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This was in a Vistek ad…some cool tips you may want to use.3 ^! ?" a9 _* l! o
( }$ Y! p) a$ P* ZDigital Black and White5 y! v) D; L9 I
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.) T& I/ {' P% ?% _: Z
Use the shadow and highlights tool in a RAW software program to
! x9 x* u8 ]: |/ mrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
1 _/ P2 h4 V) z8 S3 z* |+ H" @8 z6 @methods provided by RAW and you'll have a correctly exposed black& O* L& {8 x5 a! B/ Z5 b! q7 d1 z
and white image.
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" ?6 f5 A( H% B* l" h( RWhite Balance
0 F. n* e! b+ QIf in need of a quick white balance tool, you can use a standard9 S/ P, K+ ], a, i! I) ~
white coffee filter. Use the custom camera white balance while aiming" c8 p1 I4 R) X! c
the coffee filter and lens to the opposite of the light source to get white' P% Q9 w0 a4 o* P* b' p% d$ K8 y
balance. I always keep coffee filters in my camera bag for, G F# v8 }8 E: X: n" o6 s
such occasions.
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% ~- `# Z( ?( q/ YPseudo ISO Boost% O: k; d# T1 i$ f C6 w, B: ~
If you’re shooting in the dark at a concert venue and need more- S: e- Y7 {2 `, W
ISO boost from your camera and faster shutter speeds - choose 0 s$ V, f' K0 J* t' u
the highest ISO setting on your camera and underexpose your image" j8 M% p4 X0 Q! P
by one stop. Then you can use a RAW processor to overexpose the
1 R$ A' v$ M0 s4 a4 h, Qimage by one or two stops. Image noise may be higher but this
5 A6 i0 O, C* h# N$ Gworks very well for concert, venue and event shooting. |
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