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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
& |# }/ i: y' M! _Shoot in RAW and underexpose your image by 1/2 stop to a full stop.) Y5 v" E8 ?$ E. A5 v: [' |
Use the shadow and highlights tool in a RAW software program to0 c5 Z# M4 L9 j' e$ }! h
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White2 T, V/ E5 I) E$ }/ c! i
methods provided by RAW and you'll have a correctly exposed black6 A+ W M9 l. ~! j/ o. |# M- C
and white image.
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6 d; U+ P% |9 jWhite Balance; k6 \- u7 }) w. R9 r
If in need of a quick white balance tool, you can use a standard
+ i k7 U* W' ? S, P+ lwhite coffee filter. Use the custom camera white balance while aiming
7 `$ ~; R3 R. [ X C; k+ Jthe coffee filter and lens to the opposite of the light source to get white
3 N9 c5 a g2 k8 I' cbalance. I always keep coffee filters in my camera bag for
w) |5 }! I* x) x3 isuch occasions.( {7 @3 K2 x" \- d
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Pseudo ISO Boost
: G' g8 z. j+ Z6 v4 J8 S" J$ M* rIf you’re shooting in the dark at a concert venue and need more
+ I% j9 S. @" S3 h; M3 Q3 QISO boost from your camera and faster shutter speeds - choose
& b! |% L4 C _8 a* ethe highest ISO setting on your camera and underexpose your image
+ [ C1 C+ w2 j. v( ]by one stop. Then you can use a RAW processor to overexpose the
8 x1 V, }) r2 v$ F- h- {image by one or two stops. Image noise may be higher but this
9 L* p; D' w: Bworks very well for concert, venue and event shooting. |
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