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: ~, }# _" P5 u/ f3 D5 S$ S1 m8 ^' F& i, e5 ~
0 a Y! x+ h* d$ |7 PRandy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams) f/ k: f4 V$ a4 s$ f0 E w9 S; h
Given at Carnegie Mellon University
L/ U' I0 }, l1 @" KTuesday, September 18, 2007
2 M. Q# q; O) d" ~3 s- p( ?5 cMcConomy Auditorium. {2 N% Y+ h- d3 N
For more information, see www.randypausch.com
' a/ E9 r$ d! D1 u$ i© Copyright Randy Pausch, 20071- {# b* @2 p8 E p& l) }! _
! D3 ^# i% k: ^$ a1 O
Introduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:, ` }0 o) Y7 ]# n! b; V
Hi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled
. C; U5 `- F, F1 G7 T' IJourneys – lectures in which members of our community will share with us reflections and insights
& I N2 r& x- [0 q& d5 Ron their personal and professional journeys. Today’s Journey’s lecture as you all know is by) I1 Z& r' m5 g" w; W' n! x
Professor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky.2 M$ H* `! B* F4 A
To introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s5 S7 g8 Z% b! w! H' g: w& F
friend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice6 Q0 O( o2 ~" c/ U4 W$ N$ j
President of Global Brand Development for The Sims label at Electronic Arts. As you all know, The
$ k) I& H$ M; i/ ASims is one of the most, if not the most successful PC games in the world, with sales approaching% B8 U, V0 ?/ c
over $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and
- x7 z- V0 f% y9 xEducation at EA, bridging academia and Electronic Arts. His goal was to work with academics so
; g; e! b* [8 Y5 rthere was an effective educational pathway for kids with building games as their dreams. It was in
4 \* z ~) k3 M/ e, H, }2 E. S# sthat role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the, L, Z9 c! z( |7 C& }1 Z& Y, Q/ A
worldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite" P: p8 F5 l7 e# N |0 G( e
magazine in the Southwest, and as CEO there, one of the things he started was school tours,( o# p! z- u2 n" m4 J& s
because like Randy he shares a passion for inspiring kids of all ages to share their excitement for
5 W* z) M5 O; B% Nscience and technology.
/ C( u* u% y, O& ySo to introduce Randy, his friend Steve Seabolt. Steve?* V' `$ U' L& k w; h2 q5 D
[applause]& U4 f4 w0 b" F# c
Steve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):4 r6 E% f" Q5 T4 ?
Thank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR
( w( _- Y! ^3 ?% w% lpeople are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it9 v8 y3 ?' [5 Z. x5 N+ r
was 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.; n) O/ S# n' P3 l$ \2 ~7 a X
[laughter]) K- ]9 p7 q( _1 J$ }) e6 M; a5 E
I don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from
( r8 n' R# [3 R% \/ bRandy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me
+ L# P, U/ H6 \; Y4 Z20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.8 @5 l4 G' A0 n* d! d, Z3 o3 M
It’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic
7 C& ]( R6 @: P1 P+ Gcredentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I
' M. J C: n% H4 R- icouldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m
: j/ [2 C+ I, J2 W, qnot kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT
* }0 b& h# ~) g2 F$ Z3 H- @scores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned3 e8 {9 S! }0 `
– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four4 H5 ?1 K+ D) w3 k& O* w
weeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I% d$ @5 L( n0 j+ y9 ]$ \
said look – we have two choices. We can play this really straight and very emotional , or we can go& V. g% D+ u) h" Z$ G( e& `7 B; g0 ^
to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called
6 o( C- |. Q8 l1 |% Ehim the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,
. M- q* s, c' Mwell, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To4 r* [7 x- E: D; F: L4 K9 _$ t
which he responded, we need to find you some smarter friends. [laughter] So you’re all smart' b$ X4 I/ g+ y4 Z) s) O
because you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room.
6 v. M4 t1 I5 H) e5 @+ } C" CRandy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from5 E3 \8 K$ v, B5 l4 ~
Carnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year' N$ q' P0 I) V' z! F3 `! H7 W! Q
early. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design- w5 T8 J4 w: Z3 F0 C8 A
departments. He has authored or co-authored five books and over 60 reviewed journal and
$ R2 j3 E8 v) D5 c* F' ^" h: S b5 [% Oconference proceeding articles, none of which I would understand. With Don Marinelli, he founded- ~4 T6 @9 F9 m4 Q/ i7 c
the Entertainment Technology Center, which quickly became the gold standard organization for
# w8 S3 L1 M% |( _1 Utraining artists and engineers to work together. It is my view and the view of our company,
7 p6 p) N" J9 n; H. CElectronic Arts, that the ETC is the interactive program by which all others in the world are judged.
# R/ v, w w# Y# l* bI met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been
3 u5 f0 a- c0 M2 y3 d _three years given the depth of our friendship. The ETC already had a very strong relationship with
5 ^7 G; |0 M( gEA and with Randy. And Randy as he always does, for those of you who know him well, wanted to
" N3 v4 a" Y- d c+ r glearn more, with his own eyes, about how the games business works, and how games really got) s2 m& N# g- ?5 M: |; A
made. So he spent a summer in residence at EA, and I was his primary contact point. We were in
. D4 r- p5 i4 ?1 `4 \8 T' Omy view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me
5 M7 K3 P" P bwho went to the University of Iowa on a wing and a prayer. We spent a lot of time together that
' w! v! A0 I) r) J/ m8 T/ b% x4 [! ?semester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white/ P6 J, P' H% C- T& [* b& I
bread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more
- G! S. v; L9 k1 F' x! H/ {“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each
4 T7 o1 B+ e: F& z7 z8 h9 n2 [6 @other about each other’s very interesting, strange cultures to the other. Academic versus the- R. [* B9 d/ N. r
corporate world. And we developed a deep friendship woven together with stories about our kids,
' W) j6 L& f9 D6 ?4 O" M3 {. mour wives, our parents, as well as deep discussions about the paramount nature of integrity in
& B7 r z$ Y( ~" Q" ]% Ieverything you do, family first, religion, our shared joy in connecting people and ideas, and
6 i' G8 p% H$ G, J3 |% Hdeploying money and influence to do good. And the importance of having a lot of laughs along the
; T$ z/ Y0 e+ i4 S" Dway.% m. a0 W, }6 B c4 e
Randy’s dedication to making the world a better place is self evident to anyone who has crossed1 q% w- X+ u# R: s2 n# G
paths with him. Whether it’s directly influencing students, creating organizations like the ETC,
* ?( k" `& M+ |building tools like Alice or doing what he probably does best, which is bridging cultures. As Ben# P2 b& s+ l) M
Gordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,9 h$ L4 C/ \& z- \' |
philanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he
4 k% I: w3 I9 K' bbrings to students and coworkers on a daily basis.) D, V, d9 `8 O4 P- \! @
For those of you who know Randy, Randy brings a particular zest for life and humor, even while
% r) W+ A+ Q' v2 |facing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,
" l0 u; t8 S4 ?* h" I% uLogan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]
3 T4 }& H9 T, t1 z: n3 N- j3 W+ eRandy Pausch: M7 q2 V' R) D7 _9 S/ L& v2 i
[responding to a standing ovation] Make me earn it. [laughter]
9 m1 C/ y5 B! {6 V, rIt’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the, G! @6 ]1 G/ |) m& o
Last Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,5 ~/ P' H; E- J: r7 H: W
I finally nailed the venue and they renamed it. [laughter]$ Y$ E& B; ]2 V) ?4 z+ ~
So, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad8 S0 z) b$ a& S
always taught me that when there’s an elephant in the room, introduce them. If you look at my CAT
( H& F+ C6 P2 c6 e! u& sscans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good, u @- X( y6 Y: s
health left. That was a month ago, so you can do the math. I have some of the best doctors in the6 I Y& |; o: C
world. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All6 {* d/ N7 ~5 h- G2 Z2 u; A
right. So that is what it is. We can’t change it, and we just have to decide how we’re going to& ?& C% l4 E8 y! c4 }
respond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t5 X6 @2 }* Z) q7 \5 b, S; Y
seem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
" ?: h) x1 b/ f6 \: uam not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,$ G. `- B; R2 ^$ x- z
we just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a# I- s) y- b# }2 O8 {4 Z* b
better place for the family to be, down the road. And the other thing is I am in phenomenally good
( {, m' T" d( B B0 Y5 L: R4 yhealth right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact1 U. G+ m# x& [$ r* f3 F1 V0 t
that I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the
3 D, e3 D$ e' N8 {ground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and* @- `" I9 R9 I) \7 ^8 x: ]
do a few of those, and then you may pity me. [laughter]
; A$ B5 Q2 H( }7 VAll right, so what we’re not talking about today, we are not talking about cancer, because I spent a4 |2 S7 f( P% x$ k6 d
lot of time talking about that and I’m really not interested. If you have any herbal supplements or
6 m& p. D$ i$ T+ I! A: rremedies, please stay away from me. [laughter] And we’re not going to talk about things that are
" \; Y3 M _- E9 S# P" z Ceven more important than achieving your childhood dreams. We’re not going to talk about my wife,
& d4 n) y$ ^! [' lwe’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that% y6 [6 p# l! Q& U6 c9 d4 W4 X9 f
without tearing up. So, we’re just going to take that off the table. That’s much more important.7 p* s& U+ e' g
And we’re not going to talk about spirituality and religion, although I will tell you that I have
/ v5 z [6 E: ^+ |3 z: Dachieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and: V7 T* S& c* {$ S$ N5 e' z2 `3 Y
clapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about+ X+ A" n- n1 l! D6 Q2 z1 e* Y
then? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that
1 c( K9 c8 R" K5 [6 |: K7 Zway. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons
5 i) v- s8 D+ W8 ~learned. I’m a professor, there should be some lessons learned and how you can use the stuff you/ g% v5 n6 a6 L5 y* u
hear today to achieve your dreams or enable the dreams of others. And as you get older, you may
* g9 \% w" L' z' j' i4 `) v2 T0 Y9 Ofind that “enabling the dreams of others” thing is even more fun.6 e6 H& r4 R# R+ O) m5 a) T
So what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no
5 ]) f) @* N( p9 n4 t/ w! rkidding around. I was going back through the family archives, and what was really amazing was, I
4 O( x/ N; J5 z! tcouldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying
1 K- s6 v( N! c Z( Zthing. There was our dog, right? Aww, thank you. And there I actually have a picture of me
2 P7 [3 U6 Y% g0 I+ k7 ]2 G6 Gdreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you: h5 \. _2 T8 g
are 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.+ u! f1 y; F; O0 @
And that’s something we should not lose sight of, is that the inspiration and the permission to. i* g! Y6 b9 s. V1 V* `
dream is huge.
) v$ Y8 r* y* n5 o& z6 {5 B& HSo what were my childhood dreams? You may not agree with this list, but I was there. [laughter]) `5 r# C& B* T3 ^
Being in zero gravity, playing in the National Football League, authoring an article in the World Book
6 `: |8 f7 x/ Q$ oEncyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have; O8 D" |3 [, b) W; Y
that childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big O- z& G# q- E
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not
# V9 P9 V* F" J* y" L8 J- Tsorted in any particular order, although I think they do get harder, except for maybe the first one.
. W1 t6 ?) h" Z3 a1 r' C: {OK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an( c! g6 U }# A, j$ N' Y
astronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have
) d: k$ `+ W& \# V2 ~0 @7 Hglasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.6 D# h4 D# K7 P6 N1 K+ j
So, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation+ \( ]9 u* ~( T* C
on a table top] But that didn’t work so well, and it turns out that NASA has something* F5 |- N d o7 O5 M8 o4 U- \
called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs,
- y0 D% v! j) }$ _9 I9 T, B! T, _and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a
2 i. S+ x9 R# Q0 jrough equivalent of weightlessness for about 25 seconds. And there is a program where college
* D. I6 ]. A, a' E3 A6 |students can submit proposals and if they win the competition, they get to fly. And I thought that5 H. [3 h8 R8 K# ^ T* u' e. [2 A
was really cool, and we had a team and we put a team together and they won and they got to fly.
) ], O! w! n& e! G. _+ Q8 @6 qAnd I was all excited because I was going to go with them. And then I hit the first brick wall, because4 @: L3 U3 s; N z
they made it very clear that under no circumstances were faculty members allowed to fly with the
' t( L: _' \; `8 r- |* ~' |+ Kteams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very
" O" h. ~8 Y2 W' y8 V" }2 J2 |carefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns* x4 f* f% G: y
out that the students were allowed to bring a local media journalist from their home town.7 [7 u1 }$ N6 ^' _0 r8 p% m
[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a
9 n% C: m$ c- z1 tpress pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some& d2 r. t* W! V6 X2 r
documents. And they said, what documents are you going to fax us? And I said my resignation as* ~# `3 X3 [1 S
the faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t+ \& i( I# n ?* ^" x1 [8 V6 q% @
you think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole- @- K5 w9 @* O2 R9 ~- r
bunch of VR headsets and all the students from all the teams are going to experience it and all those# }3 w- B$ h; B7 ]
other real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going
8 p7 [# R# b N% _: |% q: [1 Qoh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the
6 ^ m: y$ E. z; K6 ]. R* @bargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring, q% r9 q1 T( g& _' a. \8 M V
to the table, right, because that will make you more welcome. And if you’re curious about what8 `' v/ Q6 z0 H5 O( r j+ ^% U% F
zero gravity looks like, hopefully the sound will be working here. [slide shows videotape from4 M+ o/ |/ U4 ~/ r5 u
Randy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,
! X1 m. ^$ Y- I" S) b* aas the people in the video crash to the floor of the plane on the video] So, childhood dream number
& L% \) W5 d3 D X; N4 X6 {one, check.: J, \( J# N: e- C
OK, let’s talk about football. My dream was to play in the National Football League. And most of" t) v' N z1 ~; q* u
you don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,% D3 q" q5 }/ z! ]2 u: P
but I probably got more from that dream and not accomplishing it than I got from any of the ones5 w h. i) G1 Q" K
that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in1 x9 w5 U H, z7 P7 z+ T
the league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker
3 Q: S# c( q7 t2 q5 ~( Bat Penn State. He was just this hulk of a guy and he was old school. And I mean really old school.
! o( O+ m; ^6 j$ ?, mLike he thought the forward pass was a trick play. [laughter] And he showed up for practice the first; W. Z& ]% P u* g
day, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t. o0 |, s# e i
brought any footballs. How are we going to have practice without any footballs? And one of the
" E$ ~3 |" b5 b6 aother kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many
: k# Y5 e# g0 }7 |+ g" V6 [men are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,/ `0 K1 Q1 [/ ~2 c5 y! M$ e
and how many people are touching the football at any given time? One of them. And he said, right,/ g1 U9 x3 p: W
so we’re going to work on what those other twenty-one guys are doing. And that’s a really good( U1 o% Q3 q# p3 U
story because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got
: Z% A: T* m0 R! G3 ?9 K" @to get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other6 i6 x' m; ]# y6 o6 c: z
Jim Graham story I have is there was one practice where he just rode me all practice. You’re doing; l" F7 \% }0 {9 R
this wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups: k; s, t4 _3 O8 \+ b6 @
after practice. And when it was all over, one of the other assistant coaches came over and said,
7 l/ u. ^1 j* ~, L1 h: Syeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He
) l5 S! S: T/ G, w) R. g" _" O( G! U) S% Esaid, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave; J, O9 p- F! a+ f5 p* Z4 ?& a
up. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing
* Z7 J2 b, D3 i' k! g1 Ksomething badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your; R4 y1 _$ _! ~) o1 Q( X& |. l
critics are your ones telling you they still love you and care.
/ y6 G* P2 b6 A8 ^8 DAfter Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of
! S, B4 i8 E1 Zenthusiasm. He did this one thing where only for one play at a time he would put people in at like
8 p+ z4 l. N0 S+ o; Qthe most horrifically wrong position for them. Like all the short guys would become receivers, right?: i4 `$ u) @$ k3 V, p9 e# j( |: H
It was just laughable. But we only went in for one play, right? And boy, the other team just never5 P! h& p8 z" m0 \* u
knew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where
, p7 K7 X k4 {you’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going
_1 g5 g" N S7 d+ w- @6 A4 Mto clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this, M, v& ]: Y0 _" H
day, I am most comfortable on a football field. I mean, it’s just one of those things where, you
% Y+ V* H3 Q2 P+ r, J+ [5 nknow, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls( F" i8 s0 T8 Y. V" ~& j
with one of these things, and that’s just because, you know, when you do something young enough2 x6 \/ D% x' q* L6 w r
and you train for it, it just becomes a part of you. And I’m very glad that football was a part of my v" X. E/ F- N# P9 o% i( B
life. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more
$ k+ C: `# D6 c) ~7 c: p+ L& ?valuable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great
0 m5 \3 h0 g, M' @( a0 u: z( Y, gright now.8 G4 B$ M: ^5 n6 f' S
OK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is
0 z. Y# i) r# L) p7 Texperience is what you get when you didn’t get what you wanted. And I think that’s absolutely
: W8 g$ Z X. y6 S0 O6 p4 \lovely. And the other thing about football is we send our kids out to play football or soccer or# ]; k# V" Y- U L# y' l9 t" O
swimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or
& q# F- d% w% x4 Yindirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that
2 H8 Q# A& q2 I1 A. KI have a wonderful three-point stance and that I know how to do a chop block and all this kind of
( [8 q) A/ p. F* B" N6 Cstuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,7 o5 G) Z$ A" d8 a& c
perseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important.
. \* h( s# U6 \( t: K3 DAnd you should keep your eye out for them because they’re everywhere.) J+ c4 y G8 F. w0 V
All right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had
9 T5 x; j& E7 D( T, I5 q, dthe World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these
" r/ ~: W# h8 M) [* T& {things called books. [laughter] And after I had become somewhat of an authority on virtual reality,) _! c" P( {' l1 f; h* C9 H5 A; L
but not like a really important one, so I was at the level of people the World Book would badger.
. z% o ?. d$ l3 N2 b% SThey called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing
7 F1 R( }9 {7 Avirtual reality headset manipulating a 3D world], and there’s an article if you go to your local library+ L, k2 g1 n7 J/ y
where they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And d+ x4 c. t( L; j5 M" A& ?( @4 A& `
all I have to say is that having been selected to be an author in the World Book Encyclopedia, I now
! ]! n2 {6 ]# |" f' k% m- W& |believe that Wikipedia is a perfectly fine source for your information because I know what the
, j+ H1 ~7 e9 U" i6 Q0 R& {0 Kquality control is for real encyclopedias. They let me in.2 h& x+ }* i1 R( }: {2 ^$ E c
All right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you! I" [8 M% M, |
just realize there are some things you are not going to do, so maybe you just want to stand close to3 ]5 X$ S& h/ J4 r! r
the people. And I mean, my god, what a role model for young people. [laughter] [shows slide of
9 E5 |& [4 x( ^Captain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you
% Q7 z# O0 t, xwant to be, and what I learned that carried me forward in leadership later is that, you know, he9 U9 ^' h3 M% G7 P) d( N( M/ K# v6 R0 {
wasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and
6 H f, d, @! V3 iScotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing
S" a; u6 c" qand run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or
' m( G/ ]7 U5 |5 U( p2 [not you like the series, there’s no doubt that there was a lot to be learned about how to lead people
( l$ U, Y8 B4 F5 |4 M+ B- e6 |by watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of
* a/ Y2 {% i/ T3 _Star Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing
5 A3 T# X9 `) e$ P# ^; R, x; G[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just* A. r! q7 \2 r) H9 v
spectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of) Z9 E# B: g9 {* e9 w
cool.
4 N7 ]7 G4 B7 p. s- Y/ X; RSo I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which& R M& M6 K- S1 }1 @
I think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author, N* y2 O0 D& I) T. a
who is quite good, and they wrote a book on basically the science of Star Trek, you know, what has
2 g. y2 P7 W8 m1 G7 ~! Y% Scome true. And they went around to the top places around the country and looked at various things! f6 S6 y4 Y! `* N9 z$ l- m* X* E0 E
and they came here to study our virtual reality setup. And so we build a virtual reality for him, it5 A# T3 b+ R ^. s' u
looks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it
9 j' V3 Y' I* ^! V3 j4 l/ l" Q- V* g# Tin, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming.
% {8 [9 H+ ~& E- p, \[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you
2 y0 W; Z% I* c# m$ j/ Xto see what cool stuff you’re doing in your lab. And that was just a great moment.
# r; u0 d, _4 A6 JAll right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and- P& v% R5 T9 Y% f* s6 R3 A
you see the big buff guys walking around the amusement park and they’ve got all these big stuffed
8 V' `. q' n. m6 \3 b: A4 }animals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.
9 x+ p% ]( r9 ]8 q# w" R0 C$ V[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.
& }- G- H5 @4 |( I& Y. `I’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just
6 V0 ~! q; ^% n! w3 |a big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally
3 h& m6 n/ ~/ X0 Y( z' B9 G, Q2 Rmanipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid9 ^ T$ Z+ h8 l" Y
somebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this7 H. @; |; D% f+ L' i* d" Y& Q/ r5 y
age of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them9 m* D! h9 I! T+ O4 r# F
out. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them
0 M$ v+ Y5 `3 ?0 A' O- p) ?back against the wall.+ B) N; X/ E/ W: r& X# D5 m
Jai Pausch (Randy’s wife):
8 W0 K6 m+ `- x9 i6 x% _It’s hard to hear you. [adjusts Randy’s microphone]4 V6 I( I4 c( a& A. ?3 t. ]
Randy Pausch:6 E: a. Q) p$ ^! n& d \' [! j
Thanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving' Z& z# L0 M' J9 @
truck, and anybody who would like a little piece of me at the end of this, feel free to come up and" m& S/ G! t8 B; a( O+ j
take a bear, first come, first served.
& M$ l' p! a. }( mAll right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero8 u" |6 Q% Q7 b9 ~% _' f+ A. w
gravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family
' d8 [! M$ `7 B3 B& U, xtook a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s
% i; g* p5 _1 [7 {Vacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And' x }8 m# e0 S: N n2 m* V: y
these are real vintage photographs, and there I am in front of the castle. And there I am, and for
$ g( Q3 R: q/ A0 j" tthose of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was
6 b" ^& `. }! n. L) M6 y9 ~4 g8 K/ y4 L! njust the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,& h& h1 R7 Y: i2 U3 t' ]
I said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.# G$ ^5 n4 N( X+ A8 n- J1 z$ X
from Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
8 O/ m( a* P2 y" ~* cmy letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest7 K# b$ x8 ?" o1 y6 }
go-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your% i/ ` [% y; o# N( u) H
application and presently we do not have any positions available which require your particular
* D) t5 { A7 Q$ b, _ F' bqualifications. Now think about the fact that you’re getting this from a place that’s famous for guys3 T8 _. U' _8 a; Z: ? q
who sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are
% H; h# I2 O$ F) Z/ M8 }; ?4 lthere for a reason. The brick walls are not there to keep us out. The brick walls are there to give us
( g2 v, |, u, d+ q4 @, v( pa chance to show how badly we want something. Because the brick walls are there to stop the
3 H0 ~6 B0 f: z" x: G, s* Speople who don’t want it badly enough. They’re there to stop the other people.
+ g0 |; U6 ]) y' O& q/ sAll right, fast forward to 1991. We did a system back at the University of Virginia called Virtual
( T, ^( a9 W2 h! p! yReality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared5 j7 \1 h) `8 O5 L
back in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew( c% d7 a* s/ h- ?
my undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to$ v) Q3 K" \5 Q! U7 P q
death. And this icon in the user interface community walks up to me and just out of nowhere just* z- p, L8 \. F; j6 S+ d4 [0 r
gives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,
% Z2 ~0 f" {7 u" ] n& m+ h( mmaybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable
1 C6 U; }; q9 i n/ Zhit because at the time, everybody needed a half a million [dollars] to do virtual reality. And
+ r' M5 p7 Z/ O/ h) Y: k8 Eeverybody felt frustrated. And we literally hacked together a system for about five thousand dollars
( k# x- X/ X. o: I/ y2 ?in parts and made a working VR system. And people were just like, oh my god, you know, the0 Q Z. V2 t/ |" r) ~8 U: \1 |7 j
Hewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just
: G0 c w+ m* E1 [+ G& {# Bgone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in; s, J* _2 T; Z( Y+ C
virtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know
5 [( g# g" P0 f! ?) [what he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m* T* a. [7 \* x" T
sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your
2 Y# C7 o# F2 O! c0 U( Iquestion, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little/ W3 i, H: z4 l! Y& E& Q
moment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]* H7 v) q! d9 t( }1 X1 y3 u# h1 d
And so Imagineering a couple of years later was working on a virtual reality project. This was top
5 \3 b$ c5 U! ^7 isecret. They were denying the existence of a virtual reality attraction after the time that the, ~0 P0 H+ e$ ^- Y1 c
publicity department was running the TV commercials. So Imagineering really had nailed this one6 y9 [' h7 E5 ~+ U" h; X6 E
tight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted# @1 \. o- b# q& {6 H
display, sometimes known as gator vision. And so I had an in. As soon as the project had just, you
% p, I8 u* q- o& e: L$ Wknow they start running the TV commercials, and I had been asked to brief the Secretary of Defense8 Q! Q( U/ c* W) }) m9 S, z
on the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of
; S& z7 T8 _$ n% N7 mDefense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m
% i0 @; z6 ]7 U: F& e! I: e" f: jbriefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the
3 s/ t5 ]* X* a6 Pbest VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism+ s( g8 q% Y) @4 o, Q: u n. q
stuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR- Q1 y5 ], J$ `$ t
department doesn’t have any footage for you, so I’m going to have to connect you straight through
. m% l$ l& A/ yto the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy
: b% u s6 j! v' fwho is one of the most impressive guys I have ever met, and he was the guy running this team, and
- A$ T' ]2 C* xit’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly" ~ K/ ~6 v8 w; _7 h6 [
and he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,: S" l6 q$ Y/ x, k4 q3 [4 W3 G" }
would you like to get together and have lunch? Translation: I’m going to lie to you and say that I2 t& O, R5 m% @$ b/ z, n+ B- m
have an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have
G& i1 M0 F7 |8 v: w$ vlunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all W* O" b% \* O5 C% k( G" h
the VR experts in the world, saying if you had access to this one unbelievable project, what would6 v3 G* O, _2 x% ~9 n
you ask? And then I compiled all of that and I had to memorize it, which anybody that knows me* @, g( F* Y( C' u
knows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in2 N$ X. V/ i3 ]& c% L
dweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have
3 m+ t! ?! B& Q) Mthought he was talking to some phenomenal person, because all I was doing was channeling Fred8 D* I$ I8 b! u2 K. g
Brooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty n0 p8 Y% ~) e3 @9 I4 S' ?5 z
easy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort1 v% }: h# D; V
of, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up.% w. P$ ]; m5 x5 K
And he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him
+ i" @% A3 l. p$ y$ T0 m6 }about the possibility of coming there and working with him. And he said, well that’s really good
4 l& t% e: B8 |' c iexcept, you know, you’re in the business of telling people stuff and we’re in the business of keeping) k( g5 U9 Y% [, q
secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I' o/ h# z0 P1 e- d+ u5 n9 p" G
really loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just
- ?- T$ D G( T) y+ f, q7 t: [# Don what have I learned from Jon Snoddy. One of the things he told me was that wait long enough
a! g8 x" M1 _/ R7 T. m D" M' ~and people will surprise and impress you. He said, when you’re pissed off at somebody and you’re
3 m5 Y! K0 z8 I/ }' }angry at them, you just haven’t given them enough time. Just give them a little more time and! Z" P; l9 f2 o; w& |% H! c
they’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on
' K3 h: h/ y$ e; h! xthat one. So to make a long story short, we negotiated a legal contract. It was going to be the first –
+ C- _* X$ J0 v0 Msome people referred to it as the first and last paper ever published by Imagineering. That the deal9 t3 {- s% E& Q4 u" D$ X8 }8 A
was I go, I provide my own funding, I go for six months, I work with a project, we publish a paper.5 V0 x; |1 F7 Z8 d5 P
And then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all
& Z- v& ^0 I+ Ssweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns
1 b' ^* `& l+ q. N0 T pout that the person who gets his head on a stick is a dean back at the University of Virginia. His
1 D2 \* f9 t; W( U8 X& B/ Hname is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting
9 I0 O! K# V0 Swith me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to
, O T& `# z" Q. x# K8 |let an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a* o' H; w' P# n% |/ x
possibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he
; t, s3 G7 Q g+ z/ G( Ysays, well it says they’re going to own your intellectual property. And I said, yeah, we got the# G" u6 s* B: R! U U
agreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,
0 x" N; Z8 g- Nbut you might. And so deal’s off. Just go and get them to change that little clause there and then
/ k: r L) @3 v8 e% ccome back to me. I’m like, excuse me? And then I said to him, I want you to understand how
5 Z6 `5 n( E& A! v! Himportant this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just
: q0 n+ ?2 M6 O5 i+ @6 x. Wgoing to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I
1 w% Y* }; R/ R$ ?/ j8 A+ L$ [mean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s: v4 L; N6 I, M( Y* A7 U
not going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And# t( P4 q9 p8 S7 h( T% e+ r
it’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this.8 @& J/ {% s+ D
Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,
( [+ _) S1 D7 L! {[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?
5 y% v' G! l6 X3 @) u- P9 |* t. f2 LIsn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true.
, t+ n& ]! P, I0 m& [% u2 ^I said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.6 }8 D/ q. m/ s
Coyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most
' ?5 E3 k3 A9 d- w7 ofantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,
% V7 _7 e, _# S$ r/ B- Jsince I don’t want to have to back out again. So let’s start at the high level. Do you think this is a
7 a% f# W& e, I8 h1 q3 o, |8 q, ^good idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.! O! g: j9 z; _) V
All I know is that one of my star faculty members is in my office and he’s really excited, so tell me
% ~- g; r- O% N+ |/ h$ `0 Bmore. Here’s a lesson for everybody in administration. They both said the same thing. But think3 R$ E1 K$ {7 z, o( U
about how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I+ c7 M' M* I' U
don’t have much information, but one of my start faculty members is here and he’s all excited so I
( R. `$ `! q5 m; X( E: C6 cwant to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad) ~, p9 M% n4 `# U, @4 _
way. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s
5 a& l2 g5 Y+ U8 Zwell that ends well.; a9 K0 J0 h( a4 w+ O: s# ~
Some brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely
! }4 _4 P! v/ `. |/ `. A- w2 g Xspectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher7 l5 W6 e2 H% B& w/ c9 J3 R. ]7 t
on Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing.
* \8 ^+ N- A8 e9 N5 o! oAnd you would steer your magic carpet and you would put on the head-mounted display. The headmounted9 H5 p: u5 ]& E- u+ N. V9 Z5 g: C. Q
display is very interesting because it had two parts, and it was a very clever design. To get# y! g! \4 a% y/ J, l
throughput up, the only part that touched the guest’s head was this little cap and everything else: K" {/ S" { M. e) {1 `
clicked onto it – all the expensive hardware. So you could replicate the caps because they were5 h7 _! m& e# U, F. f) P
basically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is
0 s& U- Y# c) F: G |, R' I+ h* ]I was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular" O7 @% N6 E2 h% v
place. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling
6 I1 M" @& B" c/ A# P Aaround on things the size of this room that are just big physical models. It was just an incredible
. r! G% j$ w2 `5 u0 Hplace to walk around and be inspired. I’m always reminded of when I went there and people said,
; i' ^) f9 X+ o$ R/ ndo you think your expectations are too high? And I said, you ever see the movie Charlie and the2 a \* M3 K) g3 B9 `( m
Chocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little7 M9 S# r/ T5 I0 L8 m" Y
boy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever
. |6 X& t9 g, W5 p S) v* ptell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get
5 O: p% F% `$ Flike saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever
" B# a" g* t# t3 d1 i" s4 fafter.” [laughter]* c% o9 [' A, {& C& L
OK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I
, B. H- B0 j9 qstand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got
+ \( w+ R( W5 ^: C9 }to be a part of it. But it got me into the place of working with real people and real HCI user interface2 c' ?& c$ z$ Y& B8 J2 V! Z
issues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters# M. j0 R( K) W4 B% x: Y0 ^: C
degrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And
i8 ^7 M, ]- X2 \7 Mmore than anything else, from Jon Snoddy I learned how to put artists and engineers together, and6 q( [; c% ^& Y+ U/ M
that’s been the real legacy.7 ~, k6 ?0 F/ k" I* N# p
We published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at( J' Z+ P" k( I' E' j' |
Imagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of
4 i( W% @7 n9 Ffirst page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH
" ]3 K# {! @# c z8 N) o4 h) zcommittee, which accepted the paper, it was like this big scandal. Are they allowed to do that?1 V5 t9 [9 ]7 A+ l8 K3 m
[laughter] There was no rule! So we published the paper and amazingly since then there’s a
; a+ I" T! O9 P! y+ Gtradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a
* K) }1 M1 a4 Z! ]small way. [laughter] And then at the end of my six months, they came to me and they said, you
, ^; m& n) n" `" S/ `! Awant to do it for real? You can stay. And I said no. One of the only times in my life I have surprised
" `% ?' N, {9 xmy father. He was like, you’re what? He said, since you were, you know [gesturing to height of a
1 p4 Q/ U6 b5 c' x% H7 `6 [. Ychild’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of0 i: z8 g: M7 c! P9 z
Maalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place.4 N+ ?3 L* [( ?
Imagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the
- y* \, P; v: A/ b% Kmiddle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK.
; L% Y0 K D% fAnd if they had said, stay here or never walk in the building again, I would have done it. I would5 Y* u! j2 f9 P4 H$ Q
have walked away from tenure, I would have just done it. But they made it easy on me. They said, k9 p2 d+ Z- n# W" i7 i) e' ~
you can have your cake and eat it too. And I basically became a day-a-week consultant for
* y$ x8 S5 {, ]/ CImagineering, and I did that for about ten years. And that’s one of the reasons you should all5 j' Y* X; _0 X, c0 h) {
become professors. Because you can have your cake and eat it too.
. o& Q" \4 Z# }' I# b2 QI went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the
) B: I2 N2 q; D$ l( \; Y9 z7 zbest interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the* \5 d, \& k' C# u5 Y; m
Caribbean. Wonderful at DisneyQuest.9 [$ U/ V2 Q3 a# ~" X# m- z
And so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the: W: R7 ~* @' t# A4 i
question becomes, how can I enable the childhood dreams of others. And again, boy am I glad I, t2 j& J4 I/ i h7 X4 l
became a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I
% r1 m; ~. }9 |0 n, p) O/ \ Ldon’t know. That’d probably be a good close second. And this started in a very concrete realization
' ]3 U: p& Q3 O6 i6 C% |8 Q$ Ithat I could do this, because a young man named Tommy Burnett, when I was at the University of9 Q& z7 g% M/ v" r
Virginia, came to me, was interested in joining my research group. And we talked about it, and he
# b+ Z7 h3 J2 e( @0 b! D2 Dsaid, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.
: F; o' C# \6 eAnd I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star% u+ B* e) f4 i: M# I
Wars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.. ?0 l n7 p& R% a0 p- n B
What year would this have been? Your sophomore year.9 l4 c% w) D3 \' i/ `0 k4 l
Tommy:+ D8 N4 p$ R$ u" n% R
It was around ’93.9 f9 y- p; K- O+ p
Randy Pausch:
! ^/ o2 C9 X3 k" |% p; QAre you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy,3 x. e7 T. l) k
you know they’re probably not going to make those next movies. [laughter] And he said, no, THEY. _, i( L$ k* e: C# I6 b" p
ARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff
3 w) `/ A/ A' Smember, and then I moved to Carnegie Mellon, every single member of my team came from Virginia* V! X" L. Z" j+ z
to Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all
+ |" O7 n7 z) uthree of those films. And then I said, well that’s nice, but you know, one at a time is kind of0 s. d% p1 U0 { q% ? }, y
inefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in) i/ N1 C9 B L" j( s
mass? Can I get people turned in such a way that they can be turned onto their childhood dreams?9 H+ {& e' D" q
And I created a course, I came to Carnegie Mellon and I created a course called Building Virtual
' x$ o" X/ L1 P a9 k/ y. QWorlds. It’s a very simple course. How many people here have ever been to any of the shows?
' U1 i! W" c: m! r5 `[Some people from audience raise hands] OK, so some of you have an idea. For those of you who! X( Y4 ~2 O% d( L# G# J2 [3 r
don’t, the course is very simple. There are 50 students drawn from all the different departments of: s% p$ L3 b+ i1 s
the university. There are randomly chosen teams, four people per team, and they change every9 b4 n I1 e6 ], v' U
project. A project only lasts two weeks, so you do something, you make something, you show
! Q9 G7 f; o) J0 u" Tsomething, then I shuffle the teams, you get three new playmates and you do it again. And it’s' R8 O) \6 D) E: w e' ^: S( \
every two weeks, and so you get five projects during the semester. The first year we taught this
; Z. K' u4 T- p4 H2 }course, it is impossible to describe how much of a tiger by the tail we had. I was just running the
# j, s6 Q8 R7 |' J) K, m1 ocourse because I wanted to see if we could do it. We had just learned how to do texture mapping) G! u9 D( n' T! i4 {
on 3D graphics, and we could make stuff that looked half decent. But you know, we were running) }8 U: p5 z' K& ?& h
on really weak computers, by current standards. But I said I’ll give it a try. And at my new university. e* o, _+ D7 A( P- N3 \) `
[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all' y6 ^2 w6 M4 J, [+ K, [! [( t$ k
these other people. And within 24 hours it was cross-listed in five departments. I love this1 [4 s7 L& _# E+ d/ c# Z
university. I mean it’s the most amazing place. And the kids said, well what content do we make? I
' T# G* `6 e+ dsaid, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no2 u* i2 ^1 V" K' d+ |! ^* F
pornography. Not because I’m opposed to those in particular, but you know, that’s been done with4 I/ }0 X! W! f: ]( m+ V& l
VR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas
6 j6 K8 _) g$ n) Swhen you take those off the table. [laughter and clapping]4 g5 L9 K+ J$ p7 _2 e% ?* u
Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two) D8 L Z4 Q! |' l! u' `. \
weeks and they just blew me away. I mean the work was so beyond, literally, my imagination,
' L# e0 O2 P3 @because I had copied the process from Imagineering’s VR lab, but I had no idea what they could or
9 q4 A1 x' F6 U, V0 Kcouldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first
+ U! N6 K/ `4 Q Hassignment, and they did something that was so spectacular that I literally didn’t, ten years as a
6 I( K$ i2 z7 O; K9 ^6 hprofessor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van
9 }* v s) w' `Dam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I
/ u9 x5 s$ k: d) Jhad given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]
( N9 ?1 i0 _: W0 fAnd Andy thought for a minute and he said, you go back into class tomorrow and you look them in
+ L7 Q6 m/ @! n) J R3 @; uthe eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that! q% H. k- Q6 v* S- D
was exactly the right advice. Because what he said was, you obviously don’t know where the bar' R% z! A2 [* I! m) l
should be, and you’re only going to do them a disservice by putting it anywhere. And boy was that' C2 A3 J. U, y6 A. T4 O( T
good advice because they just kept going. And during that semester it became this underground
1 ?7 x8 U k0 ?7 A$ Bthing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it+ x9 \$ p+ s ?+ k* Q
was the day we were showing work. And people’s roommates and friends and parents – I’d never
, a9 s" D2 W- R4 y- w% N' Jhad parents come to class before! It was flattering and somewhat scary. And so it snowballed and
' }8 {0 E$ p: n5 Twe had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do," N/ \8 H! x0 `6 E( U/ ~, K: ~" @
it’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big- {6 c4 n9 J2 g" A {8 E5 k% O
show. And we booked this room, McConomy. I have a lot of good memories in this room. And we5 ]9 ^- }. s$ x! E. b
booked it not because we thought we could fill it, but because it had the only AV setup that would( _& ?1 I ?- ]% w% n3 M: u
work, because this was a zoo. Computers and everything. And then we filled it. And we more than1 K' F: u( F, p
filled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris
; K8 ~" E2 M% |! x$ i( Owas sitting on the stage right about there. We had to kind of scoot him out of the way. And the4 p$ @7 Q9 q" n
energy in the room was like nothing I had ever experienced before. And President Cohen, Jerry5 U# s$ }6 I( J" u1 W. U
Cohen was there, and he sensed the same thing. He later described it as like an Ohio State football
; w" |& U) f7 } i% _" cpep rally. Except for academics. And he came over and he asked exactly the right question. He6 X3 U6 g4 z9 _4 ?
said, before you start, he said, where are these people from? He said, the audience, what
% p J$ C7 t1 I* a: t" F/ k `' }departments are they from? And we polled them and it was all the departments. And I felt very
) A" `+ I6 [7 ~7 q+ S6 F" bgood because I had just come to campus, he had just come to campus, and my new boss had seen in
* Y& C9 _& B& Z3 qa very corporal way that this is the university that puts everybody together. And that made me feel) ^( f/ U/ X8 O( R& Z
just tremendous.
8 a/ ]7 k' ]) H7 K& r8 HSo we did this campus-wide exhibition. People performed down here. They’re in costume, and we
4 m2 [5 {* ]7 h) J2 G1 U1 Oproject just like this and you can see what’s going on. You can see what they’re seeing in the head
0 r" t! [4 u, l. amount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]
) h _8 s$ T1 S7 z# x$ ]This is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the
: d& H- d) }" x* a: Z. {& Umoon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can8 m/ l! Z# N: J6 o! i
get the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do
; G( y5 d0 R; s2 Xour best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It/ v! B5 r; u" G) L5 O
was an unusual course. With some of the most brilliant, creative students from all across the& f# k) N! B- T. X
campus. It just was a joy to be involved. And they took the whole stage performance aspect of this4 l& {+ u$ u' b
way too seriously [shows pictures of very strange costumes students wore]. And it became this4 C+ a4 r! C4 B/ F/ f
campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids; j3 @6 g1 J" l8 P
a sense of excitement of putting on a show for people who were excited about it. And I think that
1 U# ?( Y) b6 \% Q1 ~$ \that’s one of the best things you can give somebody – the chance to show them what it feels like to
; c6 A, q! v+ C: ], ~1 Omake other people get excited and happy. I mean that’s a tremendous gift. We always try to
/ \& l% D) J/ b3 K% D, t% xinvolve the audience. Whether it was people with glow sticks or batting a beach ball around… or
3 z* z. i) T) bdriving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.
0 n$ q1 e5 L" r( BThis technology actually got used at the Spiderman 3 premiere in L.A., so the audience was
/ k- K7 Q) X) I* ?6 \controlling something on the screen, so that’s kind of nice. And I don’t have a class picture from
2 B+ r0 _1 k+ fevery year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an A b( v. ]8 l& g, O/ _' _
honor it was to teach that course for something like ten years.1 p7 \! i; {6 X% ~7 o
And all good things come to an end. And I stopped teaching that course about a year ago. People
/ b! N3 H( ~+ K$ Ralways ask me what was my favorite moment. I don’t know if you could have a favorite moment.
7 o& [" e4 ]( c* h7 K% fBut boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one. G2 @& H) B# e" {% V- ~
of the rules was that we perform these things live and they all had to really work. And the moment
7 ^1 W* \* m( n0 [( Iit stopped working, we went to your backup videotape. And this was very embarrassing. [Shows
" w1 z, i/ m4 G9 `1 cimage of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller
) ]1 I, n% X4 ~skating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was. s q( {" ]$ t4 s! T6 h
Steve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk
3 _$ w7 r# [4 t/ F: |& Babout quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to& _& J' a. B- F
videotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!; E! l- U' t( N" _) r
[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of6 I# r0 F( G1 v
this high technology course was a brilliant ad lib. And then when the videotape is done and the/ e4 v1 ]. i; d5 ]; U- U
lights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a
& H5 R5 G# t& \0 y8 L2 N% |fantastic moment.; j: X9 @* C8 X" r7 Q5 J
And the course was all about bonding. People used to say, you know, what’s going to make for a% t9 U; _% C$ P3 f2 X+ [6 m0 A6 T
good world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the
% `' v9 Q# W$ U, Y2 Z+ G& nworld’s good just by the body language. If they’re standing close to each other, the world is good.: B/ }, G& S4 @, o. k5 o) M
And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I
" s/ r {9 v! f) ~5 C- v" I: lwon’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped4 |/ T: I6 V* y
down from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you% L1 M9 g& O7 E2 L
will get those arrows in the back, and you just have to put up with it. I mean everything that could
! l3 z5 I9 h- x% i! Ago wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.
: @: F* b7 t2 p- z& `% zWhen you’ve had something for ten years that you hold so precious, it’s the toughest thing in the
$ |! y& i u& T: dworld to hand it over. And the only advice I can give you is, find somebody better than you to hand
8 ]( m1 ?5 w$ E5 @it to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have
U8 ~: Q4 ?/ J7 L: g, F+ }) bto spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my2 J C- R0 I6 a* o$ W h% u
greatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica
9 h' R$ {, T1 ?' @7 H& p5 B- m: [Hodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this9 o3 V) R/ c! Y! ]) h4 f0 U
over to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is
, K. Q0 A T; O+ I) j( i. \- y6 ein more than good hands – it’s in better hands. But it was just one course. And then we really took
8 F% M6 {& D9 @3 d4 j( Z" b$ dit up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I$ S- J! f1 @. k
got together and with the university’s blessing and encouragement, we made this thing out of whole
6 s1 K- x+ _6 ~cloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go! D* ~. q6 U; u/ L4 n
near this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology' X# V5 @$ j$ m' @- Z- |
Center was all about artists and technologists working in small teams to make things. It was a twoyear
$ n5 ^4 p' x+ f$ jprofessional master’s degree. And Don and I were two kindred spirits. We’re very different –4 U) q6 G+ U0 w( C1 q* A
anybody who knows us knows that we are very different people. And we liked to do things in a new
* U% N. W- h' cway, and the truth of the matter is that we are both a little uncomfortable in academia. I used to5 b9 b" T* h3 v' f1 G
say that I am uncomfortable as an academic because I come from a long line of people who actually
; f i/ `0 ~' f; [0 \worked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie
% ?0 d4 ?2 r% w, ?, P6 Z) n. A; O+ dMellon is the only place in the world that the ETC could have happened. By far the only place.
: |9 t i* K" S" A$ C6 J* \* H[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next
2 O* i7 m% M0 J0 A7 R+ Vto Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the8 l- w. `+ v( Q0 [6 o0 l6 b( ^
labels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer7 F" D( ?( P: i
to this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really# V% ~, t$ ^6 p2 o
did play up the left brain, right brain and it worked out really well that way. [Shows slide of Don2 H% K% p0 i: R; I1 T# B6 c* u
looking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small' W& ]& {* |0 W' C) T
office. We shared an office for six years. You know, those of you who know Don know he’s an+ ?# y8 X+ i: S" Z1 J! ~
intense guy. And you know, given my current condition, somebody was asking me … this is a
9 c" J4 S9 a+ U! X! Z; T i# Z }terrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said,1 Q5 Y5 q9 K; b9 {
given your current condition, have you thought about whether you’re going to go to heaven or hell?
7 r- ]" [2 `" {And I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.
! f/ H. v M# ~- N3 L: iSharing an office with Don was really like sharing an office with a tornado. There was just so much
4 o* |9 W+ q, S' j* O! }/ r9 ?energy and you never knew which trailer was next, right? But you know something exciting was
" v: u/ W- h4 i) a. igoing to happen. And there was so much energy, and I do believe in giving credit where credit is
3 b# m! H p* G6 K8 e7 \- Z( udue. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets7 d+ R& V& @) p2 M4 p: x3 c
the lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share
* o/ c. K3 ^, d2 g+ O* |, I( Gof the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great
! W/ | c4 O! D; B. D; C$ V& uyin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him
1 _4 R0 d% D( Y( d8 N* r) L4 Fbecause the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk# ^/ r: w9 [ q
about that in a second., T; l9 C8 W: I7 y8 M8 N( _
Describing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like
+ e7 v' ?, m1 E7 {1 z6 V2 Cdescribing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the( _. {0 s3 \% a0 B \8 ?
mistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation- \9 x' j- B! m* _
about oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole
7 ]0 c3 w7 X# b5 r! tpoint. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve6 l4 s8 r' s: F$ j
ever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only! O$ L! v' ] o0 Z7 @
course each semester; audience laughs] The curriculum ended up looking like this. [shows slightly+ }# N7 h S5 m1 o- q4 S
more detailed slide]. All I want to do is visually communicate to you that you do five projects in
0 ?6 x$ }" B7 @Building Virtual Worlds, then you do three more. All of your time is spent in small teams making& M. V0 B$ j/ J/ b; z
stuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s
$ C% Z! V+ e: V; Sa master’s degree. They already spent four years doing book learning. By now they should have
: f. A/ @* [7 X# a7 i( C$ }; Uread all the books.
7 k q6 v. w0 Z1 X, P% s( O- IThe keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
1 @# k0 {. c; u$ y) v8 c6 X7 Phad no deans to report to. We reported directly to the provost, which is great because the provost3 [# |4 Y, M6 S
is way too busy to watch you carefully. [laughter] We were given explicit license to break the mold.
8 t# T d- L& AIt was all project based. It was intense, it was fun, and we took field trips! Every spring semester in# H1 }$ L9 O; v( D; u
January, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial9 d/ W0 w f: B' ]
Light and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s9 h' U- x( g- s v0 I4 m" j" h- r" {
pretty easy to get entrée to these places. So we did things very, very differently. The kind of# d4 z8 L$ n9 [0 N
projects students would do, we did a lot of what we’d call edutainment.
, u* f5 D9 k6 \! p0 |We developed a bunch of things with the Fire Department of New York, a network simulator for
3 Q& n! r) m8 @6 R. k# G, J. ~8 etraining firefighters, using video game-ish type technology to teach people useful things. That’s not7 q6 E5 h) h' _
bad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve0 J5 e; p c$ j; B
got the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.5 p/ M5 ]/ s6 h o0 G+ m
[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written4 n1 Z& J2 W$ }. m. X8 n" X
agreements. I don’t know of any other school that has this kind of written agreement with any
3 Q3 ` U" T5 H5 Q' W0 Ccompany. And so that’s a real statement. And these are multiple year things, so they’re agreeing to
* x( s$ n/ K; ~hire people for summer internships that we have not admitted yet. That’s a pretty strong statement* C9 I0 z: m7 O- n, t8 M
about the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful
+ B* ^5 {8 g7 J F- a( k& Ocomplimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight
n. z0 l2 s- c& i2 j; p$ Lbecause he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already
$ A* L9 S' m+ G9 N1 son in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I8 D% ] q5 E1 U! A$ q$ T
think this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon# f3 K7 s& J/ S" ^- [. Q
is the only university that can do this. We just have to do it all over the world now. r9 y7 M C& t# s8 G4 J d
One other big success about the ETC is teaching people about feedback [puts up bar chart where
. x2 l5 d! a/ k( e4 t* Nstudents are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the$ ?( E& F2 N4 |: e- u. A5 V
nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar# I* {5 e# \; @
charts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put8 R$ Z6 n7 X* _+ t G2 J' ~* T
that all into a big spreadsheet and at the end of the semester, you had three teammates per project,6 n2 d! i& @* u" C* s1 C
five projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a, P$ [- B% Y N' z, M
ranking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard
4 Q6 j$ N* p2 ~) E! Lfeedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and
; F) Q" x. w/ d0 Y3 y! z$ zwent, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in! [5 ]* @7 c% J, ?7 X
these meetings. And that is the best gift an educator can give is to get somebody to become self8 c U w0 T$ \! R- i) Q
reflective.
( F+ K3 y0 G+ c7 ?& F5 `3 j- D# G) ySo the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very
; A% t1 k6 N& W* [3 a% e$ [labor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time.2 V2 `0 |- x+ r0 D$ ~5 a8 t7 a
It’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable./ U1 A% ^3 b: H5 o. Z8 v8 d+ V
Scalable to the point where millions or tens of millions of people could chase their dreams with. {: h7 U, H/ h. ~) v6 v6 a6 P2 a
something. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on: W0 @7 B+ L0 l2 E# |8 B: o, _
a Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a
9 A2 o W+ t" P# P0 Q. Bnovel way to teach computer programming. Kids make movies and games. The head fake – again,9 o# g9 F7 \% e- j
we’re back to the head fakes. The best way to teach somebody something is to have them think. V* z* x2 v( P) M7 j
they’re learning something else. I’ve done it my whole career. And the head fake here is that
& l( E3 F g! j4 {! @' M/ _% `they’re learning to program but they just think they’re making movies and video games. This thing
' P8 V: A# D, b8 Ihas already been downloaded well over a million times. There are eight textbooks that have been1 T6 f, y( M. M5 B
written about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The. R6 m0 ~, C: y6 ]8 F% u& z/ _
good stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get; ]) }" r# R- F) M7 l# @! k
to set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having
) {( X2 |9 D* H e% A7 u$ vfun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next5 ^, D6 \: e" A3 D$ x# t
version’s going to come out in 2008. It’s going to be teaching the Java language if you want them to& m$ W" f2 k; P# F! L+ m+ \
know they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And& Z* x3 s- M; O0 \6 ]. S$ p; N
we’re getting the characters from the bestselling PC video game in history, The Sims. And this is) K0 S. i4 e; v8 W \" V0 x3 e2 u
already working in the lab, so there’s no real technological risk. I don’t have time to thank and
# u3 L9 J6 J# M( Fmention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be
3 c. p. H a+ f1 [6 _building this, has been building this. He is the designer. This is his baby. And for those of you who$ K, @8 ], o$ b% I, W
are wondering, well, in some number of months who should I be emailing about the Alice project,6 z7 D' b7 A z+ ~
where’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.. L6 r1 ^& S B
Audience:; M: m, \! u3 N6 W$ i4 e
Hi, Wanda.
6 }# k: F- y% e @Randy Pausch:" H1 z# A+ z7 j: [: J6 q, \: @
Send her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her
9 V+ J$ I' m5 |* i. H; rPh.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to
' y# J8 a. J: M& Q9 F1 Q" G1 p& Cmiddle schools with it. So, grand vision and to the extent that you can live on in something, I will3 a. C9 |7 ^% ]! N' a7 M# j
live on in Alice.
4 U0 t* W8 X& u8 B. wAll right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve* E6 @5 l/ |# C+ U* G" Z
talked about helping other people enable their dreams. Somewhere along the way there’s got to be
# `' N, o! \/ z/ Qsome aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors
2 ^) F9 X9 i. v$ G7 f, c# cand students. I was blessed to have been born to two incredible people. This is my mother on her
* Q6 q4 O. `+ ?( a% e, K; A' ^70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]$ u" @2 v% p$ E, ]7 y8 k4 G
[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster! y% F+ |& [; I+ q' t0 I
on his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented* {) |. ]* h8 C l$ z
because he did win that big bear the same day. My dad was so full of life, anything with him was an, n6 U5 p- i" d5 Z
adventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,
* L7 K$ z/ Z6 R* q7 obut I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things
+ v; R; N9 n6 J+ P( Cto help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every
3 h: O6 C2 A' u, z$ fyear about 30 students get to go to school who wouldn’t have otherwise. This is something my wife
4 |% a+ A2 ]$ u9 v( G% S1 Pand I have also been involved in heavily. And these are the kind of things that I think everybody
7 a) v r. E. k+ u0 pought to be doing. Helping others.
2 z" n7 K6 ~. l/ s6 E1 w" X# uBut the best story I have about my dad – unfortunately my dad passed away a little over a year ago X6 j- o1 G( {# t B4 L9 \/ T
– and when we were going through his things, he had fought in World War II in the Battle of the
$ V# F" |( W0 J0 {8 |6 ^Bulge, and when we were going through his things, we found out he had been awarded the Bronze
/ L/ r, [, A6 Z7 F0 o4 qStar for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.- D. {% E8 K6 P) j- U% n3 w
My mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people
1 B3 ]/ K5 G7 c$ X* Twho love even when you pull their hair. And I have two great mom stories. When I was here, q) h L8 I$ v n- g! q% J
studying to get my Ph.D. and I was taking something called the theory qualifier, which I can3 j& ~' Y/ T$ p8 G/ p$ m6 H
definitively say is the second worst thing in my life after chemotherapy. [laughter] And I was
& E6 ]* g1 A( B6 L6 bcomplaining to my mother about how hard this test was and how awful it was, and she just leaned" a1 B, D; O. ^& O
over and she patted me on the arm and she said, we know how you feel honey, and remember when8 v) ~# w% Y: z8 n6 t
your father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother5 A! u1 q( Q4 J6 O
took great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.
& L7 o, v" ~2 ^[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I
- D7 X6 {" b+ r* u6 ]0 sdecided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an& L* ]) s9 ~ ?4 E+ P
elevator. And the great thing about this [shows slide of quadratic formula painted on wall]
" t3 S+ U& v1 Z% C6 W1 Y6 S% m* Q[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And; O/ `6 Q2 C( C, N- T
they didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And
, m4 Z1 f ?: @/ X( k! {! ]anybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me
8 X( J! F) A) u {! G( plet them do it. It’ll be OK. Don’t worry about resale value on the house.1 A4 t) R [1 L! P+ Q' e
Other people who help us besides our parents: our teachers, our mentors, our friends, our1 R$ k+ t% E% b
colleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he( K# R- A8 p* ~8 b. @* D
was on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a
, g; E! W+ t a8 Icentaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but3 w+ O) B$ m! C1 `: i- K0 d
kind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching% n/ m) v* P% U
assistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some
) t9 M( e3 x+ v- M% u2 O9 A/ Coffice hours and of course it was nine o’clock at night and Andy was there at office hours, which is% }& E3 w6 k/ z7 q. b
your first clue as to what kind of professor he was. And I come bounding in and you know, I’m just
4 y4 J$ L: s6 xI’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da
v1 ]# O$ X4 Z! V5 jda. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he
. o8 P+ G4 m- ]7 z% r6 ?, h. }put his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame
' w' [& Y# U+ ]' ~that people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to
0 l- }: q5 k- U5 h% _accomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t9 A/ g* ?0 N' J! ?
say you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going
3 m1 u, a m tto limit what you’re going to be able to accomplish.& P) a% ?( q( F1 q: z3 \, ?' `, Z
When I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you
7 w2 v( q" c; IAndy stories for a month, but the one I will tell you is that when it came time to start thinking about& P& {/ ~% [4 s+ H
what to do about graduating from Brown, it had never occurred to me in a million years to go to
% l( i% A- U( g5 Qgraduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did.* f; w1 s, j, u7 d, j; d
We got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.
+ E ]& Q: f% r3 k9 o- eBecome a professor. And I said, why? And he said, because you’re such a good salesman that any0 m2 y( w; a# k9 I! f3 i. g
company that gets you is going to use you as a salesman. And you might as well be selling& P3 k; }; o8 R& L2 o/ \
something worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.7 y% ?" l1 b; I8 Z, g
Andy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of
! T- r" x5 L( M) W/ t J% Y9 mvarious bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell
2 t7 I8 c+ @% R- G( l: Q5 u( zhappened there. He’s probably watching this on the webcast going, my god he’s targeting and he
# M* {0 A' p8 w2 u: i8 Estill can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they
5 x9 W+ t. q& R% Swere great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to
; Q; @! q: z" p0 B, wendure that experience and I’m very grateful to all the people that I ever had to have worked for.
8 }+ Q( M: z% Y6 u7 q4 H# _% DThey have just been incredible.
7 Z$ F( i5 b% \# Y9 j7 E3 p! QBut it’s not just our bosses, we learn from our students. I think the best head fake of all time comes
7 E; [0 r9 M' ifrom Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at
8 E h) X7 V% G2 JWashington University, and she looked at Alice when it was an easier way to learn to program, and. k. A0 y, y0 ^. l8 f
she said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the
1 Q/ Z+ X7 d/ @$ u. Llittle toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the
# t- @/ m% x7 P cone who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work
8 P; x. ?0 r) ^3 d3 `* hshowing that, particularly with middle school girls, if you present it as a storytelling activity, they’re
% ?- ]4 Z- W7 S+ NP a u s c h P a g e | 19 F6 V/ K- {2 f* h
perfectly willing to learn how to write computer software. So all-time best head fake award goes to
( z8 |; ?0 |8 u0 x2 ]; j7 ~4 kCaitlin Kelleher’s dissertation.
( @: {# y5 w4 w! A" u6 i: q# S, i# b! NPresident Cohen, when I told him I was going to do this talk, he said, please tell them about having6 t; M! E9 r, \ V- g$ K
fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish0 P" d6 t+ r+ B# x& e
talking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m, G5 o: W! K" X, h
having fun. And I’m going to keep having fun every day I have left. Because there’s no other way to: U7 e( d$ k" H! ]6 L; l/ s$ x
play it.9 K7 j3 M3 w1 c# F/ F. h
So my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide# e% C/ k9 ^" y
with an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m5 O0 g; X; X. i3 _0 y' y: D* Q2 z
clear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.
B' H3 R- G& f$ yIt’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping" z! r3 K1 g* p! g# \4 L
other people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a, P- N: s" E4 d) K" H
group, how to care about people. M.K. Haley – I have a theory that people who come from large
- F2 Y. K. b2 B, z+ s, i3 Y# B; tfamilies are better people because they’ve just had to learn to get along. M.K. Haley comes from a6 w0 _8 S1 s4 x: G% Y
family with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s: j; T1 R. {4 L# f0 u& u, s
kind of fun to do the impossible. When I first got to Imagineering, she was one of the people who
# `: k( B6 `8 \; Edressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?9 u1 z: r% u8 s3 _: P$ F
And I said, well I’m a tenured professor of computer science. And she said, well that’s very nice& ^5 _! g. S/ Q
Professor Boy, but that’s not what I asked. I said what can you do? [laughter]
% y0 a! R: l/ d2 K% F3 Q# c$ QAnd you know I mentioned sort of my working class roots. We keep what is valuable to us, what we4 U, F2 E( o4 D l2 u# s8 P
cherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s' P* D& p2 S& `9 K3 L" O" g: k
jacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why9 c, P4 `. V& b
do you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me* T8 v$ ^4 h+ t
who were much smarter than me. And I said, because I can. [laughter] And so she thought that was' a5 O8 {; d3 m# o/ n& R% `
a real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy]
5 B- s5 w5 M& p: M6 ~7 ~[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for+ ~: @' ?0 ]9 O+ `4 B9 `% L4 k7 r
the egomaniac in your life. So, I’ve met so many wonderful people along the way.
) f, ~' z5 Z1 r9 j/ _1 }; U" mLoyalty is a two way street. There was a young man named Dennis Cosgrove at the University of. L8 J" I3 q; |6 P
Virginia, and when he was a young man, let’s just say things happened. And I found myself talking2 r% \! L1 T) h/ L: U0 J5 ?
to a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never& C/ u9 s$ h: b* C: P
figure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for W0 Z" Q8 g" g. J+ M# G& }) k
him. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even! i% u& z& G4 |# W! @) K6 z, l
tenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I$ Y4 a, r- o+ O; w9 v2 U# b
think he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.& `- Y* y2 [5 F7 A' w
And the dean said, and I’m going to remember this when your tenure case comes up. And I said,
& `& p% |6 }1 F4 F$ R8 q" e) Jdeal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.
U" `* i# q' VBut loyalty is a two-way street. That was god knows how many years ago, but that’s the same
* y/ G5 P0 t% G. f+ kDennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only3 K8 a# x) I: a6 I
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You) H9 h% w* X9 Y2 e2 H- b1 M
can’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would2 |7 |( L( \( U$ N( \( _) B
be Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living
* J" n' x& ~2 M/ V8 c) Y% aanymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by
. }3 k2 t1 I& S+ f& bher, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great
2 u. [$ m5 d) gbecause Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all
7 Z+ c1 K3 }3 o* |: o. `young ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it
6 ]' X5 u" A! \) U5 J0 dcomes to men that are romantically interested in you, it’s really simple. Just ignore everything they2 w& C7 h3 I) w- ?. c! y% J
say and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to/ A2 N2 _: T, D |3 `
my bachelor days and I said, damn. [laughter]
+ G6 {; Z7 R1 \3 g( ANever give up. I didn’t get into Brown University. I was on the wait list. I called them up and they
9 b o1 x, b4 beventually decided that it was getting really annoying to have me call everyday so they let me in. At6 D9 g2 W5 A5 z
Carnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate
7 L" ? ~) z; @! ^( c7 }, tschool, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you
0 g" D. ]+ V0 W3 l! Zknow what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he r0 ?# ~! H4 a5 P6 b% v
had kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had8 D' i' K& H! }, ?8 ^7 O
really gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me.
: f4 J; \) W6 [" v0 J HWhich, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.4 h( g; }) w9 d, h
No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon.4 i/ V* s) y2 \$ O; j& ^
And I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter9 T/ e# }, j/ Z
on his desk. And I said, I just want you to know what your letter of recommendation goes for at h! f5 }1 V) k* a- {. Y3 J+ s
Carnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and
* c/ X$ m+ U5 q/ z2 Dhe said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the
4 N1 I6 ~4 A+ w' d" \way I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me.; N( T1 m7 P T
[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,
3 w- }6 n5 z Q% ?+ u5 {; OI’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,, u1 [7 q+ [: n e% Y2 c, k$ O
go visit the other schools and if you really don’t feel comfortable at any of them, then will you let me+ N0 F6 G/ N) E. d2 J
call Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and
' q# q! W8 _) r+ \( p! sI said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]
( w: N+ V; k JBerkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you
3 q8 i2 n9 r; K, a) [' Wknow, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked
4 s2 e! q& P- x: \' Z$ J7 Yin Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his2 h% }! d4 T; q( m* A, V6 A/ o9 Y* h
office tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So/ h( T' M4 N* T, [ N
I’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I
$ q$ W. E: t+ Z2 gdon’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy,- y0 _4 X- a3 E u+ Y. s0 f: m
why are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since
9 }; e" c2 u* w5 B1 J C yyou admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious
9 Z! {( a3 S8 R4 F* w5 Dfellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a$ }, n7 u* f! I
fellowship, money, we have plenty of money. That was back then. He said, we have plenty of
8 b0 w1 Q! |# F2 n' r. p; [ K; jmoney. Why do you think having a fellowship makes any difference to us? And he looked at me.
% p- e" b) R3 M1 n+ m6 }! }, MThere are moments that change your life. And ten years later if you know in retrospect it was one of5 C2 o& ]9 W3 x
those moments, you’re blessed. But to know it at the moment …. with Nico staring through your
5 ]! J: U8 C) _. D9 dP a u s c h P a g e | 21; I: y) } Q: N# s
soul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an
. F" A- P" c( K9 v3 Khonor. There were only 15 given nationwide. And I did think it was an honor that would be1 H- Z. S/ d" B( ]7 e% a
something that would be meritorious. And I apologize if that was presumptuous. And he smiled.. d/ Y" j( @% K8 X" P
And that was good.
6 T3 U# i2 ~& BSo. How do you get people to help you? You can’t get there alone. People have to help you and I
$ {. J( Q7 Z5 I/ A2 d% ydo believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being
4 u4 a4 f% h+ i$ f* Eearnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest& Q1 c' g( G) O0 g
is long term. R" n7 y- ]; C! L- D+ p5 N! I3 Y
Apologize when you screw up and focus on other people, not on yourself. And I thought, how do I
) Z S8 ]3 S; A( |% R0 _1 A4 wpossibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete1 w1 O( Q$ ~4 ~5 p; r
example of focusing on somebody else over there? Could we bring it out? [Speaking to audience], G7 N3 {: O& x( L; V, k" @
See, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus3 D1 g. C1 ~2 I8 Z
on me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper' C$ x9 j/ u$ [
birthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled" y9 }$ E8 }- \4 @* T1 l' m: G
onto the stage] [applause] Happy—
. U3 X& o& U- X2 _* D! Z9 q9 REveryone:
6 E8 e" n% T+ p) ?5 n…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy
, a) v: C; H7 V' m7 L6 o) jbirthday to you! [applause]
6 O8 i) h5 [: m$ p+ T( b: Z[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The
5 I8 l; J. H0 g, P7 I, A0 Aaudience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]+ [: i; Z, U0 M" e+ u
Randy Pausch:
, m" m5 {0 c+ s0 d, GAnd now you all have an extra reason to come to the reception. [laughter] Remember brick walls let# b9 R' ^5 w8 q L
us show our dedication. They are there to separate us from the people who don’t really want to6 G* f% a, U B
achieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.3 K. W6 i! Q8 a( S8 P$ G7 j! ?) B
[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was
/ k+ W/ R5 c) Y* V* p0 _the big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we# J2 d6 \) G1 y ^2 U s. }: Q5 Y: g" K
were the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to% B# _4 @/ f( S) F# n* L8 p
give eight million dollars to USC to build a program just like yours. We’re hoping you can help them
8 X( S% |' c* ^1 iget it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And7 U& Z% F" h% |3 y- W: h& z
to quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we
: e6 S6 n4 E# V% J% r. ]) bhave a great relationship, personal and professional. And he has certainly been point man on
8 a/ ~9 G# w" f+ B% wgetting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it) q9 Z( }& J( j8 v
certainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t( \7 a! V M6 O# J6 K, u
have been the right thing to do, and when you do the right thing, good stuff has a way of happening.( A/ e- d& f0 j/ ~5 p3 [ t
Get a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or
2 ]/ ?' s F4 l( f8 Y6 c+ C# eit can just be one great man who tells you what you need to hear. The hard part is the listening to it.9 R. ~( [! c5 H+ h! p/ R* L
P a u s c h P a g e | 220 L$ L$ f ^8 v
Anybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed
$ [1 F* |# S5 y9 Uto, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and% ^$ E) ] x& G
use it.' R" A3 s Z$ U* B) O- b! R
Show gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.6 [$ {; T8 C2 m7 s
And one of the other professors at Virginia said, how can you do that? I said these people just4 Y$ k# F/ Y4 h* G3 Z
busted their ass and got me the best job in the world for life. How could I not do that?- w1 n4 u3 Z1 E- a1 T: K
Don’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league, h' I0 |! Y1 l$ c" N+ a
baseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even* [/ f6 Q% G& Q) l1 F
when the fans spit on him.+ w+ { D! n8 S3 ~
Be good at something, it makes you valuable.
9 X& \ ^1 W3 [! f* JWork hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,5 p% ~* U: G) _0 ~2 o
wow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in
! s6 ~+ O9 e* o+ l: _ A4 Z3 amy office at ten o’clock and I’ll tell you.
$ B8 w8 `' _* F+ l2 YFind the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might1 C* |1 m3 b" C
have to wait a long time, sometimes years, but people will show you their good side. Just keep
6 a- d; [1 r! T3 Dwaiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,# }6 d1 m: Z2 P1 H7 {! f( ~6 G% I
it will come out.
+ M9 Z3 Z, U6 g5 r0 t0 W& n1 \, GAnd be prepared. Luck is truly where preparation meets opportunity.
% @$ M7 Y i- K( e; o: nSo today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons
( I% J# B! M+ h( [# i( Zlearned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your
m8 v' Y7 l, z' d6 |dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care5 k! x( o9 @/ E! k: D( e
of itself. The dreams will come to you.' k, \8 p8 E& S. h( R
Have you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,; J* w$ ]/ F& [' B6 X, z
good night.
4 u2 g- v o% ?' i9 W' v* o6 n[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit( f, }: _* k+ ?: K
down in their seats; standing ovation continues for another minute]$ e/ ~5 P7 `, z: o& o
Randy Bryant:
0 c" s" E+ `3 L9 N- D |Thank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy./ w( \' C5 x4 W9 V1 L! |
He had this theory even up to yesterday that there wouldn’t be anyone in the room.
) P4 K( e- M; {, [4 c. n! D* a, s" O7 `Randy Pausch [from seat]:" F ^) [% z+ h. Y% j Y, n
After CS50…
* y7 e& |) ^6 R/ iRandy Bryant:$ f/ `0 J1 {0 d( v& Z0 ~; t# x
I know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy8 J* D7 Q6 c+ y: F" i! r+ ^
Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant( q: N) r0 A$ z
from Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of
1 g" q% M- ~0 U1 S) {2 ]8 p& F3 {7 Ebuilding virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the
, I! w. k9 v8 Dother Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased
( u$ s$ R O) stoday to be able to sort of run a brief series of ways in which we want to recognize Randy for his
7 O; t2 E3 Z, j U& J: D7 Kcontributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we2 c) r0 w _+ M% s4 u' A6 k
have a few – it will be a brief program. We have a few people I’ll be bringing up one after the other. K- H( {- R7 _0 f. i# \
I’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from8 k I) U3 x# ?9 C) B" z
Electronic Arts. [applause]8 g( b! h; W% g8 m
Steve Seabolt:: p/ G. v% ]; W& X9 H
My family wondered whether or not I would make it through the introduction. [voice starts to crack4 O( _! l, C8 v' i( N
up] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,6 v2 f# |% e7 \5 u6 U
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying
0 v3 `2 K- i3 \% g# Cto encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t6 S" @2 _( M. _& M; ?9 d! S: J
be a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,
5 i) w7 a+ }1 ^4 p& `and at the same time companies are forced to off-shore, there are fewer and fewer
4 r' Y" F' V" m- u& Lstudents entering computer science. And the number of women entering computer science just
P& y3 `' ?/ ^5 n4 C) |keeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so
7 s) Q# n: X% r; u: _8 t+ m# C& Vmany more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the8 o- l7 t- `3 i X# ?; `# T
Randy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership! n8 a- w/ o5 [; }9 Y
and contribution to education, computer science, digital entertainment, and his commitment to; |! D# G9 `, Z* Z* h
women in technology. This scholarship will be awarded annually to a female undergraduate CMU
( q0 {1 B% k0 q0 P' Estudent who demonstrates excellence in computer science and a passion in the pursuit of a career in8 r' B1 r7 s8 c4 g& @
video games. Randy, we’re so honored to do this in your name. [applause]& w! [1 F9 e9 G+ M. q
Randy Bryant:2 T9 I, w' a+ ^3 U6 a3 ^* z
Next I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing1 i3 Y! Y/ _7 O4 p/ L; `
the ACM Special Interest Group in Computer Human Interaction. Jim. [applause]& L9 v* J3 `0 h n2 F, H
Jim Foley:6 m- a6 g, o! f+ y2 d" ^8 R
[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the! N7 a2 t' \1 O6 n8 ~
Association for Computing Machinery is a group of about 100,000 computing professionals. One of
/ s/ ?* Z5 Q0 k! q; Q' ktheir special areas of interest is computer human interaction. A few weeks ago, someone who’s a
4 p0 F4 e/ V6 q$ I1 i l$ bvery good friend of Randy’s wrote a citation which was endorsed by a number of people and went to
5 N, `1 o0 Q d- Tthe executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this
4 H6 R5 E8 }- }, H8 w7 p1 J Uspecial presentation. The citation was written by Ben Schneiderman and worked on then by Jenny
/ M% m0 a1 t: ^) H& ]8 OPreese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the# V' O: I/ ?- [5 ]. `+ g
executive committee. So let me read to you the citation. Special award for professional' }) L5 E/ r: s- S, {4 H5 D" D
contributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both# F0 {5 S: ~9 M0 C. L2 B
mature researchers and a generation of students. His deep technical competence, choice of/ N8 P7 c8 k; p, Y+ Z/ ]( n
imaginative projects and visionary thinking are always combined with energy and passion. We’ve! [7 n4 V9 ]" m. j& \
seen that. From his early work on the simple user interface toolkit to his current work on 3D Alice
3 e/ V+ E0 G' n1 ~2 `! uprogramming language, he has shown that innovative tool design enables broad participation in
8 F }' y R {% D- \programming, especially by women and minorities. Randy Pausch has vigorous commitment to# h7 c2 {( ~# q a) e8 U/ Q2 p2 E
engaging students at every level by compelling and intellectually rigorous projects, and his appealing6 p$ \. a+ }' `, [+ y
lecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]
+ M4 \" z+ `/ V8 B5 KHis work has helped make team project experiences and educational computing research more
6 T" f5 I0 w0 _/ icommon and respected. As a National Science Foundation Presidential Young Investigator, a Lilly
2 u! c, y) b" _ H1 q& O/ D1 p2 NTeaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney: @4 s# @1 k" F, w7 }
Imagineering and EA, Randy’s done pioneering work in combining computing interface design and
7 c* ~; R+ r( T& z$ eemotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive+ I) ~% }9 f3 _& K
council is proud to present to Randy Pausch a special award for professional contributions.0 `3 f- Z" l ^/ @( G4 `, f
[applause] [Randy comes back on stage to receive award]
. w% U7 v: f4 n# p" GRandy Bryant:7 v* P9 O6 V. t! ^8 X' a# w- f2 B
Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University. k. [" V* q5 D ]
[applause]4 w2 f/ d$ w7 A( K
Jerry Cohen:
7 o8 O, e6 J- w. W% i1 u$ GThank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You
6 V0 H/ j5 E) |5 [know you’re traveling heavy, buddy. Many of us have been thinking about and talking about how ^/ Q& Y0 u, e* i' L& \/ G, ^
we can recognize you on this campus in a way that is lasting and fitting in terms of what you meant
8 x' v! Z' j; s1 B9 w$ ~to this university. A lot of people are involved in this. You thought the provost wasn’t paying
7 n5 R1 ]& M. Uattention all those years. [laughter] Actually, one of the ways we’re going to remember you is this% T" ~0 _$ ~0 S$ b% Y& x5 _9 \% h; k
$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we) w8 q7 S8 J; N" O
really appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture
* H4 ^0 {2 u8 Gthe kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a$ B# N. d2 A2 M: Y
teacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,
7 L! h i8 Y& g7 {! ahowever. And there is a way to remember you every day, as people walk this campus. So we’ve
( J6 z2 x. y. m' p- N# ecome up with an idea. You’ve done great things for this campus and for computer science and for. P% C7 }/ d0 b0 \; o
the world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve; M# M7 ^+ R2 g! o k5 }
done to connect computer science with the arts. It was remarkable, it was stunning. It’s had
' l4 t+ l) {7 E y& D0 aenormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the
0 d& V" L0 D; ~& {* b/ Jfollowing. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next
, _+ b+ [3 X! f% C0 n, ]3 Nslide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A# a& Z6 {* G# `! [% C$ [
hundred million dollar building which will allow us to do the following. You’ll note, by the way, to7 K- w. g6 T5 ~$ a x; s* O( E
orient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern
2 [# Y( X0 d$ I2 o- Qlooking new thing, half of which has a green roof, is the new Gates Center for Computer Science.8 j# T* J; G1 ^5 [' e7 m
And we had long planned to connect these two physically, both to allow people to get down from
) l8 y1 j+ ~( u$ x6 t4 m. ?the cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well! a* z2 E5 u$ ?! [/ [4 g" K
on behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m7 I# S5 T1 m( t
pleased to announce today that the bridge connecting these two will be known as the Randy Pausch
" W3 A/ X9 L. ^' w& b! cMemorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk
: ~ w9 f- P% @+ @today we’re thinking now about putting up a brick wall up at either end, and let students see what3 `: G& N* F& W' W
they can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here' N9 ` U) [5 i
who will not know you, but they will cross that bridge, they will see your name, and they’ll ask those
) z, c3 \+ {, x! f6 tof us who did know you. And we will tell them that unfortunately they were not able to experience9 @5 V6 s, a6 G
the man, but they are surely experiencing the impact of the man. Randy, thank you for all that
) e3 t* F4 w& [" Vyou’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and3 g; \) h) T, k" G
gives Jerry a hug]6 x* B4 V% h) S
Randy Bryant:
' H6 c# u3 b; b8 c" N; PSo every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]' V1 y ~; S) @7 o1 d' Y% p
Andy Van Dam:
; n$ N. y0 L9 ^: b0 D) VOh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t5 [+ z V6 \; D1 C7 Y8 g) T8 Y
know whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure
! l3 c" d# l' Zand great joy not just to teach thousands of undergraduates and some graduates, but also to work
& r# ?+ W" e9 ?: V1 I7 Yone-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud: X" m8 c3 r C9 ^
to say. Out of those best and brightest it was very clear that Randy would stand out. He showed/ f; `% f# i" T/ M& m7 m I& @ c6 f
great promise early on and a passion about our field and about helping others that you’ve seen1 z% J, g1 y$ q# k
amply demonstrated today. It was matched by fierce determination and by persistence in the face
& Q1 u! b4 Y0 pof all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights8 l- s' P( p( p3 f; m
this terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you- B; s0 [- s& A1 R9 N# j0 }
remember that. And what happened to the elephant’s child, he got spanked by all of his relations,5 H) }9 c7 [9 s9 P$ i, Q3 @
and you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,
6 z- s7 M4 q. C$ V! ^3 zwhich led to the fantastic showmanship that you saw today. He was self-assured, occasionally to3 _/ Z; z+ V6 E2 e
the point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from: [9 Q l5 [* q3 I. |
stubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve7 J( H2 T6 E; G. {4 ?
seen that demonstrated over and over again. Now, having been accused of many such traits myself,- m0 C! i* b9 g* ?! O
I rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I' X3 u5 a& U k/ S* k5 ?. e
was a fanatic about getting students to speak and write correct English from the get-go. And Randy' S1 J! R$ R; Y# l& D% h+ A1 z
the mouth had no problem with that. But he did have one problem. And I’m having a problem with, q# a. S- {! g! P7 g$ ?$ T
my machine here, here we go. [gets slide to project on screen]. And that was another part of my, t5 A$ i! z( { B
fanaticism which dealt with having American students learn about foreign cultures. And specifically4 k% K; {1 g7 B' d, e
about food cultures, and more specifically yet, about Chinese food culture. So I would take my& z6 Y% R0 O7 \$ r. z/ k8 j
students to this wonderful Chinese restaurant where they cooked off the menu using a Chinese
8 N2 ?8 W: U$ n. n( Q4 emenu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?
; ]" l9 ?* G# p- f8 \/ N[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at
3 K5 K$ E+ t! H; ythe time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with' u: z3 D; U. _7 e& m
chopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And
. o0 l. W, U# s ~0 V+ Y* _so it came time for graduation and I handed him his diploma. And this was the picture one of my9 F$ I8 s: ] m
friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and
, s( z6 y8 E( e; cgown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his
* t4 D/ |/ n9 y; Zdiploma to show it to his parents, and there was an autographed copy of the menu in Chinese and
% I* O1 ~- \& B0 u( sno diploma. [laughter, applause] It was one of the few times I got the better of him, I have to
6 [9 \$ I/ t) u: B$ ]confess. Well here we are today, all of us, and hundreds and hundreds of people all over the* t A* m# e' \" g+ r. L& W
country, I dare say all over the world, participating in this great event to celebrate you and your life.
" T) I) `2 u9 v6 ~ PRandy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model
0 F/ I$ J0 n7 e% nacademic, especially as a mentor to your students. Your Disneyland expeditions not only were
* i) k' k3 T) y& Y9 c+ I R2 u" H" Junique but they are legendary. You have more than fulfilled the terms of Brown University Charter,
2 S% L2 S$ W! l+ J" r" ^& {3 \) Twhich are: to discharge the offices of life with usefulness and reputation. Your utter devotion to0 N8 d- j0 M, h' Y
your family and your career are exemplary, and continue unabated as you cope with the immensity& A/ ^- t# ]+ g1 F+ w% f: u
of your situation. You exemplify undaunted courage and grace under pressure. The most terrible. c7 M2 H9 r* G
pressure one can imagine. Randy, you have been and you will continue to be a role model for us. z% k) k7 g5 o, R( ~! {2 O
[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell
9 B8 e6 Q2 c& y6 C% r0 y7 ?you privately and in such a public way how much we admire, honor, and indeed love you. [applause] h3 y7 m" s. p+ O
[standing ovation]
4 ~ c) I6 Q( C/ ?$ x8 L
! Q8 i: q Z3 B; {[ 本帖最后由 billzhao 于 2008-11-16 18:02 编辑 ] |
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