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This was in a Vistek ad…some cool tips you may want to use.: }# W( r2 z) ~+ u8 [( }) f% R; a# R! ~
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Digital Black and White
$ Y% }& M! I8 w3 r2 U8 G/ S" dShoot in RAW and underexpose your image by 1/2 stop to a full stop.
" @! f$ q/ R A" ?% rUse the shadow and highlights tool in a RAW software program to& X$ k8 E; C: K; k
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
: q. P' L6 I" ]: u" q1 ? r& Xmethods provided by RAW and you'll have a correctly exposed black! `4 q6 N. D$ }. G J: ]& Q
and white image.0 {0 Q6 i0 w& \; n( w* G
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White Balance
/ U; s4 N$ t8 T' u: P5 JIf in need of a quick white balance tool, you can use a standard e. O( Q4 t0 M0 i0 }- d! [- j) g& u
white coffee filter. Use the custom camera white balance while aiming( n3 h+ K& z, X& m; r/ g
the coffee filter and lens to the opposite of the light source to get white
9 K. H4 y* }; v( |: i" Q: @" Fbalance. I always keep coffee filters in my camera bag for# H( O3 L" F, l
such occasions.4 W5 T7 Q( i9 O" t2 y# f8 V" \+ y
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Pseudo ISO Boost
7 i! n& b6 l; kIf you’re shooting in the dark at a concert venue and need more
( A4 _' K; h4 w: s+ g$ l9 p0 j9 n/ w, YISO boost from your camera and faster shutter speeds - choose + i% k, h) T; `4 m4 m9 U
the highest ISO setting on your camera and underexpose your image6 W& T4 ]( z' p( h
by one stop. Then you can use a RAW processor to overexpose the
. C7 h& k0 [/ k H1 A) }" G) T$ vimage by one or two stops. Image noise may be higher but this
; T' E& ?/ l( o/ K9 d+ e @0 Tworks very well for concert, venue and event shooting. |
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