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| This was in a Vistek ad…some cool tips you may want to use. 3 ]7 N" S' u; r
 M; P! l9 n' q, Q, K4 BDigital Black and White
 ! q! f5 v: |: @Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
 5 f7 y- V$ S1 [: }  HUse the shadow and highlights tool in a RAW software program to" L5 ~0 V3 x7 ^1 z5 D
 restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White( e, G0 t8 t& A/ b+ o! j. y
 methods provided by RAW and you'll have a correctly exposed black
 3 |; ^2 ]# q; Mand white image.
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 White Balance) J! k" P; ^* }3 }$ S% t' ^3 H
 If in need of a quick white balance tool, you can use a standard0 M. I1 D6 z  h: a" x5 Y4 U
 white coffee filter. Use the custom camera white balance while aiming
 8 s/ ?& z% g9 d8 vthe coffee filter and lens to the opposite of the light source to get white5 m* S6 e$ z. M4 A7 w
 balance. I always keep coffee filters in my camera bag for$ Z6 B4 m  k+ q- i! t
 such occasions.
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 ( j. L: v' I  `8 dPseudo ISO Boost4 `0 |! L$ Q" i
 If you’re shooting in the dark at a concert venue and need more
 : B0 n# G4 R4 P# o2 Q1 pISO boost from your camera and faster shutter speeds - choose * o) v; o5 O. k& V  H: ^
 the highest ISO setting on your camera and underexpose your image
 ) {0 F- S9 y$ Y9 [; {0 ?3 Yby one stop. Then you can use a RAW processor to overexpose the6 w( E2 M. Z8 m
 image by one or two stops. Image noise may be higher but this) j& c" }: Z5 u* m3 F# |
 works very well for concert, venue and event shooting.
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