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This was in a Vistek ad…some cool tips you may want to use.6 X+ E0 z- b% S' g: u) G+ _2 x( g
6 i- ]5 g) | l( t( ODigital Black and White
6 ~5 ~6 A/ }2 O" ], |Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
4 d) C8 ^' O+ w5 L* p/ }Use the shadow and highlights tool in a RAW software program to
3 L* o! b8 X, o- |! grestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
/ H/ F$ f# g- p1 U! r0 w# jmethods provided by RAW and you'll have a correctly exposed black; P( a& E5 b2 u: ~
and white image.
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White Balance
5 Z$ k# R2 X! Y5 kIf in need of a quick white balance tool, you can use a standard: I8 E5 r& B" W) o& ?
white coffee filter. Use the custom camera white balance while aiming
/ }0 y t6 T% xthe coffee filter and lens to the opposite of the light source to get white
/ E# i, P. O( E' q* i. [balance. I always keep coffee filters in my camera bag for
, r! p. M' B, A4 W" }. }2 Gsuch occasions.
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Pseudo ISO Boost9 o& f* u8 e5 X$ F8 u
If you’re shooting in the dark at a concert venue and need more) w% H' {+ }4 Q4 A0 Q: i
ISO boost from your camera and faster shutter speeds - choose ' z% n5 o7 O3 a9 }
the highest ISO setting on your camera and underexpose your image( Q) C' U4 q; e# @. l/ z: Y
by one stop. Then you can use a RAW processor to overexpose the
+ i3 l, k! i" \( Z: ^* [$ _2 aimage by one or two stops. Image noise may be higher but this9 f- y; ? ~. n5 ^7 |+ X
works very well for concert, venue and event shooting. |
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