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This was in a Vistek ad…some cool tips you may want to use.: Y' g5 ^4 @% U$ [; o! n
7 P$ ^$ ~6 s: Q; F p7 w' lDigital Black and White
$ \4 i. c9 m& _5 s9 X5 s6 CShoot in RAW and underexpose your image by 1/2 stop to a full stop.
Y6 a5 I& f+ S, x/ AUse the shadow and highlights tool in a RAW software program to
, m, e+ J) B4 w: Zrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White; h- {8 m/ ]) h2 W
methods provided by RAW and you'll have a correctly exposed black
: P' I# v/ A0 }and white image.
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White Balance2 X" `3 M2 H3 c( _" h+ I( ~5 P
If in need of a quick white balance tool, you can use a standard7 g! d4 K/ ?) _# y
white coffee filter. Use the custom camera white balance while aiming
; `6 n F1 U1 l" Wthe coffee filter and lens to the opposite of the light source to get white
' W6 e5 e; R x$ E/ m: ~; Vbalance. I always keep coffee filters in my camera bag for/ v+ V2 O- W% A0 ]1 N! l$ L
such occasions.
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" J$ V7 _0 i& f; |Pseudo ISO Boost
6 B9 b" @. I% u% ^5 \* zIf you’re shooting in the dark at a concert venue and need more5 i. ~: y' b5 g7 |6 {7 T/ j
ISO boost from your camera and faster shutter speeds - choose
2 ]0 `6 C$ j8 X1 x# Wthe highest ISO setting on your camera and underexpose your image
, j: i" c& W" y" yby one stop. Then you can use a RAW processor to overexpose the
9 E& T0 Y7 d$ M' ~2 I+ gimage by one or two stops. Image noise may be higher but this+ l! J. t; C! n- P# ?
works very well for concert, venue and event shooting. |
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