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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
7 ^; b) Y/ O2 l- V- c) SShoot in RAW and underexpose your image by 1/2 stop to a full stop.* y6 j6 x8 _2 ^+ E: w# F" m5 h
Use the shadow and highlights tool in a RAW software program to' e" L& b7 d& w# |5 J
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White, L: ^$ b" e5 E( d1 s5 p
methods provided by RAW and you'll have a correctly exposed black% [" D6 ~$ q4 H% E7 {/ f. O7 d
and white image.. |# g! g9 M8 Q( {+ Y
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White Balance
j/ O2 s' F% ?8 P' B3 C- m; aIf in need of a quick white balance tool, you can use a standard
$ K' \; a+ Z$ A6 x4 Q( Iwhite coffee filter. Use the custom camera white balance while aiming# q' S7 M2 i6 s
the coffee filter and lens to the opposite of the light source to get white
6 v Y0 T( ^! e/ d/ C& |1 Ibalance. I always keep coffee filters in my camera bag for
4 |- i d {7 y" O& T4 q. Jsuch occasions.
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Pseudo ISO Boost
0 Y7 {! E5 X$ Q8 S; |$ r4 pIf you’re shooting in the dark at a concert venue and need more* ?6 K0 O4 P: w% s9 L
ISO boost from your camera and faster shutter speeds - choose 4 p; t2 k: U7 F0 r5 R# H7 |5 L
the highest ISO setting on your camera and underexpose your image
8 s$ c4 g8 D6 G' M7 [6 [by one stop. Then you can use a RAW processor to overexpose the
% Z/ N. F4 A5 h# g8 uimage by one or two stops. Image noise may be higher but this* o( \7 O' }( V9 l7 F6 T+ p
works very well for concert, venue and event shooting. |
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