and highlights tool in a RAW software program to
0 F2 K/ p. x: N' Q# Y1 Qrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White: O8 D* S" }& M& v) I& o
methods provided by RAW and you'll have a correctly exposed black
5 j; F) e+ I! N H" L. c# pand white image.0 y6 `; D- W; x9 `- d
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White Balance
5 `+ ^) C# R% P; ^If in need of a quick white balance tool, you can use a standard) o* H \4 d" N' R4 g
white coffee filter. Use the custom camera white balance while aiming
1 N# u& I8 ?! X! ?the coffee filter and lens to the opposite of the light source to get white
; Y- g: t- R: p ibalance. I always keep coffee filters in my camera bag for/ }/ [+ A0 |* U# I, I1 W. c5 H
such occasions.. }3 g9 i7 j) S0 P! j4 N) `
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Pseudo ISO Boost' u. e' g2 f- t
If you’re shooting in the dark at a concert venue and need more" ^; u! V5 D: ]! g( b* V' ?: f
ISO boost from your camera and faster shutter speeds - choose
' |+ l5 j. N' I$ F# vthe highest ISO setting on your camera and underexpose your image
2 t, m+ H# d/ B/ x5 A h8 N, Eby one stop. Then you can use a RAW processor to overexpose the* r. c1 z7 w( E2 t
image by one or two stops. Image noise may be higher but this
2 ^6 x+ Z! v3 [" g, x; _works very well for concert, venue and event shooting. |
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