D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
- ]7 |1 u3 h( J4 iof the new Nikon D800. Established medium-format image quality is
! f6 p8 m+ w+ {$ C4 l5 [now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
4 Q1 @6 x: c2 }$ b0 Q# n& [megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
; j- Z0 E( n& g5 W1 C4 H: min low light are just a few features that are glaring improvements. The D800
7 ~6 z$ f& E2 ?: j& d& Sallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
" I' J; k1 M" s( [, I9 Pwas traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
; c4 \. l* H+ i3 _  N' j; r2 Z+ Hwidely accepted that image quality was compromised in lieu of speed and
- ^: k, D- W7 ?3 |6 [( [convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
, ~# o. {9 q* ^When I’m shooting beauty and jewelry in the studio or fashion on location,
8 q1 w/ B! X$ m& @9 B! e36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
) |) [% g9 k: q* ^: u$ z3 Hthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
+ x7 L4 m; y+ S6 v2 n$ wAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
4 F" g4 w  p( J( E6 m+ {, f7 J% oalso feeling lighter and smaller than previous high-resolution Nikons. New
" R. a' t/ _% j5 e! ~8 gcameras always inspire me to test and explore, and all the useful features
* H& h7 e1 `4 k. y7 P: A3 j+ q/ yin such a compact package will open huge creative possibilities for my highquality
prints and video.
/ h( c  p% m3 \2 y- M3 H, K3 @  C3 aTo me, cameras are more like paintbrushes than technology. The goal is
3 l1 g2 k* Z% v/ C1 k5 Lnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
; Q( r1 x2 b: ?' Bcountless cameras, I have found a new best friend. It was not love at first
' n1 n9 w* \9 |+ Z2 S1 P" Psight. The sharpness and detail were initially intimidating, exposing my flaws
! i; c6 n( G# P, O+ S  Q0 llike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
1 O$ t4 ^5 A. uthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
. w9 T4 W" ^$ dtremendously to the camera’s personality. After spending a month with the
* J- U7 }+ {* B. T- B  Z- ~D800, I’ll never be the same again. Perhaps the best compliment I can express
' X: w8 u- V5 Q5 {is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
2 h; @+ X* ~4 W- Q  V/ ~artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
' t/ {' I+ {) z6 I/ q- D7 a( @" Ncamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
6 [. i, ]$ X# x' Eand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
2 E: E' d* k4 iperfectly match with the newly invented system and produce breathtakingly
9 i0 P' Q5 ?2 ~0 ^. @! sclean, clear and sharp files. This camera gives me the photographic flexibility
, R% L$ D' _, {& k, D# }to work at unusual shooting locations and capture images in an exceptional
) h3 F5 b- T* ?range of light. It definitely takes my photographic versatility and image quality
0 ~4 i6 t( ^# c- @5 I- cto a new level. What a new companion!
) q+ W, S. G6 [) b7 CThe D800 On Assignment
Rob Van Petten
* z6 R& W% t) r$ a* s: {" Z% lFashion (U.S.A.)
- W! d8 n" t8 N- o# I% C; pCliff Mautner
& u7 r9 O; V% P3 u3 q3 g/ zWedding (U.S.A.)
* Z9 f" ?& [8 ~, r+ y2 @% gJim Brandenburg
Nature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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