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This was in a Vistek ad…some cool tips you may want to use.+ h, M2 ?, Y$ t. b
% |0 x$ w$ y, j% U. u: FDigital Black and White7 L2 u( {$ _' r* |+ W
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.+ V8 t" V. c i5 M0 }
Use the shadow and highlights tool in a RAW software program to
7 _% f$ H2 {& Q. r, z" y! wrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
0 A; }+ x' D# Xmethods provided by RAW and you'll have a correctly exposed black7 E( }% ^3 w" X8 `1 }8 U
and white image.
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& L" }& _1 a! a) ]" R# N5 wWhite Balance0 X4 h+ y( F6 Z2 _
If in need of a quick white balance tool, you can use a standard1 Y+ `; N. H4 w( a" e6 J/ h" W
white coffee filter. Use the custom camera white balance while aiming9 N; {; ?8 u, p4 G
the coffee filter and lens to the opposite of the light source to get white& q" w" V5 g4 m3 e) a& q
balance. I always keep coffee filters in my camera bag for- \8 M. O; \* r. U+ d
such occasions.4 c; o+ d" }# ~5 T" o, L
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Pseudo ISO Boost
. l2 j6 Q0 B: h5 gIf you’re shooting in the dark at a concert venue and need more
& _( s" {3 f2 X+ K; T4 GISO boost from your camera and faster shutter speeds - choose : O- u9 Q, C. T: b/ V- d' K5 P- _
the highest ISO setting on your camera and underexpose your image
0 m9 E& [# a8 ^+ W, [0 hby one stop. Then you can use a RAW processor to overexpose the
/ Q0 z( L+ x5 `image by one or two stops. Image noise may be higher but this
8 W% L' Y4 S! z/ j, a5 hworks very well for concert, venue and event shooting. |
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