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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White& j. f9 g' r1 Q
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
1 `* x+ z& X/ P" MUse the shadow and highlights tool in a RAW software program to
5 Q. [' r9 t) I; jrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
7 \2 |5 {" A, S, m! R, ]methods provided by RAW and you'll have a correctly exposed black q. y7 h/ ~" z1 V) I
and white image.) {! ]& r- G+ _ z! c3 |4 A
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White Balance& A/ h# a' }( ~% F j. V; v
If in need of a quick white balance tool, you can use a standard
% k$ ^. m( |; o3 E5 F% Vwhite coffee filter. Use the custom camera white balance while aiming3 r/ A Q$ ^/ {9 L% v8 O9 o
the coffee filter and lens to the opposite of the light source to get white
# X+ T- f0 t. A1 k7 jbalance. I always keep coffee filters in my camera bag for
8 K7 P4 K+ m, N; U- esuch occasions.
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Pseudo ISO Boost
. l! Q; Z% i1 r; m" K& _2 i* h4 vIf you’re shooting in the dark at a concert venue and need more2 w& {+ [- l; j6 p3 M: d9 r
ISO boost from your camera and faster shutter speeds - choose
6 N% k/ \ X- }; b& k( Jthe highest ISO setting on your camera and underexpose your image3 Y3 N+ |- w" L( y; J) O1 a- t
by one stop. Then you can use a RAW processor to overexpose the
/ n& _* s2 x/ R9 X/ r* | h! u2 c, Mimage by one or two stops. Image noise may be higher but this/ M' G$ N T! e' Z# [* }' C
works very well for concert, venue and event shooting. |
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